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El. knyga: Scenic Charge Artist's Toolkit: Tips, Templates, and Techniques for Planning and Running a Successful Paint Shop in the Theatre and Performing Arts [Taylor & Francis e-book]

Jennifer Rose Ivey

Formatas: 244 pages, 75 Line drawings, color; 36 Halftones, color; 111 Illustrations, color
Serija: The Focal Press Toolkit Series
Išleidimo metai: 30-Dec-2021
Leidėjas: Routledge
ISBN-13: 9781003056294

Kitos knygos pagal šią temą:

Taylor & Francis e-book
Kaina: 161,57 €*
* this price gives unlimited concurrent access for unlimited time
Standartinė kaina: 230,81 €
Sutaupote 30%

Formatas: 244 pages, 75 Line drawings, color; 36 Halftones, color; 111 Illustrations, color
Serija: The Focal Press Toolkit Series
Išleidimo metai: 30-Dec-2021
Leidėjas: Routledge
ISBN-13: 9781003056294

Kitos knygos pagal šią temą:

More info about Taylor & Francis e-books

Partnerių interneto svetainė: https://www.taylorfrancis.com/books/9781003056294

"The Scenic Charge Artist's Toolkit is a comprehensive guide to managing a theatrical paint shop. This book introduces the many different options available to a scenic charge artist, as well as the fundamental expectations and responsibilities of planning and running a shop. From the pre-production organization, budgeting, sampling, and sealing to practical lessons in efficiency and shop maintenance, this text provides options to organize a paint shop no matter the size of the shop, show, or company. Filled with templates for labor and time estimation, tips on leadership and collaboration, techniques for painting and planning textures efficiently, and sustainable practices in health, safety, and wellness, this book provides guidance and practices to successfully manage the inevitable changes in theatre planning and production. It also offers tips and reference material on employment options, gaining employment, and excelling in this profession. Written for early career scenic artists in theatre and students of Scenic Art courses, The Scenic Charge Artist's Toolkit fills in the gaps of knowledge for scenic artists in the budgeting, planning, and running of shops at summer stock, educational institutions, or freelance working environments. The text includes access to additional online resources such as extended interviews, downloadable informational posters and templates for budgeting and organizing, and videos walking through the use of templates and the budgeting process"--

The Scenic Charge Artist’s Toolkit is a comprehensive guide to managing a theatrical paint shop.

Acknowledgments

xiv

Introduction

(2)

1 The Job of the Charge Artist

(19)

What Does a Scenic Charge Artist Do?

(19)

Expectations and Responsibilities

(1)

The Expectation of Product

(1)

The Expectations of Management

(1)

Who's Who in the Paint Shop: Roles

(2)

Theatre

(1)

Scenic Charge Artist

(1)

Assistant Scenic Charge Artist

(1)

Scenic Artist

(1)

Journeyperson

(1)

Lead Scenic/Lead Artist

(1)

Apprentice

(1)

Intern

(1)

Other Industry Titles

(1)

Film Charge Artist

(1)

Set Painter

(1)

Industrial

(1)

Utility

(1)

Onset Painter (Film)

(1)

Overhire/Day Hire

(1)

Painter 1 vs. Scenic Painter (Theme Parks and Entertainment)

(1)

Project Manager (Commercial)

(1)

Summer Stock Theatre

(1)

What Is a Summer Stock?

(1)

Interview With Scenic Charge Artist Julia Buerkle

(2)

Regional Theatre

(1)

Interview With Regional Scenic Charge Artist Kat Conley

(2)

Scenic Art Studios

(1)

Interview With Scenic Studio Artist and Educator. Donna Wymore

(2)

Interview With Corporate Shop Scenic Artist: Helen McCarthy

(4)

2 Getting Work

(30)

When Work Finds You

(30)

Work Begets Work

(1)

Finding a Job

(1)

Postings and Advertisements

(1)

Networking

(1)

Membership Organizations

(2)

Unions

(1)

What Is a Union?

(1)

When Should You Consider Joining a Union?

(1)

How Do You Join the Union?

(1)

Interview With Union Scenic Artist and Educator Jane Snow

(3)

Freelance

(1)

Independent Contractor (1099) vs. Employee (W-2)

(1)

Always Consider Yourself a Business

(1)

Keep the Cycle Moving

(1)

Interview Materials

(1)

Cover Letter

(2)

Resume

(2)

Portfolio

(1)

Physical and Digital

(1)

Selection of Materials

(1)

Arrangement and Layout

(1)

Text Labels

(1)

Branding and Professional Consistency

(1)

Creation and Distribution

(1)

The Interview

(2)

Offers, Contracts, Invoices, and Pay Schedules

(1)

How to Say Yes and No

(1)

Contracts

(2)

Invoices

(2)

Interview: Freelance Scenic Artist Valerie Light

(4)

3 Getting Better

(20)

Education

(6)

Traditional Methods of Education

(1)

