Foreword |
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ix | |
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An interlude with the Latino Theater Company |
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xi | |
Acknowledgments |
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xiii | |
Introduction |
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1 | (20) |
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Section One Traversing Boundaries of Gender and Sexuality |
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21 | (66) |
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Dementia by Evelina Fernandez |
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23 | (1) |
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Critical Introduction by Chantal Rodriguez |
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23 | (4) |
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27 | (50) |
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Las mariposas saltan al vacio by Jose Milian |
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77 | (1) |
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Snapshot by Patricia Herrera |
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77 | (2) |
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Quemar las naves. El viaje de Emma by Rocfo Carrillo Reyes |
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79 | (1) |
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Profile by Teresa Marrero |
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79 | (2) |
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Interview with Rocio Carrillo Reyes by Teresa Marrero |
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81 | (2) |
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Myth and Sonority in Quemar las naves. El viaje de Emma: A Very Surreal Way to Create by Rocio Carrillo Reyes |
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83 | (4) |
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Section Two Staging Transnational Realities of Race, Ethnicity, and Class |
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87 | (50) |
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Ropa Intima (Intimate Apparel) by Lynn Nottage, adapted by Ebano Teatro |
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89 | (1) |
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Profile by Gina Sandi-Diaz |
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89 | (3) |
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Interview with Alicia Olivares by Gina Sandi-Diaz |
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92 | (3) |
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Miss Julia, an adaptation by J.Ed Araiza |
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95 | (1) |
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Critical Introduction by Carla Della Gatta |
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95 | (4) |
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Full Script of Miss Julia |
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99 | (22) |
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El Apagon (The Blackout), adapted by Rosalba Rolon, Jorge Merced, and Al van Colon Lespier |
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121 | (1) |
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Snapshot by Chantal Rodriguez |
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121 | (4) |
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Sensory Strategies: Artist Panel from the Encuentro de las Americas with Carmen Aguirre, Jorge Cao, Carlos Celdran, David Lozano, Alicia Olivares, Brian Quirt, Rocio Carrillo Reyes, Rosalba Rolon, Nicolas Valdez, and Jose Luis Valenzuela |
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125 | (12) |
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Section Three The State, Politics, and Lived Experience |
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137 | (76) |
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Deferred Action by David Lozano and Lee Trull |
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139 | (1) |
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Snapshot by Teresa Marrero |
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139 | (2) |
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Culture Clash: An American Odyssey by Culture Clash |
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141 | (1) |
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141 | (2) |
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Excerpt from Culture Clash: An American Odyssey |
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143 | (6) |
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10 Million by Carlos Celdran |
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149 | (1) |
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Critical Introduction by Lillian Manzor |
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149 | (4) |
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Full Script of 10 Million |
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153 | (26) |
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La razon blindada (Armored Reason) by Aristides Vargas |
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179 | (1) |
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Snapshot by Grace Davila-Lopez |
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179 | (2) |
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WET: A DACAmented Journey by Alex Alpharaoh |
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181 | (1) |
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Critical Introduction by Trevor Boffone |
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181 | (3) |
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Interview with Alex Alpharaoh by Trevor Boffone |
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184 | (5) |
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Full Script of WET: A DACAmented Journey |
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189 | (24) |
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Section Four Music and Autobiographical Performance |
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213 | (20) |
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Conjunto Blues by Nicolas Valdez |
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215 | (1) |
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Snapshot by Marci R. McMahon |
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215 | (2) |
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Excerpt from Conjunto Blues |
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217 | (2) |
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Broken Tailbone by Carmen Aguirre |
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219 | (1) |
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Profile by Trevor Boffone |
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219 | (3) |
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Interview with Carmen Aguirre by Trevor Boffone |
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222 | (5) |
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Latin Standards by Marga Gomez |
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227 | (1) |
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227 | (2) |
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Excerpt from Latin Standards |
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229 | (4) |
Conclusion: Aqui estamos, we are here |
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233 | (8) |
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Closing Reflections from the Latino Theater Company |
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241 | (4) |
Afterword |
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245 | (2) |
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Notes on Contributors |
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247 | |