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El. knyga: Script Development: Critical Approaches, Creative Practices, International Perspectives

Edited by Stayci Taylor, Edited by Craig Batty

Formatas: PDF+DRM
Išleidimo metai: 16-Feb-2021
Leidėjas: Springer Nature Switzerland AG
Kalba: eng
ISBN-13: 9783030487133

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Formatas: PDF+DRM
Išleidimo metai: 16-Feb-2021
Leidėjas: Springer Nature Switzerland AG
Kalba: eng
ISBN-13: 9783030487133

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This book offers the first international look at how script development is theorised and practiced. Drawing on interviews, case studies, discourse analysis, creative practices and industry experiences, it brings together scholars and practitioners from around the world to offer critical insights into this core, but often hidden, aspect of screenwriting and screen production. Chapters speculate and reflect upon how creative, commercial and social practices – in which ideas, emotions, people and personalities combine, cohere and clash – are shaped by the practicalities, policies and rapid movements of the screen industry. Comprising two parts, the book first looks ‘into’ script development from a theoretical perspective, and second looks ‘out from’ the practice to form practitioner-led perspectives of script development. With a rising interest in screenwriting and production studies, and an increased appetite for practice-based research, the book offers a timely mapping of the terrain of script development, providing rich foundations for both study and practice.

Introduction

(6)

Craig Batty

Stayci Taylor

References

(1)

Part I Looking into Script Development: Theories on Practice

(122)

Originality and Authorship in the Development of the Screen Idea

(22)

Ian W. Macdonald

Introduction

(2)

Assumptions and Definitions

(1)

Explaining Screen Idea Development Through Different `Lenses'

(1)

Single Authorship in Screen Idea Development

(2)

Notions of Originality

(1)

Group Creativity

(3)

The Doxa as Framework

(1)

The Creative Individual in the Screen Idea Work Group (SIWG)

(3)

Conclusions: Understanding and Studying Creativity in Screen Idea Development

(3)

References

(5)

How Government Institutions Shape Script Development: Comparative Case Studies of Screen Australia and the Danish Film Institute

(20)

Cath Moore

Radha O'Meara

Introduction: Understanding Development Through Institutional Discourse

(2)

Context: Comparing Screen Industries of Small Nations

(3)

How Screen Australia Defines and Shapes Development

(5)

How the Danish Film Institute Defines and Shapes Development

(4)

Comparing Institutional Discourses of Development: Australia and Denmark

(3)

Conclusion

(1)

References

(2)

Script Development and the Post-Socialist Producer: Towards a Comparative Approach to Cultures of Development

(18)

Petr Szczepanik

Introduction

(2)

The Report on Czech Feature Film Development

(4)

Development Definitions According to the Core Professions

(2)

Development Practices Across Positions in the Field

(1)

Development Conflicts

(4)

The Myth of the Missing "Dramaturgs"

(1)

Conclusion: Towards a Comparative Research of Development in Local Industry Ecosystems

(2)

References

(2)

Cultural Difference in Script Development: The Australian Example

(16)

Glenda Hambly

Introduction

(1)

Background

(2)

Screen Australia Development Culture

(2)

The Gatekeepers of the Industry

(1)

The Screenwriter Interviews

(4)

Screen Australia Versus the Audience

(1)

Australian Cinema Narrative

(1)

Conclusion

(1)

References

(3)

Complicating Cops and Criminals: Racial Politics in the Classic Network Crime Drama

(14)

Caryn Murphy

Introduction

(3)

`Shadow of Doubt': A Story Idea Becomes an Outline

(3)

Investigating Racial Loyalty in the First Draft of `Robert Phillips'

(3)

Revising `Robert Phillips': An Antagonist Becomes an Ally

(3)

Conclusion

(1)

References

(1)

Telling Stories About Yesterday's Hero for Today's World: The Script Development of the Chilean TV Series Heroes (2006-2007)

(14)

Carmen Sofia Brenes

Margaret McVeigh

Alejandro C. Reid

Alberto N. Garcia

Introduction

(2)

The Link Between Script Development, Television Studies, and Anti-heroes

101

(1)

