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El. knyga: Shaw's Ibsen: A Re-Appraisal

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This book argues that Shaw was a masterful reader of Ibsen's plays both as texts and as the cornerstone of the modern theatre. Dismantling the notion that Shaw distorted Ibsen to promote his own view of the world, and establishing Shaw’s initial interest in Ibsen as the poet of Peer Gynt, it chronicles Shaw’s important role in the London Ibsen campaign and exposes the falsity of the tradition that Shaw branded Ibsen as a socialist. Further, this study shows that Shaw’s famous but maligned The Quintessence of Ibsenism reflects Ibsen’s own anti-idealist notion of his work and argues that Shaw’s readings of Ibsen’s plays are pioneering analyses that anticipate later criticism. It offers new readings of Shaw’s “Ibsenist” plays as well as a comprehensive account of Ibsen’s importance for Shaw’s dramatic criticism, from his early journalism to Our Theatres of the Nineties, both as a weapon against the inanities of the Victorian stage and as the standard bearer for modernism.

Recenzijos

It is a powerful book, worthy of a prize. (R. F. Dietrich, SHAW  The Journal of Bernard Shaw Studies, Vol. 39 (1), 2019) Templeton (emer., Long Island Univ.) is an excellent writer and a distinguished thinker. She is also among the foremost experts on Ibsen and an astute interpreter of Shaw. Summing Up: Highly recommended. Upper-division undergraduates through faculty. (H. I. Einsohn, Choice, Vol. 53 (03), November, 2018)

The Road to the Quintessence
1(52)
1 Becoming an Ibsen Critic: Shaw, Archer, and the New Drama
1(37)
2 The Fabian Society Lecture: Shaw, Ibsen, and Socialism
38(15)
The Quintessence of Ibsenism, 1891
53(98)
1 The Framing
Chapters: Ibsen's Modernism
57(15)
2 Ibsen's Revolutionary Calling
72(13)
3 Reading Ibsen's Texts: "The Plays"
85(46)
4 The Open Mind of Ibsenism: "The Moral of the Plays"
131(5)
5 Ibsen and the English Theatre: "The Appendix"
136(15)
The Ibsenite in the Theatre, 1892-1898
151(102)
1 The Dramatist: Widowers' Houses to Candida
151(33)
2 The Dramatic Critic: Our Theatres in the Nineties
184(69)
The Quintessence of Ibsenism: Now Completed to the Death of Ibsen, 1913
253(68)
1 Shaw's Obituary of Ibsen
253(8)
2 An Old and a New Ibsen
261(10)
3 "The Last Four Plays: Down Among the Dead Men"
271(20)
4 A Modernist Manifesto: "What is the New Element in the Norwegian School?"
291(8)
5 The Playwright as Thinker: "The Technical Novelty in Ibsen's Plays"
299(9)
6 Then and Now: 1891 and 1913
308(1)
7 Postscript: "Needed: An Ibsen Theatre"
309(2)
8 The Last Envoy: "Preface to the Third Edition," 1922
311(10)
Works Cited 321(8)
Index 329
Joan Templeton is Professor Emerita of Long Island University, USA, past President of the Ibsen Society of America and the International Ibsen Committee, and has taught at the universities of Paris-Sorbonne, Tours, and Limoges. Her work includes the books Ibsen's Women and Munchs Ibsen: A Painters Visions of a Playwright and twenty-five articles in journals, including PMLA, Modern Drama, Scandinavian Studies, and Ibsen Studies.
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