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El. knyga: Shakespearean International Yearbook: 16: Special Section, Shakespeare on Site

Edited by (University of Auckland), Edited by (George Washington University)

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The four hundredth anniversary of the Shakespeare’s death in 2016 promises a wealth of programming to ensure that his cultural legacy, entertainment value and economic impact that will extend across the world. The essays assembled for this 16th issue of The Shakespearean International Yearbook form another testament to the scope of attention Shakespeare and his plays now garner in both national and international contexts. Across the sites that these essays explore, scholars illustrate the complexity and diversity of this globally relevant and recognized Shakespeare – to understand the reproduction of his plays in the twenty-first century in those places well-known and often recognized for their contributions to contemporary knowledge of the works, but also in geographic and historical contexts less often acknowledged or explored. The Special Section “Shakespeare on Site” examines, then, how cultural performances of many kinds contribute to the experiences and meanings of place – whether local, regional, or national – and how these different practices elaborate our notions of what has come to be called, both in popular and scholarly discourses, “global Shakespeare.”
List of illustrations
vii
Preface xi
PART ONE
1 Shakespeare on site: here, there and everywhere
1(10)
Susan Bennett
2 Proximal dreams: Peter Sellars at the Stratford Festival of Canada
11(18)
Margaret Jane Kidnie
3 The site of burial in two Korean Hamlets
29(20)
Yu Jin Ko
4 The merchant of Ashland: the confusing case of an organized minority response at the Oregon Shakespeare Festival
49(16)
Jason Demeter
Ayanna Thompson
5 Exhibiting the past: Globe replicas in Shakespearean exhibitions
65(22)
Clara Calvo
6 Spatial negotiations in the Brazilian street production Sua Incelenca, Ricardo III by Clowns de Shakespeare
87(22)
Anna Stegh Camati
Liana de Camargo Leao
7 Shakespeare going out here and now: travels in China on the 450th anniversary
109(20)
Li Jun
Julie Sanders
PART TWO
8 "What ceremony else?" Images of Ophelia in Brazil: the politics of subversion of the female artist
129(18)
Cristiane Busato Smith
9 Mapping Shakespeare in street art
147(30)
Mariacristina Cavecchi
10 Collaborations and conversations: the year in Shakespeare studies, 2012--2013
177(14)
Elizabeth Pentland
Notes on contributors 191(4)
Index 195
Tom Bishop is based at the University of Auckland, New Zealand. Alexa Huang is Professor of English at The George Washington University and Research Affiliate in Literature at MIT, USA. Susan Bennett is Professor of English and Associate Dean at the University of Calgary, Canada.