"From their inception, 'low culture' comics have intersected with the 'high culture' of Shakespeare. In the first book-length collection dedicated entirely to the exploration of this collision, chapters illuminate the ways in which different texts, time periods, politics, authors, media, approaches and forms interact. Ranging from Classic Comics to Marvel, from tebeo to manga, from independent to mainstream comics, texts explored include Y: The Last Man, Neil Gaiman and Charles Vess's 'A Midsummer Night's Dream' (The Sandman #19), The League of Extraordinary Gentlemen, I Am Alfonso Jones, Marvel 1602, Doom 2099, and manga adaptations of The Tempest and Macbeth"--
From their inception, 'low culture' comics have intersected with the 'high culture' of Shakespeare. This is the first book-length collection dedicated entirely to the exploration of this collision.
Its chapters illuminate the ways in which different texts, time periods, politics, authors, media, approaches and forms interact. Ranging from Classic Comics to Marvel, from tebeo to manga, from independent to mainstream comics, texts explored include Y: The Last Man, Neil Gaiman and Charles Vess's 'A Midsummer Night's Dream' (The Sandman #19), The League of Extraordinary Gentlemen, I Am Alfonso Jones, Marvel 1602, Doom 2099, and manga adaptations of The Tempest and Macbeth, among many others.
As comic books and their big-screen progeny dominate mainstream popular culture, the association of Shakespeare with comics offers creators and critics tools with which to interrogate the place of Shakespeare within the English and global literary and cultural traditions. Shakespeare and Comics argues that, at a moment when the reassessment and reimagining of literary canons has become more urgent than ever, thinking about Shakespeare through the lens of comics invites us to imagine a literary and cultural landscape in which so-called 'great works' exist alongside and in equal conversation with marginalized writers, topics and forms.
Daugiau informacijos
The first edited collection dedicated entirely to adaptations of and engagements with Shakespeare and his works in comics.
List of Illustrations
Notes on Contributors
Acknowledgements
Introduction: Whats Shakespeare to Comics, or Comics to Shakespeare?
Jim Casey (Independent scholar, USA) and Brandon Christopher (University of
Winnipeg, Canada)
Part One: Timeless and Timely
1. Delineating Comics: Shakespeare Illustrated and the Question of
Narrative Production, Catherine E. Thomas (Georgia Institute of Technology,
USA)
2. Macbeth and the Spanish Post-War Tebeo: An Adventure Hero for
Young Readers, Elena Bandin (University of León, Spain)
3. Shakespeare in Harlem: Race, (Popular) Culture and I Am Alfonso
Jones, Daniel Thomas Stein (University of Siegen, Germany)
Part Two: Text and Image
4. This Goodly Frame: The Collaborative Theatre of Good Tickle
Brain, Mya Lixian Gosling (artist and author of Good Tickle Brain), Kate Pitt
(dramaturg for Good Tickle Brain) and Annalisa Castaldo (Widener University,
USA)
5. Shakespeare and Female Super Heroes: Classic Comics in the Golden and
Silver Age, Darlena Ciraulo (University of Central Missouri, USA)
6. From Stage to Manga Page: Scalar Mediation and Shakespeares
Tempest, Jennifer Waldron (University of Pittsburgh, USA)
Part Three: Heroes and Villains
7. Bigger than Shakespeare: Contingency and Cultural Memory in A
Groatsworth of Wit, Douglas M. Lanier (University of New Hampshire, USA)
8 Permission to Invade: Doom 2099s Muses of Fire, Philip Austin
Gilreath (Northeastern University, USA)
9 Alas, Poor Hero: Heroism in Y: the Last Man, Niamh J. OLeary
(Xavier University, USA)
Part Four: Violence and Trauma
10. Ax One Scream One: Shakespeare as EC Comics Horror, Kyle A.
Pivetti (Norwich University, USA)
11. Into the Multiverse: Shakespeare, Adaptation, and the Alternate
Reality of Marvel 1602, Charles Conaway (University of Southern Indiana,
USA)
12. Manga Adaptations of Macbeth, Yukari Yoshihara (University of
Tsukuba, Japan)
Part Five: Authors and Adaptors
13. Reading for and against Prospero in The League of Extraordinary
Gentlemen, Rhonda Knight (Coker University, USA)
14. When Canons Collide: Isaac Asimovs Dual Influences on Arthur
Byron Covers Macbeth: The Graphic Novel, Joseph Sullivan (Marietta College,
USA)
15. Puck You, Shakespeare: Embodiment and Authority in Gaiman and
Vesss A Midsummer Nights Dream, Jim Casey (Independent scholar, USA)
Afterword
Genre in Shakespeare and Comics, Peter Holland (University of Notre Dame,
USA)
Index
Jim Casey is an independent scholar based in the USA.
Brandon Christopher is Associate Professor in the Department of English at the University of Winnipeg, Canada.
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