Atnaujinkite slapukų nuostatas

El. knyga: Shakespeare and Political Theatre in Practice

(University of North Carolina, Charlotte, Charlotte, USA)
  • Formatas: PDF+DRM
  • Serija: Shakespeare in Practice
  • Išleidimo metai: 13-Dec-2013
  • Leidėjas: Red Globe Press
  • Kalba: eng
  • ISBN-13: 9780230370050
  • Formatas: PDF+DRM
  • Serija: Shakespeare in Practice
  • Išleidimo metai: 13-Dec-2013
  • Leidėjas: Red Globe Press
  • Kalba: eng
  • ISBN-13: 9780230370050

DRM apribojimai

  • Kopijuoti:

    neleidžiama

  • Spausdinti:

    neleidžiama

  • El. knygos naudojimas:

    Skaitmeninių teisių valdymas (DRM)
    Leidykla pateikė šią knygą šifruota forma, o tai reiškia, kad norint ją atrakinti ir perskaityti reikia įdiegti nemokamą programinę įrangą. Norint skaityti šią el. knygą, turite susikurti Adobe ID . Daugiau informacijos  čia. El. knygą galima atsisiųsti į 6 įrenginius (vienas vartotojas su tuo pačiu Adobe ID).

    Reikalinga programinė įranga
    Norint skaityti šią el. knygą mobiliajame įrenginyje (telefone ar planšetiniame kompiuteryje), turite įdiegti šią nemokamą programėlę: PocketBook Reader (iOS / Android)

    Norint skaityti šią el. knygą asmeniniame arba „Mac“ kompiuteryje, Jums reikalinga  Adobe Digital Editions “ (tai nemokama programa, specialiai sukurta el. knygoms. Tai nėra tas pats, kas „Adobe Reader“, kurią tikriausiai jau turite savo kompiuteryje.)

    Negalite skaityti šios el. knygos naudodami „Amazon Kindle“.

What makes a Shakespeare production political? Can Shakespeare's plays ever be truly radical?

Revealing the unspoken politics of Shakespeare's plays on stage, Andrew Hartley examines their nature, agenda, limits and potential. In considering key theoretical issues, analysing a wide range of productions, and engaging in a collaborative debate with Professor Ayanna Thompson, Hartley highlights a more consciously political approach to making theatre out of Shakespeare's scripts – and to experiencing it as an audience. Dynamic and provocative, this book is a crucial text for students and theatre practitioners alike.

Recenzijos

'Engaging, illuminating and finely balanced, this book offers a great model for any student, critic or performer of Shakespeare who wants to think seriously about the politics of what they are seeing and making.' - Paul Prescott, Associate Professor of English, University of Warwick, UK 'Are all politics local? Hartley reminds us that theatre productions are - material, multi-vocal, co-created and contingent, made for and out of all the particular contexts brought to the event. There are many joys to be had in this incisive, honest and eminently readable book, but uppermost is its detailed linking of political and artistic concerns.' - Kevin Ewert, Director of Theatre Program and Professor of Theatre, University of Pittsburgh at Bradford, USA 'An exciting new series which brings the study of Shakespeare performance into energizing engagement with current explorations of performance as practice.' - Peter Holland, McMeel Family Professor in Shakespeare Studies, University of Notre Dame, USA 'This innovative series will provide information and incentive for students of either Shakespeare or Theatre.' - John Russell Brown, founding series editor of The Shakespeare Handbooks

Daugiau informacijos

Engaging, illuminating and finely balanced, this book offers a great model for any student, critic or performer of Shakespeare who wants to think seriously about the politics of what they are seeing and making.' - Paul Prescott, Associate Professor of English, University of Warwick, UK 'Are all politics local? Hartley reminds us that theatre productions are - material, multi-vocal, co-created and contingent, made for and out of all the particular contexts brought to the event. There are many joys to be had in this incisive, honest and eminently readable book, but uppermost is its detailed linking of political and artistic concerns.' - Kevin Ewert, Director of Theatre Program and Professor of Theatre, University of Pittsburgh at Bradford, USA 'An exciting new series which brings the study of Shakespeare performance into energizing engagement with current explorations of performance as practice.' - Peter Holland, McMeel Family Professor in Shakespeare Studies, University of Notre Dame, USA 'This innovative series will provide information and incentive for students of either Shakespeare or Theatre.' - John Russell Brown, founding series editor of The Shakespeare Handbooks
Acknowledgements vi
Series Editors' Preface vii
Introduction 1(8)
Part I In Theory
9(48)
1 The Politics of the Stage
11(23)
2 The Curious Case of Mr Shakespeare
34(23)
Part II In Practice
57(72)
3 Identity Politics and the Stage
59(16)
4 "Who talks of my nation?" Challenging the Establishment
75(15)
5 "Let him be Caesar": Representing Politics
90(13)
6 Place and Pedagogy: Site-Specific Production, School Tours, Prison Shakespeare, and the Question of Agenda
103(13)
7 The Tame Snake: The Politics of Safe Shakespeare
116(13)
Part III Provocation and Debate
129(20)
8 "A Conversation with Ayanna Thompson in Three Acts"
131(18)
Part IV Annotated Reading List
149(8)
Notes 157(5)
Bibliography 162(4)
Index 166
Andrew James Hartley is the Robinson Professor of Shakespeare Studies at the University of North Carolina, Charlotte, USA. He is author of The Shakespeare Dramaturg and Julius Caesar, was the editor of the performance journal Shakespeare Bulletin from 2003-13, and is an Associate Artist at Georgia Shakespeare.