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Seeking Transparency: Rock Crystals Across the Medieval Mediterranean [Kietas viršelis]

  • Formatas: Hardback, 334 pages, aukštis x plotis x storis: 274x216x23 mm, weight: 1492 g
  • Išleidimo metai: 08-Apr-2020
  • Leidėjas: Gebruder Mann Verlag
  • ISBN-10: 378612843X
  • ISBN-13: 9783786128434
Kitos knygos pagal šią temą:
  • Formatas: Hardback, 334 pages, aukštis x plotis x storis: 274x216x23 mm, weight: 1492 g
  • Išleidimo metai: 08-Apr-2020
  • Leidėjas: Gebruder Mann Verlag
  • ISBN-10: 378612843X
  • ISBN-13: 9783786128434
Kitos knygos pagal šią temą:
Like the sea, and the watery medium with which rock crystal is identified in the Middle Ages, the history of its production during the Middle Ages ebbs and flows. From Late Antiquity to the age of the great Portuguese expansion, specific knowledge about carving the hard material, was kept a closely guarded secret in just a few centers of production. All the while, royal courts and wealthy churches were eager patrons for the luxurious objects given that rock crystal was valued as one of the most desirable and precious of all materials, ascribed mysterious origins and powers, and renowned for both rarity and clarity. This collection of essays reveals the global and cross-cultural histories of rock-crystal production in and even beyond the lands of the Mediterranean Sea. It investigates many objects and varied aspects of rock crystal such as: the physical nature and legendary as well as actual origins of the material; its manufacturing techniques and affiliations to other luxurious objects, such as cut glass and carved precious stones; legends and traditions associated with its aesthetic qualities; as well as issues concerning its varied functions and historiography.
Introduction 7(6)
Cynthia Hahn
Avinoam Shalem
STATE OF STUDY
The State of Research on Some Rock Crystal Ewers and Related Vessels from Islamic Lands
13(22)
Jens Kroger
AVAILABILITY, CARVING TECHNIQUES, AND CHARACTER OF ROCK CRYSTAL
Madagascar, the Source of the Abbasid and Fatimid Rock Crystals: New Evidence from Archaeological Investigations in East Africa
35(16)
Stephane Pradines
Relief Carving on Medieval Islamic Glass and Rock Crystal Vessels: A Comparative Approach to Techniques of Manufacture
51(16)
Elise Morero
Jeremy Johns
Hara Procopiou
Roberto Vargiolu
Hassan Zahouani
Transparent, Translucent, and Opaque: Merovingian and Anglo-Saxon Crystal Amulets
67(12)
Genevra Kornbluth
LITERARY TEXTS: FROM WORKSHOPS TO MEANING
Crystal Desire in Medieval Texts and Beyond
79(10)
Marisa Galvez
Rock Crystal in the Medieval West: An Essay on Techniques and Workshops
89(12)
Stefania Gerevini
On Medieval Rock Crystal Sources and Resources in the Lands of Islam
101(16)
Avinoam Shalem
Icy Geometry: Rock Crystal in Lapidary Knowledge
117(12)
Brigitte Buettner
ANCIENT AND ROMAN CRYSTALS
Crystal Words: The Power of Stones in the Ancient Near East
129(12)
Zainab Bahrani
At Once Beautiful and Mysterious: Updating the State of Research on the Rock Crystal Lionheads in the Musee de Cluny (Paris)
141(10)
Isabelle Bardies
Rock Crystal and the Nature of Artifice in Ancient Rome
151(12)
Patrick R. Crowley
MEDIEVAL CRYSTAL ACROSS THE MEDITERRANEAN
Man-Made Crystal: Crystal Glass in the Middle Ages
163(6)
Ingeborg Krueger
Beyond Fatimid: The Iconography of Medieval Islamic Rock Crystal Vessels and the Question of Dating
169(14)
Marcus Pilz
The Bern Diptych: Venetian Rock Crystal between Craft, Trade, and Aesthetics
183(14)
Stefania Gerevini
Hinges as Hints: Heaven and Earth in the Coconut Goblet at the Cathedral of Miinster, Part of a Lost Rock Crystal Ensemble
197(14)
Beate Fricke
The "Crystalline Effect": Optical and Sonic Aura and the Poetics of the Resurrected Body
211(14)
Bissera V. Pentcheva
The Sacred Made Visible: The Use of Rock Crystals in Medieval Church Treasuries
225(12)
Gia Toussaint
AMULETS AND MAGNIFYING GLASSES
Through the Lens of Islam: A Note on Arabic Sources on the Use of Rock Crystals and Other Gems as Vision Aids
237(14)
Farid Benfeghoul
Early Seals and Amulets Made from Rock Crystal
251(6)
Venetia Porter
PLATES
257(34)
Bibliography 291(30)
The Contributors 321(4)
Credits 325(3)
Index 328