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Shaw The Chucker Out: A Biographical Exposition and Critique [Kietas viršelis]

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Shaw The Chucker Out: A Biographical Exposition and Critique
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Originally published in 1969, Shaw – “The Chucker Out” quotes much entirely new and previously unpublished Shaw material (the fruits of six years’ research at the British Museum and elsewhere) as the basis for his aim of assisting towards a better understanding of Shaw’s controversial character and his paradoxical attitude to life.



Originally published in 1969, in Shaw – “The Chucker Out” Allan Chappelow quotes much entirely new and previously unpublished Shaw material (the fruits of six years’ research at the British Museum and elsewhere) as the basis for his aim of assisting towards a better understanding of Shaw’s controversial character and his paradoxical attitude to life – with reference particularly to certain fallacies and misconceptions voiced by the villagers of Ayot St. Lawrence (during their otherwise favourable memoirs in Shaw the Villager) and shared by the world at large.

This book threw a flood of new light on Shaw and the world in which he lived. It included new examples of Shaw’s finest and noblest pronouncements as well as of his more controversial obiter dicta, and a special feature is the way in which the development of Shaw’s ideas is shown during his exceptionally long career occupying three-quarters of a century, from his first published (and unpublished) writings in 1875 till his last in 1950.

Here is Shaw at his most stimulating and entertaining (even when deliberately shocking for effect!), and many of his views – on stage censorship for example, or on making strikes illegal – were as topical and relevant in 1969 as when he propounded them.

In Shaw – “The Chucker Out” the reader will find (in addition to the opening chapter which presents Shaw’s printed postcards and ‘stock letter’ replies) much new material on Shaw’s attitude to peace and war, on his ‘new alphabet’ and his succession of Wills, rare love letters and other evidence of Shaw’s attitude to sex, unique speeches on the art of the theatre and on the conduct of life, and perhaps most important of all, a most fascinating panorama of Shaw’s views on the full gamut of political themes. The subjects range through Socialism and Capitalism, Christian Economics, Democracy and Dictators, Fascism and Equality of Income, Sedition, Trade Unionism, Women in Politics, and Communism.

The book’s appeal is not only to those interested in Shaw and literature, but also as a general sociological and philosophical study of the main political, social, and moral outlooks of the world at the time, in which little-known views of many of Shaw’s contemporaries and critics are given as well as his own.

Most people are bewildered by the conflict in life between ideals and illusions, and not a few have been perplexed by the contrast between the unquestionable brilliance of many of Bernard Shaw’s views and the sometimes facetious statements of the clown in him. Allan Chappelow skilfully sifts the wheat from the chaff; as Vera Brittain points out, this book goes a long way towards clarification, and it seemed likely to become a standard work.

Recenzijos

From the Foreword Vera Brittain writes:

It must surely be the most thorough and detailed examination of Shaws political, moral, and social views yet made by any biographer Mr Chappelow has ranged far and wide in what has obviously been most painstaking and conscientious research over a long period, and the fruits of it are extremely well integrated and presented. After spending several weeks on this book my image of Shaw hitherto always baffling and enigmatical has become greatly clarified.

I feel that Mr Chappelows analysis is eminently fair and objective, and of the utmost value as a contribution towards our understanding of this fascinating but also extraordinarily complex man of genius. I am certain that this is a book which no present or future student of Shaw and his time will be able to do without.

Foreword by Vera Brittain. Introduction by Allan Chappelow.
Acknowledgements. Illustrations. Enter The Chucker Out! Bernard Shaw Takes
the Floor, Replies to His Critics, and Explains Himself. Bernard Shaws
Printed Postcards and Stock Letter Replies. On How to Become a Model Parent.
On Education, Conduct and Life. On the Literature of the Theatre. On His Aims
as Playwright. On Stage Morals and Censorship, Religion, Art, and Spiritual
and Physical Love. On Love, Marriage, The Nature of Sex, and Sex Ethics. On
Sexual Reform. On Socialism. On Christian Economics. On Democracy and
Dictators: Communism, Socialism, Capitalism, and Fascism; Revolution,
Sedition, Women in Politics; The British Labour Party; Trade Unionism and the
Working Class; and the Equalisation of Incomes. On War and Peace. On His
Proposed New English Alphabet. G.B.S. and the A.B.C. by Barbara Smoker.
Bernard Shaws Wills. Mr Justice Harmans Judgement in 1957, Holding Invalid
the Alphabet Trusts in Shaws Will. Appendix. Index.
Allan Chappelow (19192006) was an M.A. and twice a Prizeman of Trinity College, Cambridge, a Fellow of the Royal Society of Arts, a Graduate Member of the British Psychological Society, and a member of the Royal Photographic Society. He had done post-graduate research at the London School of Economics and studied at the Slade School (specialising in sculpture), and was well-known in several countries for his photographic portraits of famous figures (of which those of Shaw were among the first).