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See/Saw: Looking at Photographs [Minkštas viršelis]

3.96/5 (207 ratings by Goodreads)
  • Formatas: Paperback / softback, 336 pages, aukštis x plotis x storis: 234x178x20 mm, weight: 748 g, Illustrations
  • Išleidimo metai: 04-May-2021
  • Leidėjas: Graywolf Press
  • ISBN-10: 1644450445
  • ISBN-13: 9781644450444
Kitos knygos pagal šią temą:
  • Formatas: Paperback / softback, 336 pages, aukštis x plotis x storis: 234x178x20 mm, weight: 748 g, Illustrations
  • Išleidimo metai: 04-May-2021
  • Leidėjas: Graywolf Press
  • ISBN-10: 1644450445
  • ISBN-13: 9781644450444
Kitos knygos pagal šią temą:
'See/Saw' is an illuminating history of how photographs frame and change our perspectives. Starting from single images by the world's most important photographers - from Eugene Atget to Alex Webb - Geoff Dyer shows us how to read a photograph, as he takes us through a series of close readings that are by turns moving, funny, prescient and surprising. Following Dyer's previous books on photography, 'The Ongoing Moment' and 'The Street Philosophy of Garry Winogrand', 'See/Saw' brilliantly combines visual scrutiny and stylistic flair. It shows us how a photograph can simultaneously record and invent the world, and reveals a master seer at work. In the spirit of the intellectual curiosity of Berger, Sontag and Didion, Geoff Dyer helps us to see the world around us, and within us, afresh.

Introduction 13(7)
PART ONE ENCOUNTERS
Eugene Atget's Paris
20(8)
Alvin Langdon Coburn's London and New York
28(8)
August Sander's People
36(7)
Use Bing's Garbo
43(3)
Helen Levitt's Streets
46(5)
Vivian Maier
51(4)
The Boy in a Photograph by Eli Weinberg
55(6)
Roy DeCarava: John Coltrane, Ben Webster and Elvin Jones
61(9)
Old Sparky: Andy Warhol
70(8)
Dennis Hopper
78(7)
They: William Eggleston in Black and White
85(8)
Fred Herzog
93(6)
Lee Friedlander's American Monuments
99(6)
Bevan Davies's Los Angeles, 1976
105(3)
Luigi Ghirri
108(6)
Peter Mitchell's Scarecrows
114(7)
Nicholas Nixon: The Brown Sisters
121(5)
Lynn Saville and the Archaeology of Overnight
126(5)
Philip-Lorca diCorcia's Magic
131(6)
Alex Webb
137(13)
Vegas Dreamtime: Fred Sigman's Motels
150(5)
The Undeniable Struth
155(7)
Andreas Gursky
162(6)
Thomas Ruff
168(8)
Prabuddha Dasgupta's Longing
176(6)
Photojournalism and History Painting: Gary Knight
182(6)
Pavel Maria Smejkal's Fatescapes
188(5)
Chris Dorley-Brown's Corners
193(5)
Dayanita Singh: Now We Can See
198(10)
Oliver Curtis: Volte-face
208(4)
Tom Hunter: The Persistence of Elegy
212(4)
Fernando Maquieira and the Maja at Night
216(4)
Spirit and Flesh in Naples
220(6)
Zoe Strauss
226(4)
Matt Stuart: Why He Does This Every Day
230(5)
Stay-at-Home Street Photographers: Michael Wolf, Jon Rafman and Doug Rickard
235(10)
Mike Brodie: A Period of Juvenile Prosperity
245(6)
Chloe Dewe Mathews: Shot at Dawn
251(9)
PART TWO EXPOSURES
Franco Pagetti: Aleppo, Syria, 19 February 2013
260(3)
Tomas van Houtryve: Philadelphia, USA, 10 November 2013
263(3)
Jason Reed: Melbourne, Australia, 17 January 2014
266(3)
Bullit Marquez: Manila, Philippines, 27 January 2014
269(3)
Thomas Peter: Perevalne, Ukraine, 5 March 2014
272(3)
Marko Djurica: Donetsk, Ukraine, 22 April 2014
275(3)
Nikolay Doychinov: Draginovo, Bulgaria, 4 May 2014
278(3)
Finbarr O'Reilly: Gaza Strip, 24 July 2014
281(4)
Kim Ludbrook: Pretoria, South Africa, 11 September 2014
285(3)
Justin Sullivan: Dellwood, Missouri, USA, 26 November 2014
288(6)
PART THREE WRITERS
Roland Barthes: Camera Lucida
294(9)
Michael Fried: Why Photography Matters as Art as Never Before
303(4)
John Berger: Understanding a Photograph
307(8)
Chronological list of photographers discussed in Part One
315(2)
Acknowledgements 317(4)
Endnotes 321(10)
Permission credits 331