Atnaujinkite slapukų nuostatas

El. knyga: Shakespeare's Sense of Character: On the Page and From the Stage

  • Formatas: 280 pages
  • Išleidimo metai: 01-Apr-2016
  • Leidėjas: Routledge
  • Kalba: eng
  • ISBN-13: 9781317056010
Kitos knygos pagal šią temą:
  • Formatas: 280 pages
  • Išleidimo metai: 01-Apr-2016
  • Leidėjas: Routledge
  • Kalba: eng
  • ISBN-13: 9781317056010
Kitos knygos pagal šią temą:

DRM apribojimai

  • Kopijuoti:

    neleidžiama

  • Spausdinti:

    neleidžiama

  • El. knygos naudojimas:

    Skaitmeninių teisių valdymas (DRM)
    Leidykla pateikė šią knygą šifruota forma, o tai reiškia, kad norint ją atrakinti ir perskaityti reikia įdiegti nemokamą programinę įrangą. Norint skaityti šią el. knygą, turite susikurti Adobe ID . Daugiau informacijos  čia. El. knygą galima atsisiųsti į 6 įrenginius (vienas vartotojas su tuo pačiu Adobe ID).

    Reikalinga programinė įranga
    Norint skaityti šią el. knygą mobiliajame įrenginyje (telefone ar planšetiniame kompiuteryje), turite įdiegti šią nemokamą programėlę: PocketBook Reader (iOS / Android)

    Norint skaityti šią el. knygą asmeniniame arba „Mac“ kompiuteryje, Jums reikalinga  Adobe Digital Editions “ (tai nemokama programa, specialiai sukurta el. knygoms. Tai nėra tas pats, kas „Adobe Reader“, kurią tikriausiai jau turite savo kompiuteryje.)

    Negalite skaityti šios el. knygos naudodami „Amazon Kindle“.

Making a unique intervention in an incipient but powerful resurgence of academic interest in character-based approaches to Shakespeare, this book brings scholars and theatre practitioners together to rethink why and how character continues to matter. Contributors seek in particular to expand our notions of what Shakespearean character is, and to extend the range of critical vocabularies in which character criticism can work. The return to character thus involves incorporating as well as contesting postmodern ideas that have radically revised our conceptions of subjectivity and selfhood. At the same time, by engaging theatre practitioners, this book promotes the kind of comprehensive dialogue that is necessary for the common endeavor of sustaining the vitality of Shakespeare's characters.

Recenzijos

'One of the collections strongest features is its organization [ ...] which makes the collection feel like a unified whole, a rarity in books of essays. Particularly effective is the conversation between Cary Mazer and Tiffany Stern in their respective pieces concerning historicizing spontaneity... Summing Up: Recommended. Graduate students, researchers, professionals.' Choice 'The book offers a series of different perspectives on the complex relationships, between two of Shakespeares most compelling characters.' The Shakespeare Blog Investigating the relationship between actor and character, between actor and audience, and between characters in plays, these essays speak to one another in interesting ways and engage in an ongoing conversation about Shakespearean character that marries theory with theater practice. The collection will be of interest to Shakespeare critics, scholars of performance criticism, and theater professionals. RQ Winter 'The virtues of this volume are many ... This dialogue is not serendipitous, but a result of editorial care. The essays also demonstrate that academic prose can be smart, stimulating, and pleasurable; that scholarly debates can be passionate but civil; and above all, that character-based approaches are integral to our engagement with Shakespearean selves in a postmodern world.' 16th Century Journal

List of Illustrations
ix
Notes on Contributors xi
Acknowledgements xv
Introduction 1(18)
Yu Jin Ko
Part 1 Shakespearean Persons
1 How Dark Was It in That Room? Performing a Scene Shakespeare Never Wrote
19(16)
Michael Bristol
2 Shakespearean Characters and Early Modern Subjectivity: The Case of King Lear
35(18)
Bruce W. Young
3 What Makes Someone a Character in Shakespeare?
53(12)
William Flesch
4 Wopsle's Revenge, or, Reading Hamlet as Character in Great Expectations
65(20)
James E. Berg
Part 2 Character in Action
5 Historicizing Spontaneity: The Illusion of the First Time of "The Illusion of the First Time"
85(14)
Cary M. Mazer
6 (Re:)Historicizing Spontaneity: Original Practices, Stanislavski, and Characterization
99(12)
Tiffany Stern
7 Retracing Antonio: In Search of the Merchant of Venice
111(16)
Diego Arciniegas
8 Letting Unpleasantness Lie: Counter-Intuition and Character in The Merchant of Venice
127(14)
Brett Gamboa
9 Iago: In Following Him I Follow But Myself
141(10)
Dan Donohue
10 "I lay with Cassio lately": Iago's Fantasy, the Actor and Audience Response to Othello in 3.3
151(20)
Michael W. Shurgot
Part 3 Beyond Naturalism: Then and Now
11 Just Do It: Theory and Practice in Acting
171(18)
Eunice Roberts
12 Playing Sodomites: Gender and Protean Character in As You Like It
189(20)
Lina Perkins Wilder
13 "Stops" in the Name of Love: Playing Typological Iago
209(14)
Travis Curtright
14 Henry V's Character Conflict
223(18)
James Wells
Bibliography 241(16)
Index 257
Yu Jin Ko, is Professor of English at Wellesley College, USA. Michael W. Shurgot is Professor of Humanities at South Puget Sound Community College, USA.