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Shape of Motion: Cinema and the Aesthetics of Movement [Kietas viršelis]

(Lecturer in the Cinema Department, Binghamton University)
  • Formatas: Hardback, 264 pages, aukštis x plotis x storis: 160x241x20 mm, weight: 544 g
  • Išleidimo metai: 20-Apr-2023
  • Leidėjas: Oxford University Press Inc
  • ISBN-10: 0190093889
  • ISBN-13: 9780190093884
Kitos knygos pagal šią temą:
  • Formatas: Hardback, 264 pages, aukštis x plotis x storis: 160x241x20 mm, weight: 544 g
  • Išleidimo metai: 20-Apr-2023
  • Leidėjas: Oxford University Press Inc
  • ISBN-10: 0190093889
  • ISBN-13: 9780190093884
Kitos knygos pagal šią temą:
In The Shape of Motion: Cinema and the Aesthetics of Movement, author Jordan Schonig provides a new way of theorizing cinematic motion by examining cinema's "motion forms": structures, patterns, or shapes of movement unique to the moving image. From the wild and unpredictable motion of flickering leaves and swirling dust that captivated early spectators, to the pulsing abstractions that emerge from rapid lateral tracking shots, to the bleeding pixel-formations caused by the glitches of digital video compression, each motion form opens up the aesthetics of movement to film theoretical inquiry.

By pairing close analyses of onscreen movement in narrative and experimental films with concepts from Maurice Merleau-Ponty, Henri Bergson, and Immanuel Kant, Schonig rethinks longstanding assumptions within film studies, such as indexical accounts of photographic images and analogies between the camera and the human eye. Arguing against the intuition that cinema reproduces our natural perception of motion, The Shape of Motion shows how cinema's motion forms do not merely transpose the movements of the world in front of the camera, they transform them.

Recenzijos

One of the best books this reviewer has encountered in the past few years. Essential. * CHOICE * Movies are about motion, as their name implies. But what does it really mean to see, on a screen, leaves blowing in the wind, or a lateral tracking shot? In this book, Jordan Schonig gives us a revelatory account of the manifold varieties and pleasures of cinematic movement. * Steven Shaviro, DeRoy Professor of English, Wayne State University * The Shape of Motion offers nothing less than a new and compelling conceptual framework for understanding the various forms of motion that have appeared onscreen throughout film history. Schonig opens up cinematic movement to rigorous theoretical analysis and, in the process, provides insight into our ongoing fascination with, and perceptual delight in, motion itself. * Kristen Whissel, Professor of Film & Media, University of California, Berkeley * The Shape of Motion is an imaginative and important bookā¦The Shape of Motion, I have no doubt, will be a fruitful and influential work of film-theoretical scholarship. * Dominic Lash, Year's Work in Critical and Cultural Theory *

Acknowledgments ix
About the Companion Website xiii
Introduction: Moving toward Form 1(18)
The Problem of "Movement"
1(4)
Perceiving Form
5(5)
The Strangeness of Cinematic Motion
10(4)
Describing Motion
14(2)
Cinemas Motion Forms
16(3)
1 Contingent Motion
19(24)
Contingent Motion and the Impression of Causality
22(2)
Aesthetic Beholding and Kant's Beautiful Views
24(4)
Early Cinema's Water-Effects Films
28(4)
CGI'S Fuzzy Objects
32(8)
From the Novelty of Motion to Forms of Motion
40(3)
2 Habitual Gestures
43(31)
Ways of Moving
46(6)
Ways of Moving Differently
52(7)
The Cultivation of Habit
59(10)
Capturing the In-Between
69(5)
3 Durational Metamorphosis
74(25)
Cinematic Slowness and Duration
78(4)
Duration Made Visible
82(8)
From Natural to Supernatural Metamorphosis: Silent Light
90(5)
From Sleeping to Seeing
95(4)
4 Spatial Unfurling
99(26)
From Moving to Unfurling
101(4)
The Perceptual Aesthetics of Lateral Camera Movement
105(8)
Seeing Double
113(6)
Seeing Aspects of the Moving Camera
119(6)
5 Trajective Locomotion
125(24)
Approaching Trajectivity
128(7)
A World of Trajectivities
135(5)
Exploring Exceptions
140(6)
The Ethics of the Moving Camera
146(3)
6 Bleeding Pixels
149(30)
Movement-Sensitive Spectatorship
152(10)
A Pedagogy of Motion Perception
162(14)
Seeing Movement Move
176(3)
Conclusion: Movement as Excess 179(10)
Notes 189(48)
Index 237
Jordan Schonig is a Lecturer in the Cinema Department at Binghamton University.