Atnaujinkite slapukų nuostatas

Seeking Common Ground: Latinx and Latin American Theatre and Performance [Minkštas viršelis]

Volume editor , Volume editor , , , , , Volume editor (University of Houston, USA), Translated by
  • Formatas: Paperback / softback, 272 pages, aukštis x plotis x storis: 232x156x18 mm, weight: 320 g
  • Serija: Methuen Drama Play Collections
  • Išleidimo metai: 21-Oct-2021
  • Leidėjas: Methuen Drama
  • ISBN-10: 1350230200
  • ISBN-13: 9781350230200
Kitos knygos pagal šią temą:
  • Formatas: Paperback / softback, 272 pages, aukštis x plotis x storis: 232x156x18 mm, weight: 320 g
  • Serija: Methuen Drama Play Collections
  • Išleidimo metai: 21-Oct-2021
  • Leidėjas: Methuen Drama
  • ISBN-10: 1350230200
  • ISBN-13: 9781350230200
Kitos knygos pagal šią temą:
Honorable Mention from the 2022 International Latino Book Awards for Best Nonfiction - Multi-Author

A curated collection of new Latinx and Latin American plays, monologues, interviews, and critical essays that asks the question: what is the common ground between Latinx and Latin American artists?

Featuring a mix of plays and scholarly essays, this work originally emerged from the Latino Theater Companys Encuentro de las Américas festival, produced in partnership with the Latinx Theatre Commons (LTC) at the Los Angeles Theatre Center in 2017. The collection chronicles not only the theatrical productions of the festival, but also features a transnational exploration of U.S. Latinx and Latin American theatre-making.

Alongside plays by Evelina Fernįndez, Alex Alpharaoh, J.Ed Araiza and Carlos Celdrįn this anthology also includes a mix of monologues, snapshots, profiles and interviews that together provide a dynamic account of these intersections within U.S. Latinx and Latin American Theater. A unique collection it serves not only as a testament to the diversity of Latinx artists, but also to the strength of the Latinx Theater movement and its ever-growing networks across the Hemispheric Americas.

Full playtexts include:

Dementia by Evelina Fernįndez WET: A DACAmented Journey by Alex Alpharoah Miss Julia adapted by J.Ed Araiza 10 Million by Carlos Celdrįn

