Introduction |
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13 | (7) |
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20 | (8) |
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Alvin Langdon Coburn's London and New York |
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28 | (8) |
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36 | (7) |
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43 | (3) |
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46 | (5) |
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51 | (4) |
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The Boy in a Photograph by Eli Weinberg |
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55 | (6) |
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Roy DeCarava: John Coltrane, Ben Webster and Elvin Jones |
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61 | (9) |
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70 | (8) |
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78 | (7) |
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They: William Eggleston in Black and White |
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85 | (8) |
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93 | (6) |
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Lee Friedlander's American Monuments |
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99 | (6) |
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Bevan Davies's Los Angeles, 1976 |
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105 | (3) |
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108 | (6) |
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Peter Mitchell's Scarecrows |
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114 | (7) |
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Nicholas Nixon: The Brown Sisters |
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121 | (5) |
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Lynn Saville and the Archaeology of Overnight |
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126 | (5) |
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Philip-Lorca diCorcia's Magic |
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131 | (6) |
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137 | (13) |
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Vegas Dreamtime: Fred Sigman's Motels |
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150 | (5) |
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155 | (7) |
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162 | (6) |
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168 | (8) |
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Prabuddha Dasgupta's Longing |
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176 | (6) |
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Photojournalism and History Painting: Gary Knight |
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182 | (6) |
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Pavel Maria Smejkal's Fatescapes |
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188 | (5) |
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Chris Dorley-Brown's Corners |
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193 | (5) |
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Dayanita Singh: Now We Can See |
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198 | (10) |
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Oliver Curtis: Volte-face |
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208 | (4) |
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Tom Hunter: The Persistence of Elegy |
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212 | (4) |
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Fernando Maquieira and the Maja at Night |
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216 | (4) |
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Spirit and Flesh in Naples |
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220 | (6) |
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226 | (4) |
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Matt Stuart: Why He Does This Every Day |
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230 | (5) |
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Stay-at-Home Street Photographers: Michael Wolf, Jon Rafman and Doug Rickard |
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235 | (10) |
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Mike Brodie: A Period of Juvenile Prosperity |
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245 | (6) |
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Chloe Dewe Mathews: Shot at Dawn |
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251 | (9) |
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Franco Pagetti: Aleppo, Syria, 19 February 2013 |
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260 | (3) |
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Tomas van Houtryve: Philadelphia, USA, 10 November 2013 |
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263 | (3) |
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Jason Reed: Melbourne, Australia, 17 January 2014 |
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266 | (3) |
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Bullit Marquez: Manila, Philippines, 27 January 2014 |
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269 | (3) |
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Thomas Peter: Perevalne, Ukraine, 5 March 2014 |
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272 | (3) |
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Marko Djurica: Donetsk, Ukraine, 22 April 2014 |
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275 | (3) |
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Nikolay Doychinov: Draginovo, Bulgaria, 4 May 2014 |
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278 | (3) |
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Finbarr O'Reilly: Gaza Strip, 24 July 2014 |
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281 | (4) |
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Kim Ludbrook: Pretoria, South Africa, 11 September 2014 |
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285 | (3) |
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Justin Sullivan: Dellwood, Missouri, USA, 26 November 2014 |
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288 | (6) |
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Roland Barthes: Camera Lucida |
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294 | (9) |
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Michael Fried: Why Photography Matters as Art as Never Before |
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303 | (4) |
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John Berger: Understanding a Photograph |
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307 | (8) |
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Chronological list of photographers discussed in Part One |
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315 | (2) |
Acknowledgements |
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317 | (4) |
Endnotes |
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321 | (10) |
Permission credits |
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331 | |