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El. knyga: Sentient Performativities of Embodiment: Thinking alongside the Human

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  • Formatas: EPUB+DRM
  • Išleidimo metai: 05-May-2016
  • Leidėjas: Lexington Books
  • Kalba: eng
  • ISBN-13: 9781498527217
  • Formatas: EPUB+DRM
  • Išleidimo metai: 05-May-2016
  • Leidėjas: Lexington Books
  • Kalba: eng
  • ISBN-13: 9781498527217

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This collection offers writings on the body with a focus on performance, defined as both staged performance and everyday performance. Traditionally, theorizations of the body have either analyzed its impact on its socio-historical environment or treated the body as a self-enclosed semiotic and affective system. This collection makes a conscious effort to merge these two approaches. It is interested in interactions between bodies and other bodies, bodies and environments, and bodies and objects.

Recenzijos

What does it mean to feel? Sentient Performativities of Embodiment considers both the social resonance and the political stakes of this question by concentrating the study of affect more closely upon the site of the inexorably mortal human body. By convening an impressive group of scholars whose research sites challenge simplistic distinctions between 'the aesthetic' and 'the real,' Hunter, Krimmer, and Lichtenfels have crafted an anthology that compels us to return our attention to the lived complexity of feeling as a material register of human experience. This beautifully curated book will expand critical conversations between affect studies and performance studies, restoring in our consideration of feeling the fleshy, corporeal timbre of the felt. -- Patrick Anderson, University of California, San Diego Sentient Performativities of Embodiment: Thinking alongside the Human is an immense effort; broad in scope and comprehensive in its attempt to foreground practice-based research in the Arts. This type of scholarship has been gaining ground within a number of prominent institutions and the authors should be congratulated for bringing the views of so many excellent artists/scholars together in one volume. -- Henry Daniel, Simon Fraser University

Introduction: Ways of Knowing and Ways of Being Known 1(18)
Lynette Hunter
1 Weird Embodiment
19(16)
Timothy Morton
2 The Senses and Sciences of Fascia: A Practice as Research Investigation
35(20)
Joseph Dumit
Kevin O'Connor
3 The Petri Dish: Somatic Praxis, Embryology, Becoming in Marie Chouinard's The Rite of Spring
55(18)
Hilary Bryan
4 The Performativity of Performance: Doing Things with Bodies and What Words Might Do in Relation to That: A Lecture/Demonstration (Not for the Squeamish)
73(20)
Jess Curtis
5 Enminded Performance: Dancing with a Horse
93(24)
Nita Little
6 JUST LIKE THAT: William Forsythe: Between Movement and Language
117(26)
Erin Manning
Brian Massumi
7 Her Heart Can Lift Mountains by Beating: Form and Formlessness in Performance Process
143(16)
Sean Feit
8 Transversal Affectivity and the Lobster: Intimate Advances of Deleuze and Guattari, Rodrigo Garcia and La Carniceria Teatro, and Jan Lauwers and Needcompany
159(16)
Bryan Reynolds
Guy Zimmerman
9 Kantor's DIRECTOR: "I Will Be Myself but I Will Be With the Actors"
175(20)
Peter Lichtenfels
10 Where Can Walking Be Taking Me?
195(10)
Alvaro Ivan Hernandez Rodriguez
11 Walking with/Com-Pains: (Re-)(Em)Bodying Missteps and Messmates
205(24)
Ilya Noe
12 Walking Home: A Feminist Tracing of Home and Belonging
229(18)
Maureen Burdock
13 Jewish Ears and Aryan Dirndls: National Socialist Racial Ideology and Jewish Identity
247(20)
Elisabeth Krimmer
14 "So That They Never Forget the Holocaust": Memorial Tattoos and Embodied Holocaust Remembrance
267(18)
Verena Hutter
15 Presidential Dancing: The Bodies of Heads of State
285(12)
Maxine Leeds Craig
16 Socialization through the Arts: Katherine Dunham as Social Activist
297(18)
Halifu Osumare
Bibliography 315(16)
Index 331(6)
About the Contributors 337
Lynette Hunter is professor of history of rhetoric and performance at the University of California, Davis.

Elisabeth Krimmer is professor of German at the University of California, Davis.

Peter Lichtenfels is professor of theater and dramatic arts at the University of California, Davis.