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Sculpture as Experience 2nd ed. [Minkštas viršelis]

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  • Formatas: Paperback / softback, 175 pages
  • Išleidimo metai: 01-Jul-2007
  • Leidėjas: KP Books
  • ISBN-10: 0896894533
  • ISBN-13: 9780896894532
Kitos knygos pagal šią temą:
Sculpture as Experience 2nd ed.Didesnis paveikslėlis
  • Formatas: Paperback / softback, 175 pages
  • Išleidimo metai: 01-Jul-2007
  • Leidėjas: KP Books
  • ISBN-10: 0896894533
  • ISBN-13: 9780896894532
Kitos knygos pagal šią temą:
Pastovi nuoroda: https://www.kriso.lt/db/9780896894532.html
Raktažodžiai:
Sculptor and teacher Peck (Columbia U.) presents the second edition of this attractive text for courses in sculpture, appropriate for beginners and above. New chapters on paper production, foam core fabrications, wood constructions, sand sculpture, project preservation and patina, and mounting, are added to insights on wire, clay, found-object, wax, and plaster sculpture. Practical and conceptual exercises are discussed, and abundant color reproductions serve as examples. Annotation ©2008 Book News, Inc., Portland, OR (booknews.com)
Preface 8(1)
Acknowledgments 8(1)
Introduction 9(1)
The Scope and Methods of Sculpture
10(1)
Objectives of the Book
10(1)
Suggested Schedule: A 17-Week Program
11(1)
The Projects
12(1)
Extending the Project
13(1)
Art in Human Service and Other Possibilities
13(1)
Conclusion
13(1)
The Dynamics of Sculpture
14(8)
Seeing with a Sculptural Eye
15(4)
Form, Shape, Mass and Pattern
15(1)
Tension, Contrast and Design
15(1)
Line, Balance and Rhythm
16(1)
Texture, Light and Shadow
17(1)
Spatial Relationships
18(1)
Exercises in Drawing
19(1)
Personal Vision and Style
20(2)
Paper Productions
22(6)
The Nature of the Project
23(1)
Checklist of Tools and Materials
23(1)
Procedure
24(2)
Presentations
26(1)
Extending the Project
27(1)
Viewing Public Sculpture
27(1)
Using Other Papers
27(1)
Color
27(1)
Foam Core Fabrications
28(6)
The Nature of the Project
29(1)
Checklist of Tools and Materials
30(1)
Procedure
31(2)
Extending the Project
33(1)
Designing Sculpture for a Site
33(1)
Wood Constructions
34(6)
The Nature of the Project
35(1)
Checklist of Tools and Materials
35(1)
Procedure
36(3)
Extending the Project
39(1)
Working with Nature
39(1)
Found-Object Sculpture
40(11)
The Nature of the Project
41(1)
Checklist of Tools and Materials
41(1)
Finding Objects
42(1)
Criteria for Selecting Objects
42(4)
Procedure
46(1)
Freedom and Limitation
47(1)
Extending the Project
48(3)
A Walk in the Woods
48(1)
Art with Social Impact
48(1)
Group Themes
49(1)
Found-Object Fountains
49(2)
Modeling in Clay
51(21)
The Nature of the Project
52(1)
The Basic Medium
52(1)
Checklist of Tools and Materials
53(1)
Preparation of Clay and Workspace
54(1)
Procedures and Precautions
55(1)
Studies in Form: Abstractions
56(1)
Using Clay Tools to Create Planes and Shape Forms
57(3)
Modeling a Figure
60(4)
Creating Other Representational Sculptures
64(1)
Working with the Accident
65(1)
Repairs
66(1)
Hollowing, Drying and Storage
67(1)
Planning for Kiln Firing and Alternatives
68(1)
Extending the Project
69(3)
Art in Human Service
69(1)
More Ambitious Projects in Clay
70(1)
Useful Projects in Clay
71(1)
The Figure in Foil and Pariscraft
72(15)
The Nature of the Project
72(1)
Checklist of Tools and Materials
73(1)
Procedures for Forming the Figure
74(2)
Group Compositions
76(1)
Applying Pariscraft and Mounting
77(5)
Extending the Project
82(5)
More Ambitious Constructions
82(1)
Art in Human Service
83(1)
Color
84(3)
Fabricating Wire Sculpture
87(9)
Why Wire?
88(1)
Checklist of Tools and Materials
89(1)
Procedures for Forming and Finishing
90(3)
Style
93(2)
Mounting
95(1)
Extending the Project
95(1)
Mobiles and Wall Sculptures
95(1)
Art in Human Service
95(1)
Working in Wax
96(13)
The Nature of the Project
96(1)
Preserving Wax
97(1)
The Basic Medium
97(1)
Checklist of Tools and Materials
98(1)
Preparation
99(1)
Procedures for Working with Wax
100(3)
Establishing a Rhythm for Working
103(2)
Texture
105(1)
Drapery
106(1)
Finishing
107(1)
Extending the Project
108(1)
Art in Human Service
108(1)
Carving in Plaster and Cement & Vermiculite
109(15)
How to Go about the Project
109(1)
The Nature of the Medium: Plaster
110(1)
The Nature of the Medium: Cement & Vermiculite
110(2)
Checklist of Tools and Materials
112(1)
Preparing the Plaster Forms
113(2)
Preparing the Cement & Vermiculite Blocks
115(1)
Guidelines for Carving Plaster or Cement & Vermiculite
116(1)
Establishing Forms
117(3)
Finishing
120(2)
Extending the Project
122(2)
Art in Human Service: Shapes, Jewelry, Carving Cups
122(2)
Sand Sculpture
124(13)
The Nature of the Project
125(1)
Checklist of Tools and Materials
126(1)
Preparation
127(1)
Procedure
128(7)
Extending the Project
135(2)
Sand Casting
135(1)
Sand Sculpture on the Beach
136(1)
Project Preservation and Patina
137(17)
Preserving Unfired Clay and Wax
138(2)
Pariscraft
140(1)
Plastic Resins
140(1)
Metal Fillers
141(1)
Epoxy and Polyester Resins
142(1)
Autobody Filler
143(2)
Using Fiberglass with Resins
145(1)
Patination (Coloring)
146(8)
Mounting
154(10)
The Approach to Mounting Sculpture
154(3)
Judging Base Size
157(2)
Checklist of Tools and Materials for Wood Bases
159(1)
Constructing a Wood Base
160(1)
Attaching Sculpture to Base
161(2)
Placement
163(1)
Conclusion
163(1)
APPENDICES
164(5)
Suppliers
164(3)
References and Resources
167(2)
Index 169