Atnaujinkite slapukų nuostatas

Seeking Common Ground: Latinx and Latin American Theatre and Performance [Kietas viršelis]

Volume editor (University of Houston, USA), Translated by , , , , , Volume editor , Volume editor
  • Formatas: Hardback, 272 pages, aukštis x plotis: 234x156 mm, weight: 553 g
  • Serija: Methuen Drama Play Collections
  • Išleidimo metai: 21-Oct-2021
  • Leidėjas: Methuen Drama
  • ISBN-10: 1350230219
  • ISBN-13: 9781350230217
Kitos knygos pagal šią temą:
  • Formatas: Hardback, 272 pages, aukštis x plotis: 234x156 mm, weight: 553 g
  • Serija: Methuen Drama Play Collections
  • Išleidimo metai: 21-Oct-2021
  • Leidėjas: Methuen Drama
  • ISBN-10: 1350230219
  • ISBN-13: 9781350230217
Kitos knygos pagal šią temą:
Honorable Mention from the 2022 International Latino Book Awards for Best Nonfiction - Multi-Author

A curated collection of new Latinx and Latin American plays, monologues, interviews, and critical essays that asks the question: what is the common ground between Latinx and Latin American artists?

Featuring a mix of plays and scholarly essays, this work originally emerged from the Latino Theater Companys Encuentro de las Américas festival, produced in partnership with the Latinx Theatre Commons (LTC) at the Los Angeles Theatre Center in 2017. The collection chronicles not only the theatrical productions of the festival, but also features a transnational exploration of U.S. Latinx and Latin American theatre-making.

Alongside plays by Evelina Fernįndez, Alex Alpharaoh, J.Ed Araiza and Carlos Celdrįn this anthology also includes a mix of monologues, snapshots, profiles and interviews that together provide a dynamic account of these intersections within U.S. Latinx and Latin American Theater. A unique collection it serves not only as a testament to the diversity of Latinx artists, but also to the strength of the Latinx Theater movement and its ever-growing networks across the Hemispheric Americas.

Full playtexts include:

Dementia by Evelina Fernįndez WET: A DACAmented Journey by Alex Alpharoah Miss Julia adapted by J.Ed Araiza 10 Million by Carlos Celdrįn