Daugiau informacijos

A curated collection of new Latinx and Latin American plays, monologues, interviews, and critical essays that explores the common ground between Latinx and Latin American artists.
Foreword ix
Carlos Morton
An interlude with the Latino Theater Company xi
Acknowledgments xiii
Introduction 1(20)
Trevor Boffone
Teresa Marrero
Chantal Rodriguez
Section One Traversing Boundaries of Gender and Sexuality
21(66)
Dementia
23(1)
Evelina Fernandez
Critical Introduction
23(4)
Chantal Rodriguez
Full Script of Dementia
27(50)
Las mariposas saltan al vacio
77(1)
Jose Milian
Snapshot
77(2)
Patricia Herrera
Quemar las naves. El viaje de Emma
79(1)
Rocio Carrillo Reyes
Profile
79(2)
Teresa Marrero
Interview with Rocio Carrillo Reyes
81(2)
Teresa Marrero
Myth and Sonority in Quemar las naves. El viaje de Emma: A Very Surreal Way to Create
83(4)
Rocio Carrillo Reyes
Section Two Staging Transnational Realities of Race, Ethnicity, and Class
87(50)
Ropa Intima (Intimate Apparel)
89(1)
Lynn Nottage
Ebano Teatro
Profile
89(3)
Gina Sandi-Diaz
Interview with Alicia Olivares
92(3)
Gina Sandi-Diaz
Miss Julia, an adaptation
95(1)
J.Ed Araiza
Critical Introduction
95(4)
Carla Della Gatta
Full Script of Miss Julia
99(22)
El Apagon (The Blackout), adapted
121(1)
Rosalba Rolon
Jorge Merced
Alvan Colon Lespier
Snapshot
121(4)
Chantal Rodriguez
Sensory Strategies: Artist Panel from the Encuentro de las Americas with Carmen Aguirre, Jorge Cao, Carlos Celdran, David Lozano, Alicia Olivares, Brian Quirt, Rocio Carrillo Reyes, Rosalba Rolon, Nicolas Valdez, and Jose Luis Valenzuela
125(12)
Section Three The State, Politics, and Lived Experience
137(76)
Deferred Action
139(1)
David Lozano
Lee Trull
Snapshot
139(2)
Teresa Marrero
Culture Clash: An American Odyssey
141(1)
Culture Clash
Snapshot
141(2)
Noe Montez
Excerpt from Culture Clash: An American Odyssey
143(6)
10 Million
149(1)
Carlos Celdran
Critical Introduction
149(4)
Lillian Manzor
Full Script of 10 Million
153(26)
La razon blindada {Armored Reason)
179(1)
Aristides Vargas
Snapshot
179(2)
Grace Davila-Lopez
WET: A DACAmented Journey
181(1)
Alex Alpharaoh
Critical Introduction
181(3)
Trevor Boffone
Interview with Alex Alpharaoh
184(5)
Trevor Boffone
Full Script of WET: A DACAmented Journey
189(24)
Section Four Music and Autobiographical Performance
213(20)
Conjunto Blues
215(1)
Nicolas Valdez
Snapshot
215(2)
Marci R. McMahon
Excerpt from Conjunto Blues
217(2)
Broken Tailbone
219(1)
Carmen Aguirre
Profile
219(3)
Trevor Boffone
Interview with Carmen Aguirre
222(5)
Trevor Boffone
Latin Standards
227(1)
Marga Gomez
Snapshot
227(2)
Isaac Gomez
Excerpt from Latin Standards
229(4)
Conclusion: Aqui estamos, we are here 233(8)
Trevor Boffone
Teresa Marrero
Chantal Rodriguez
Closing Reflections from the Latino Theater Company 241(4)
Afterword 245(2)
Diane Rodriguez
Notes on Contributors 247
Trevor Boffone is a Lecturer in the Womens, Gender & Sexuality Studies Program at the University of Houston. His work using Dubsmash and TikTok with his students has been featured on Good Morning America, ABC News, Inside Edition, and Access Hollywood, among numerous national and local media platforms. He is the author of Renegades: Digital Dance Cultures from Dubsmash to TikTok. He is the co-editor of Encuentro: Latinx Performance for the New American Theater; Nerds, Goths, Geeks, and Freaks: Outsiders in Chicanx and Latinx Young Adult Literature; and Shakespeare and Latinidad.

Teresa Marrero is Professor of Latinx and Latin American Theater in the Department of Spanish at the University of North Texas. She is a theatre critic for the North Texas online arts journal, www.theaterjones.com, and a member of the American Theatre Critics Association. Her scholarly publications include: Encuentro: Latinx Performance for the New American Theater (Northwestern University Press, 2019), Latinx Sci-Fi Theater: Speculating Possible Futures. Theater (Yale School of Drama 2019), Where Earth Meets the Sky: Decolonizing Latinxfuturistic Theater. TheatreForum (San Diego, University of California, 2019). Her creative works include the publication of her Spanish-language play La Familia in Teatro Latino: Nuevas Obras de los Estados Unidos, (Colorado Springs, La Casita Grande (2019). Her English-language play Second-Conversations with Irene, Remembering Long Enough was selected as part of The Undermain Theatres 2020 (now postponed to 2021) Whither Goest Thou America? A Festival of New American Play Readings.

Chantal Rodriguez is Associate Dean of Yale School of Drama and an Assistant Professor Adjunct in Dramaturgy and Dramatic Criticism. She is co-editor of Whats Next for Latinx? Theater Magazine, Volume 49.1 (Duke University Press, 2019) and Encuentro: Latinx Performance for the New American Theater (Northwestern University Press, 2019). She is the author of The Latino Theatre Initiative/Center Theatre Group Papers (UCLA Chicano Studies Research Center Press, 2011) and a member of the Latinx Theatre Commons Advisory Committee, and the National Advisory Board for the 50 Playwrights Project.