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El. knyga: Shakespearean International Yearbook: Volume 11: Special Issue, Placing Michael Neill. Issues of Place in Shakespeare and Early Modern Culture

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This eighth volume of The Shakespearean International Yearbook presents a special section on 'European Shakespeares', proceeding from the claim that Shakespeare's literary craft was not just native English or British, but was filtered and fashioned through a Renaissance awareness that needs to be recognized as European, and that has had effects and afterlives across the Continent. Guest editors Ton Hoenselaars and Clara Calvo have constructed this section to highlight both how the spread of 'Shakespeare' throughout Europe has brought together the energies of a wide variety of European cultures across several centuries, and how the inclusion of Shakespeare in European culture has been not only a European but also a world affair. The Shakespearean International Yearbook continues to provide an annual survey of important issues and developments in contemporary Shakespeare studies. Contributors to this issue come from the US and the UK, Spain, Switzerland and South Africa, Canada, The Netherlands, India, Portugal, Greece, France, and Hungary. In addition to the section on European Shakespeares, this volume includes essays on the genre of romance, issues of character, and other topics.

Recenzijos

'The collection is an achievement in reading the cultural forms that it engages, with Neill's work, and his biography, along an axis of placement-displacement. With this instalment, The Shakespearean International Yearbook continues its valuable focus on global Shakespeares and the profound connections between Shakespearean receptions, reappropriations, after-lives, and locale. Not only that, it travels, via Michael Neill's works, widely and provocatively through conceptions of place and displacement that are pertinent to postcolonial and early modern scholars alike.' Sixteenth Century Journal 'This volume serves as an eloquent testimonial to the range and influence of one of our most important critics of Renaissance drama.' Studies in English Literature 1500-1900

List of Figures
vii
Preface ix
Introduction: Dis/Placing Michael Neill 1(24)
Jonathan Gil Harris
1 Gentle Shakespeare and the Authorship of Arden of Faversham
25(16)
Macdonald P. Jackson
2 Thinking with Skulls in Holbein, Hamlet, Vesalius, and Fuller
41(20)
Gail Kern Paster
3 "Come to Hecuba": Theatrical Empathy and Memories of Troy
61(28)
Marina Warner
4 Dogs, War and Loyalty in Shakespeare
89(22)
Adrian Poole
5 "Love's Transgression": Service, Romeo, Juliet, and the Finality of the You
111(38)
David Schalkwyk
6 Beyond the Pale: Difference and Disorder in Sir Henry Sidney's Memoir of Service in Ireland and John Derricke's the Image of Irelande (1581)
149(28)
Thomas Cartelli
7 Sickening India: On Dislocation and Explosive Enjoyment in Early Modern Travel Writing
177(22)
Jonathan Gil Harris
8 Gugliemo and Benito: Shakespeare, Nation, and Ethnicity in Fascist Italy
199(18)
Shaul Bassi
9 Objects and the Displaced Subject: Shakespeare's Othello and Salih's Season of Migration to the North
217(18)
Jean E. Howard
10 Scenes of Learning/Stages of Instruction: Shakespeare Rehearsal Fictions
235(18)
Mark Houlahan
Afterword 253(4)
Michael Neill
Notes on Contributors 257(4)
Bibliography 261(22)
Index 283
Jonathan Gil Harris is a Professor of English at George Washington University. Graham Bradshaw is based at Chuo University, Japan. Tom Bishop is based at the University of Auckland, New Zealand. Ton Hoenselaars is based at the Utrecht University, The Netherlands and Clara Calvo is based at the University of Murcia, Spain. Alexa Huang is a Professor of English at George Washington University.