Daugiau informacijos

A curated collection of new Latinx and Latin American plays, monologues, interviews, and critical essays that explores the common ground between Latinx and Latin American artists.
Foreword ix
Carlos Morton
An interlude with the Latino Theater Company xi
Acknowledgments xiii
Introduction 1(20)
Trevor Boffone
Teresa Marrero
Chantal Rodriguez
Section One Traversing Boundaries of Gender and Sexuality
21(66)
Dementia by Evelina Fernandez
23(1)
Critical Introduction by Chantal Rodriguez
23(4)
Full Script of Dementia
27(50)
Las mariposas saltan al vacio by Jose Milian
77(1)
Snapshot by Patricia Herrera
77(2)
Quemar las naves. El viaje de Emma by Rocfo Carrillo Reyes
79(1)
Profile by Teresa Marrero
79(2)
Interview with Rocio Carrillo Reyes by Teresa Marrero
81(2)
Myth and Sonority in Quemar las naves. El viaje de Emma: A Very Surreal Way to Create by Rocio Carrillo Reyes
83(4)
Section Two Staging Transnational Realities of Race, Ethnicity, and Class
87(50)
Ropa Intima (Intimate Apparel) by Lynn Nottage, adapted by Ebano Teatro
89(1)
Profile by Gina Sandi-Diaz
89(3)
Interview with Alicia Olivares by Gina Sandi-Diaz
92(3)
Miss Julia, an adaptation by J.Ed Araiza
95(1)
Critical Introduction by Carla Della Gatta
95(4)
Full Script of Miss Julia
99(22)
El Apagon (The Blackout), adapted by Rosalba Rolon, Jorge Merced, and Al van Colon Lespier
121(1)
Snapshot by Chantal Rodriguez
121(4)
Sensory Strategies: Artist Panel from the Encuentro de las Americas with Carmen Aguirre, Jorge Cao, Carlos Celdran, David Lozano, Alicia Olivares, Brian Quirt, Rocio Carrillo Reyes, Rosalba Rolon, Nicolas Valdez, and Jose Luis Valenzuela
125(12)
Section Three The State, Politics, and Lived Experience
137(76)
Deferred Action by David Lozano and Lee Trull
139(1)
Snapshot by Teresa Marrero
139(2)
Culture Clash: An American Odyssey by Culture Clash
141(1)
Snapshot by Noe Montez
141(2)
Excerpt from Culture Clash: An American Odyssey
143(6)
10 Million by Carlos Celdran
149(1)
Critical Introduction by Lillian Manzor
149(4)
Full Script of 10 Million
153(26)
La razon blindada (Armored Reason) by Aristides Vargas
179(1)
Snapshot by Grace Davila-Lopez
179(2)
WET: A DACAmented Journey by Alex Alpharaoh
181(1)
Critical Introduction by Trevor Boffone
181(3)
Interview with Alex Alpharaoh by Trevor Boffone
184(5)
Full Script of WET: A DACAmented Journey
189(24)
Section Four Music and Autobiographical Performance
213(20)
Conjunto Blues by Nicolas Valdez
215(1)
Snapshot by Marci R. McMahon
215(2)
Excerpt from Conjunto Blues
217(2)
Broken Tailbone by Carmen Aguirre
219(1)
Profile by Trevor Boffone
219(3)
Interview with Carmen Aguirre by Trevor Boffone
222(5)
Latin Standards by Marga Gomez
227(1)
Snapshot by Isaac Gomez
227(2)
Excerpt from Latin Standards
229(4)
Conclusion: Aqui estamos, we are here 233(8)
Trevor Boffone
Teresa Marrero
Chantal Rodriguez
Closing Reflections from the Latino Theater Company 241(4)
Afterword 245(2)
Diane Rodriguez
Notes on Contributors 247
Trevor Boffone is a Lecturer in the Womens, Gender & Sexuality Studies Program at the University of Houston. His work using Dubsmash and TikTok with his students has been featured on Good Morning America, ABC News, Inside Edition, and Access Hollywood, among numerous national and local media platforms. He is the author of Renegades: Digital Dance Cultures from Dubsmash to TikTok. He is the co-editor of Encuentro: Latinx Performance for the New American Theater; Nerds, Goths, Geeks, and Freaks: Outsiders in Chicanx and Latinx Young Adult Literature; and Shakespeare and Latinidad.

Teresa Marrero is Professor of Latinx and Latin American Theater in the Department of Spanish at the University of North Texas. She is a theatre critic for the North Texas online arts journal, www.theaterjones.com, and a member of the American Theatre Critics Association. Her scholarly publications include: Encuentro: Latinx Performance for the New American Theater (Northwestern University Press, 2019), Latinx Sci-Fi Theater: Speculating Possible Futures. Theater (Yale School of Drama 2019), Where Earth Meets the Sky: Decolonizing Latinxfuturistic Theater. TheatreForum (San Diego, University of California, 2019). Her creative works include the publication of her Spanish-language play La Familia in Teatro Latino: Nuevas Obras de los Estados Unidos, (Colorado Springs, La Casita Grande (2019). Her English-language play Second-Conversations with Irene, Remembering Long Enough was selected as part of The Undermain Theatres 2020 (now postponed to 2021) Whither Goest Thou America? A Festival of New American Play Readings.

Chantal Rodriguez is Associate Dean of Yale School of Drama and an Assistant Professor Adjunct in Dramaturgy and Dramatic Criticism. She is co-editor of Whats Next for Latinx? Theater Magazine, Volume 49.1 (Duke University Press, 2019) and Encuentro: Latinx Performance for the New American Theater (Northwestern University Press, 2019). She is the author of The Latino Theatre Initiative/Center Theatre Group Papers (UCLA Chicano Studies Research Center Press, 2011) and a member of the Latinx Theatre Commons Advisory Committee, and the National Advisory Board for the 50 Playwrights Project.