Bachelor of Arts/Bachelor of Fine Arts

(1)

Graduate School

(1)

Interview With Julliard Scenic Charge Jenny Stanjeski

(2)

Non-Traditional Forms of Education

(1)

Community Theatres

(1)

Learning on the Job: Apprenticeships and Internships

(1)

Training Programs

(1)

Boston University Artisan Certificate

(1)

Cobalt Studios

(1)

Studio and Forum of Scenic Art

(1)

Morale Maintenance

(2)

Positive Attitude

(1)

Buy-in and Ownership

(1)

Calling In Instead of Calling Out

(1)

Giving Constructive Feedback

(1)

Emotional Hygiene: Work-Life Balance

(12)

Burnout

(1)

Boundaries

(1)

Physical and Creative Fuel

(1)

Mental: Stressing De-Stressing

(1)

Self-Care

(3)

Physical: Sustainability

(1)

Rotator Cuff Strength

(1)

Neck Pain and Rolled Shoulders

(2)

Hand and Forearm Pain

(1)

Knee Strength -- Floor Work/Ladder Work

(2)

4 The Paint Shop: The Things and Stuff

(38)

Space and Storage

(12)

Floor

(1)

Creating Paint Decks

(1)

Paint Frames

(1)

Scenery Shuffle

(1)

Lighting

(1)

Sink and Water

(1)

Protecting the Room

(1)

Storage

(3)

Flammable Storage

(1)

Mixing and Counter Space

(1)

Disposal

(2)

Temperature and Airflow

(1)

Tools in the Tool Kit

(26)

Brushes

(1)

How a Brush Works

(2)

Brush Maintenance

(3)

Brushes and Applicators

(1)

Rollers and Extenders

(1)

Texture Tools

(1)

How Texture Tools Work

(5)

Sprayers

(1)

Sculpture

(1)

Transferring an Image

(1)

Redraw

(1)

Trace

(2)

Supplies

100

(1)

Containers and Carriers

100

(2)

Mobile Structures

102

(2)

Less Mobile Structures

104

(1)

Types of Paint

105

(3)

Mediums

108

(2)

5 Health and Safety: Providing a Safe Space

110

(17)

Health vs. Safety

110

(2)

Protection From Short-Term vs. Long-Term Harm

111

(1)

Wellness

112

(1)

A Culture of Safety

112

(2)

Mindsets and Attitudes

113

(1)

Working Alone

114

(1)

Working Safely

114

(5)

Accountability

115

(1)

Learning and Implementing Policies

115

(1)

Personal Protective Equipment

116

(1)

Small Kit/Medium Kit

116

(2)

Large Shop

118

(1)

Interview With Safety Expert and Industrial Hygienist Monona Rossol

119

(8)

6 The Art Part: Foundations of Techniques

127

(35)

Color Theory: Manipulating and Mixing

127

(10)

Identify the Color You Are Looking for Clearly

128

(1)

Picking the Right Base Color

128

(1)

Temperature and Bias

129

(1)

Mixing Colors, as Bright as Possible

129

(1)

Mixing One Small Step at a Time

130

(1)

Another Color

131

(2)

Testing

133

(1)

Recording Colors

133

(1)

Color Theory for Mixing Colors

134

(2)

Mixing Mediums Safely

136

(1)

Labeling

136

(1)

Painting Foundations

137

(2)

Preparation of the Surface

137

(1)

Finishing: Sealing and Protecting

137

(2)

Skills: Painting Tips Beyond the Traditional

139

(5)

Tools, Tips, and Advice

140

(1)

Problem Solving

140

(1)

Jennifer Ivey's Design Thinking Structure

140

(1)

Homemade Tools

140

(1)

Lining Stick

141

(1)

String Grid

141

(1)

Story Stick

142

(1)

Roller Tips

142

(1)

Texture Tips

143

(1)

Rockers

143

(1)

Stamps and Stencils

143

(1)

Brush Tips

144

(1)

Treatment Tips and Advice

144

(18)

Brick, Stone, or Cinderblock

145

(3)

Marble

148

(2)

Wood

150

(4)

Metallic Finishes

154

(1)

Spatter

154

(1)

Hudson or Garden Sprayer

154

(1)

Highlight, Shade, and Shadow

155

(1)

Other

155

(1)

Sculpture

155

(1)

Painting Fabric

156

(1)

Stained Glass

156

(1)

Fake Neon

157

(1)

Erasable Graffiti

157

(1)

Recipes

157

(5)

7 Beyond the Art Part

162

(33)

Learning to Juggle: Leadership and Communication

162

(10)

Collaboration and Communication

163

(1)

Rule #1 Be Thoughtful (a.k.a. Don't Be a Jerk)

163

(1)

Rule #2 Be Intentional (a.k.a. Don't Make It Look Like Poo)

164

(1)

Rule #3 Be Collaborative and Communicative (a.k.a. Never Assume)

164

(1)

Managing Yourself -- Flexible and Adaptable

164

(1)

The Futility of "Should"

165

(1)

Time Management: Styles and Modes

165

(1)

Procrastination and Moving Towards Discomfort

165

(2)

Asking for Help

167

(1)

Interpersonal Relationships

167

(1)

Clarity Is Kindness

167

(1)

Respect

168

(1)

Diversity and Inclusivity

168

(1)

Communication Opportunity

169

(1)

Crews -- Leadership Tips and Planning

170

(1)

Managing a Small Team

170

(1)

Managing a Large Team

171

(1)

Managing Resources

172

(12)

Estimations and Equations

172

(1)

Why Do the Math?

