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El. knyga: Scattered Musics

  • Formatas: 270 pages
  • Išleidimo metai: 19-Mar-2021
  • Leidėjas: University Press of Mississippi
  • Kalba: eng
  • ISBN-13: 9781496832375
  • Formatas: 270 pages
  • Išleidimo metai: 19-Mar-2021
  • Leidėjas: University Press of Mississippi
  • Kalba: eng
  • ISBN-13: 9781496832375

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Contributions by Nilanjana Bhattacharjya, Benjamin Burkhart, Ivy Chevers, Martha I. Chew Sįnchez, Athena Elafros, William Garcķa-Medina, Sara Goek, Eyvind Kang, Junko Oba, Juan David Rubio Restrepo, and Gareth Dylan Smith

In Scattered Musics, editors Martha I. Chew Sįnchez and David Henderson, along with a range of authors from a variety of scholarly backgrounds, consider the musics that diaspora and migrant populations are inspired to create, how musics and musicians travel, and how they change in transit. The authors cover a lot of ground: cumbia in Mexico, mśsica sertaneja in Japan, hip-hop in Canada, Irish music in the US and the UK, reggae and dancehall in Germany, and more. Diasporic groups transform the musical expressions of their home countries as well as those in their host communities. The studies collected here show how these transformations are ways of grappling with ever-changing patterns of movement. Different diasporas hold their homelands in different regards. Some communities try to recreate home away from home in musical performances, while others use music to critique and redefine their senses of home. Through music, people seek to reconstruct and refine collective memory and a collective sense of place.

The essays in this volume-by sociologists, historians, ethnomusicologists, and others-explore these questions in ways that are theoretically sophisticated yet readable, making evident the complexities of musical and social phenomena in diaspora and migrant populations. As the opening paragraph of the introduction to the volume observes, ""What remains when people have been scattered apart is a strong urge to gather together, to collect."" At few times in our lives has that ever been more apparent than right now.
Introduction vii
David Henderson
Chapter 1 "An Ireland over There"? Dance Halls and Traditional Music in the Irish Diaspora, 1945--70
3(21)
Sara S. Goek
Chapter 2 Cumbias y Rebajadas: Aurality, Race, and Class in Monterrey's "Colombia" Culture
24(33)
Juan David Rubio Restrepo
Chapter 3 Cubaton's Transnational Creolizations
57(16)
William Garcia-Medina
Chapter 4 Letter to Gautam Gupta
73(17)
Eyvind Kang
Chapter 5 Connecting Identity: The Rasta Reggae Diaspora in Columbus, Ohio
90(19)
Ivy Chevers
Chapter 6 Michie Mee: Rap Music, Cultural Representations, Identity, and the Caribbean Diaspora in Toronto
109(22)
Athena Elafros
Chapter 7 Journey to Jah: The Discourse of Internationalization in German Reggae and Dancehall Media
131(18)
Benjamin Burkhart
Chapter 8 "We're Called Neck, and We Play Psycho-Ceilidh---It Goes Something Like This "
149(17)
Gareth Dylan Smith
Chapter 9 Reworking the Brasilidade Narrative: Dekassegui, Musica Sertaneja, and the Performance of Identity in the Japanese Brazilian Expatriate Community
166(23)
Junko Oba
Chapter 10 La Musica Ranchera in the Reconfiguration of Hispanismo and Mexicanidad in Musical Exchanges between Spain and Mexico
189(29)
Martha I. Chew Sanchez
Chapter 11 British Asian Culture and Its Margins in East London
218(19)
Nilanjana Bhattacharjya
About the Authors 237(3)
Index 240
Martha I. Chew Sįnchez is associate professor and chair of the Caribbean, Latino and Latin American Studies Program at St. Lawrence University. She is author of Corridos in Migrant Memory. Her research and teaching interests are focused on Latino studies, cultural studies, musicology, border studies, ethnic studies, and cultural ecology.

David Henderson is associate professor and chair of the Department of Music at St. Lawrence University. His work has been published in Ethnomusicology, Asian Music, and Popular Music and Society, and he is coeditor of Mementos, Artifacts, and Hallucinations from the Ethnographer's Tent.