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Sensualities/Textualities and Technologies: Writings of the Body in 21st Century Performance [Minkštas viršelis]

  • Formatas: Paperback / softback, 220 pages, aukštis x plotis: 216x140 mm, weight: 315 g, 27 Illustrations, black and white; XX, 220 p. 27 illus., 1 Paperback / softback
  • Serija: Palgrave Studies in Performance and Technology
  • Išleidimo metai: 20-Jan-2010
  • Leidėjas: Palgrave Macmillan
  • ISBN-10: 1137274689
  • ISBN-13: 9781137274687
Kitos knygos pagal šią temą:
  • Formatas: Paperback / softback, 220 pages, aukštis x plotis: 216x140 mm, weight: 315 g, 27 Illustrations, black and white; XX, 220 p. 27 illus., 1 Paperback / softback
  • Serija: Palgrave Studies in Performance and Technology
  • Išleidimo metai: 20-Jan-2010
  • Leidėjas: Palgrave Macmillan
  • ISBN-10: 1137274689
  • ISBN-13: 9781137274687
Kitos knygos pagal šią temą:
"This innovative collection, with essays by a range of internationally renowned scholars, reconsiders textual practices in contemporary performance, specifically focusing on the exciting exchange between text, body and technology"--Provided by publisher.

Sensualities/Textualities & Technologies: Writings of the Body in 21st Century Performance explores the interrelation of text, body and technology in performance. It provides an edited collection which reconsiders textual practices in contemporary performance specifically focussing on the exciting exchange between writerly texts, body and technology. It also adds a further dimension to Palgrave Macmillan's series on technological art and performance practices which includes Broadhurst's and Machon's Performance and Technology and Broadhurst's Digital Practices. This book focuses on and analyses textual practices that are central to contemporary performance. Importantly, it offers an interrogation of diverse 'textualities', that is, performance writing indebted to sensual 'writings of the body' in all manner of ways. The collection looks to new approaches offered by ongoing textual practices in physical, visual and virtual performances that incorporate new and existing technologies.

Recenzijos

'A challenging, occasionally irritating, but always worthwhile entry in a growing critical field. Summing Up: Recommended. Graduate students, researchers, faculty, professionals'



- R. Remshardt, University of Florida, Choice 2010 title

List of Illustrations
vii
Series Editors' Preface ix
Foreword Ric Allsopp x
Notes on the Editors xvi
Notes on the Contributors xvii
Introduction 1(6)
Susan Broadhurst
Josephine Machon
Part 1 Writing and Technologies - New Epistemologies
7(58)
1 Digital Practices: New Writings of the Body
9(14)
Susan Broadhurst
2 Texts from the Body
23(15)
Tracey Warr
3 De-Second-Naturing: Word Unbecoming Flesh in the Work of Bodies in Flight
38(12)
Sara Giddens
Simon Jones
4 The Body of the Text: The Uses of the `ScreenPage' in New Media
50(15)
Phil Ellis
Part 2 The Body Writes Itself...
65(52)
5 PROSTHETIC HEAD: Ideas and Anecdotes on the Seductiveness of Embodied Conversational Agents
67(12)
Stelarc
6 Performative (Dis)closures - Sensual Readings and Writings of the Positive Body
79(13)
Paul Woodward
7 The Supernatural Embodied Text: Creating Moj of the Antarctic with the Living and the Dead
92(11)
Mojisola Adebayo
8 The Physical Journal: The Living Body that Writes and Rewrites Itself
103(14)
Olu Taiwo
Part 3 Performing the Body/Performing the Text ... Writing the Body/Writing the Text
117(58)
9 Socializing the Self: Autoethnographical Performance and the Social Signature
119(13)
John Freeman
10 La Fura dels Baus's XXX: Deviant Textualities and The Formless
132(14)
Roberta Mock
11 Bodies in Suspension: The Aesthetics of Doubt in Honour Bound
146(16)
Rachel Fensham
12 Translation: Words < - > Movement < - > Bits
162(13)
Dawn Stoppiello
Part 4 Corporeal Intertextualities - Body/Text/Technologies
175(42)
13 Speaking for Performance/Writing with the Voice
177(10)
Fiona Templeton
14 Authenticity and Perception in the Making of Utah Sunshine: A Dance Theatre/Arts Film
187(14)
Ruth Way
Russell Frampton
15 (Syn)aesthetic Writings: Caryl Churchill's Sensual Textualities and the Rebirth of Text
201(16)
Josephine Machon
Index 217
MOJISOLA ADEBAYO, actor, writer, teacher, director and producer RIC ALLSOPP, Senior Research Fellow in the Department of Contemporary Arts, Manchester Metropolitan University, UK, and Visiting Professor, Centre for Dance Education (HZT), University of the Arts (UdK), Berlin, Germany PHIL ELLIS, Lecturer in Media Arts and Television Arts, University of Plymouth, UK RACHEL FENSHAM, Professor of Dance and Theatre Studies, University of Surrey, UK, and Honorary Research Fellow, Monash University, Australia RUSSELL FRAMPTON, Associate Lecturer in Theatre and Performance, University of Plymouth, UK JOHN FREEMAN, Senior Lecturer in Modern Drama Studies, Brunel University, West London, UK SARA GIDDENS, choreographer and co-director of Bodies in Flight SIMON JONES, writer, scholar and co-director of Bodies in Flight ROBERTA MOCK, Reader in Performance, University of Plymouth, UK

STELARC, Chair in Performance Art, Brunel University, West London, UK, and Senior Research Fellow, MARCS Labs, University of Western Sydney, Australia DAWN STOPPIELLO, choreographer and co-founder of Troika Ranch OLU TAIWO, Senior Lecturer in the Faculty of Art, University of Winchester, UK FIONA TEMPLETON, writer, performer, and director of performance group The Relationship TRACEY WARR, Lecturer in Contemporary Art Theory, Oxford Brookes University, UK RUTH WAY, Senior Lecturer and Head of Theatre and Performance, University of Plymouth, UK PAUL WOODWARD, Senior Lecturer in Drama& Physical Theatre, St.Mary's University College, UK