173

(1)

Calculation Walkthrough

174

(1)

Materials Estimation

175

(1)

Square Footage

176

(1)

Calculating Coverage

176

(2)

When to Estimate All the Materials

178

(1)

People and Time

179

(1)

Learning to Tell Time

179

(2)

Budget Response

181

(1)

Calendar: Traveling Through Space and Time

181

(1)

Planning Your Time

181

(3)

Planning, Preparing, and Adjusting

184

(11)

Action Planning

184

(1)

Documentation

185

(1)

Show Binder/Show Bible

185

(1)

Information Section: Obligatory Reference

186

(1)

Planning Section: Process Sheets and Color Cards

187

(1)

Prioritization

187

(1)

Flexible To-Do List

187

(2)

After Show

189

(1)

Long-Term Planning: Keep It Moving

190

(1)

Predicting the Future

190

(2)

Points of Failure

192

(1)

Bottleneck to a Plan

192

(1)

Best-Laid Plans Go Awry

192

(2)

Learning From the Past

194

(1)

8 The Production Process

195

(24)

Background: Asking the Right Questions

195

(12)

Final Designs

195

(1)

Collaborative Conversation

196

(1)

Designer

196

(1)

Shop Coordination

197

(1)

The Technical Director

198

(1)

Asking Good Questions

198

(1)

Estimations and Budget

199

(1)

Broad Strokes

199

(1)

Trying to Figure It Out

200

(1)

Gut Check

200

(1)

Unanswered Questions

200

(2)

Prep: Bigger, Faster, Stronger: Adapting the Rendering

202

(1)

Sampling: Learning From a Small Scale

202

(1)

Thinking Through the Process

202

(1)

Creating Sample Sizes - Material Selection

203

(1)

Deciding on What to Sample

203

(1)

Turning Renderings Into Samples

204

(1)

Looking It Over

204

(1)

Prep Your Surface

204

(1)

Matching Color

204

(1)

Layers, Texture, and Depth

205

(1)

Sealer

205

(1)

Approval

206

(1)

Turning Samples Into Plans

206

(1)

Bigger: Adapting to a Larger Scale

206

(1)

Application

207

(1)

Considering Tools

207

(1)

Build: Doing the Thing

207

(5)

The In and Out: Working With the Technical Director

208

(1)

Load-In: A Deadline

209

(1)

Tech: Up All Night With Your Hands in the Air

210

(1)

Notes: I'll Get Right On It

210

(1)

Head Down Paint

211

(1)

Painting in Space

211

(1)

Run: Letting It Go

212

(7)

Touch-Up

212

(1)

Touch-Up Kits: Being Prepared

212

(3)

The Container

215

(1)

The Information

216

(1)

The Consumables

217

(1)

The Tools

217

(1)

Strike -- Revisiting Your Result

217

(2)

9 Treading Off the Boards

219

(15)

Freedoms in Freelance

219

(3)

Interview With TV, Theatre, and Commission Freelance Artist Stephen Michael

220

(2)

Film Interview and Information Section

222

(6)

Interview With Film and Television, Opera, and Theatre Scenic Charge Artist Genessa Goldsmith Proctor

222

(3)

Interview With Film and Television Theatre Artist and Designer Pamela K. Hickey

225

(3)

Corporations and Commercial Shops

228

(1)

Interview With Scenic Lead Cody Meacham

228

(6)

Interview With Project Manager Kathy Falkowski

231

(3)

Glossary

234

(5)

Index

239

Jennifer Rose Ivey is a passionate and dedicated theatre artist who has worked around the country as a designer, scenic charge artist, prop master, and educator. She has run paint shops for summer stock, professional theatre, and education, and she currently teaches at Florida International University as an assistant professor in scenic design teaching a variety of design and technology courses. Jennifer is an active member of several regional, national, and international, theatre organizations where she regularly presents in workshops, serves as a professional adjudicator. You can find examples of her work at www.jenniferivey.com.

Pastovi nuoroda: https://www.kriso.lt/db/9781003056294_pe.html

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El. knyga: Scenic Charge Artist's Toolkit: Tips, Templates, and Techniques for Planning and Running a Successful Paint Shop in the Theatre and Performing Arts [Taylor & Francis e-book]

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