Writing and Producing Heroes, an Historical Biopic

102

(2)

Complex TV and the Anti-hero

104

(2)

The Narrative Strategies of the Anti-hero in the Script Development of Heroes

106

(4)

Conclusion

110

(1)

References

111

(2)

Nordic Noir with an Icelandic Twist: Establishing a Shared Space for Collaboration Within European Coproduction

113

(16)

Rosamund Davies

Introduction

113

(1)

Trapped: History and Context

114

(2)

Trapped: The Development Process

116

(5)

The Screenplay as Boundary Object

121

(1)

Nordic Noir as Boundary Object

122

(4)

Conclusion

126

(1)

References

127

(2)

Part II Looking Out from Script Development: Practice into Theory

129

(164)

Sympoiesis and Scripting Urban Terror: Decomposition of a Writing Under Duress

131

(16)

Joshua McNamara

Introduction

131

(3)

Decomposing Tumbled Stories

134

(3)

Making with the Bodies of Others

137

(4)

The Palimpsest of Terror

141

(4)

Conclusions

145

(1)

References

146

(1)

Script Development and Social Change in Papua New Guinea

147

(24)

Mark Eby

Introduction

147

(2)

Background Context

149

(2)

Overview

151

(2)

Gender-Based Violence

153

(1)

The Writers' Workshop

154

(1)

Script Development

154

(4)

Structured Writing Process

158

(2)

Mentoring the Screenwriter from Storyline to Completed Script

160

(2)

Feedback on the Script

162

(3)

Summary and Conclusions

165

(1)

References

166

(5)

Storytelling for Our Own People: A Reflection on Script Developing with the Maori Filmmaker Barry Barclay

171

(14)

Christina Milligan

Introduction

171

(1)

Backstory

172

(2)

The Development Process

174

(6)

Conclusion

180

(1)

References

181

(4)

So Much Drama, So Little Time: Writers' Rooms in Australian Television Drama Production

185

(20)

Noel Maloney

Philippa Burne

Introduction

185

(2)

Storytelling Work

187

(4)

Writers' Room Cultures

191

(5)

Production Economies

196

(5)

Conclusion

201

(1)

References

202

(3)

Defining the Beats in the TV Sitcom

205

(14)

D. T. Klika

Introduction

205

(1)

Development of a Beat Sheet

206

(4)

Bringing the Beats Alive

210

(3)

The Story Begins

213

(1)

Shaping the Narrative

214

(3)

Conclusion

217

(1)

References

217

(2)

Subjects of the Gaze: Script Development as Performance

219

(18)

Emma Bolland

Louise Sawtell

Introduction

219

(2)

Script as Performance Site

221

(2)

Strategies for Development

223

(5)

Performing Script Development

228

(5)

Conclusion

233

(1)

References

234

(3)

The Promiscuous Screenplay: A Tale of Wanton Development and Loose Authorship

237

(34)

Siobhan Jackson

Introduction

237

(2)

To Courier or Not to Courier

239

(2)

Authorship in Flux

241

(3)

Making the First Mark

244

(6)

The Problem with Structure

250

(1)

Why Did Lucy Run?

250

(9)

Provoking Lucy

259

(8)

Unexpected Endings

267

(1)

References

268

(3)

Room for Improvement: Discourses of Quality and Betterment in Script Developments

271

(22)

Craig Batty

Stayci Taylor

Introduction

271

(2)

Locating Discussions of Improvement in Script Development Research

273

(3)

Written into Definitions

276

(3)

Tools, Resources and Methods

279

(2)

Programs, Partnerships and Mentoring

281

(4)

Responsibilities and Relationships

285

(2)

The Script Development Industry

287

(1)

Conclusion

288

(1)

References

289

(4)

Index

293

Craig Batty is Dean of Research at University of South Australia, Australia. He is author and editor of over 100 publications on screenwriting, script development and the screenwriting PhD.

Stayci Taylor is a Lecturer in Media at RMIT University, Australia. She is an award-winning screenwriter and researcher, published widely on screenwriting, web series and creative writing.

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