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El. knyga: Shakespeare and Accentism [Taylor & Francis e-book]

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"This collection explores the consequences of accentism in the Shakespeare industry across languages and cultures, past and present"--

This collection explores the consequences of accentism – an under-researched issue that intersects with racism and classism – in the Shakespeare industry across languages and cultures, past and present. It adopts a transmedia and transhistorical approach to a subject that has been dominated by the study of "Original Pronunciation." Yet the OP project avoids linguistically "foreign" characters such as Othello because of the additional complications their "aberrant" speech poses to the reconstruction process. It also evades discussion of contemporary, global practices and, underpinning the enterprise, is the search for an aural "purity" that arguably never existed. By contrast, this collection attends to foreign speech patterns in both the early modern and postmodern periods, including Indian, East Asian and South African, and explores how accents operate as "metasigns" reinforcing ethno-racial stereotypes and social hierarchies. It embraces new methodologies, which includes reorienting attention away from the visual and onto the aural dimensions of performance.

List of Figures
ix
List of Contributors
xi
Introduction: "The Accent of his Tongue Affecteth him" 1(24)
Adele Lee
1 "Accents yet unknown": In Search of Shakespeare's Foreign Accents
25(17)
Ema Vyroubalova
2 "The strangers' case": Accenting Shakespeare's "ESL Characters"
42(24)
Matthew Davies
3 All One Mutual Cry: The Myth of Standard Accents in Shakespearean Performance
66(17)
Ronan Paterson
4 How Should Shakespeare Sound?: Actors and the Journey from OP to RP
83(17)
Alec Paterson
5 Accentism, Anglocentrism, and Multilingualism in South African Shakespeares
100(21)
Chris Thurman
6 "What doth your speech import?" The Implication of Accents in Indian Shakespeares
121(15)
Koel Chatterjee
7 "What country, friends, is this?": The Indian Accent versus Received Pronunciation in Productions of Twelfth Night
136(21)
Taarini Mookherjee
8 "Rackers of Orthography"? Speaking Shakespeare in "Engrish"
157(18)
Adele Lee
9 Alien Accents: Signifying the Shakespearean Other in Audio Performances
175(23)
Douglas M. Lanier
Afterword 198(10)
Carla Della Gatta
Index 208
Adele Lee is Associate Professor of early modern literature at Emerson College, USA. She specializes in Renaissance travel writing and "global Shakespeare" and is the author of The English Renaissance and the Far East: Cross-Cultural Encounters (2017).