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Short Course in Photography: Digital 3rd edition [Minkštas viršelis]

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  • Formatas: Paperback / softback, 240 pages, aukštis x plotis x storis: 275x216x13 mm, weight: 780 g
  • Išleidimo metai: 28-Jul-2014
  • Leidėjas: Pearson
  • ISBN-10: 0205998259
  • ISBN-13: 9780205998258
Kitos knygos pagal šią temą:
Short Course in Photography: Digital 3rd editionDidesnis paveikslėlis
  • Formatas: Paperback / softback, 240 pages, aukštis x plotis x storis: 275x216x13 mm, weight: 780 g
  • Išleidimo metai: 28-Jul-2014
  • Leidėjas: Pearson
  • ISBN-10: 0205998259
  • ISBN-13: 9780205998258
Kitos knygos pagal šią temą:
Pastovi nuoroda: https://www.kriso.lt/db/9780205998258.html
Demonstrates basic techniques in digital photography Modeled after the widely used A Short Course in Photography:Film and Darkroom, the third edition ofA Short Course in Photography: Digital presents photography entirely in its current, electronic form. This brief title demonstrates greater emphasis on the most up-to-date learning techniques, allowing students to keep up with modern technology. A Short Course in Photography: Digital teaches readers to emphasize their choices in picture making by presenting in depth basic techniques of photography. In additional to covering the basic techniques of photography, this title covers the impact of computers on this important art form.MyArtsLab is an integral part of the London / Stone program. Engaging activities and assessment are part of a teaching and learning system that helps students gain a broader understanding of photography. With MyArtsLab, students can explore in-depth analyses of relevant artwork, architecture, artistic techniques, and more.ALERT: Before you purchase, check with your instructor or review your course syllabus to ensure that youselect the correct ISBN. Several versions of Pearsons MyLab & Mastering products exist for each title, including customized versions for individual schools, and registrations are not transferable. In addition,you may need a CourseID, provided by your instructor, to register for and use Pearsons MyLab & Mastering products.Packages Access codes for Pearsons MyLab & Mastering products may not be included when purchasing or renting from companies other than Pearson; check with the seller before completing your purchase.Used or rental books If you rent or purchase a used book with an access code, the access code may have been redeemed previously and you may have to purchase a new access code.Access codes Access codes that are purchased from sellers other than Pearson carry a higher risk of being either the wrong ISBN or a previously redeemed code. Check with the seller prior to purchase.--0205991602 / 9780205991600 A Short Course in Digital Photography Plus NEW MyArtsLab with Pearson eText -- Access Card PackagePackage consists of: 0205206565 / 9780205206568 NEW MyArtsLab with Pearson eText -- Valuepack Access Card0205998259 / 9780205998258 A Short Course in Digital Photography
Preface vii
1 Camera
2(28)
Getting Started Getting your camera ready
4(2)
Focusing and setting the exposure
6(1)
Exposure readout
7(1)
Exposing images
8(1)
What will you photograph?
9(1)
Types of Cameras Film cameras
10(2)
Digital cameras
12(2)
Basic Camera Controls
14(2)
More about Camera Controls
16(1)
Inside a digital single-lens reflex camera
17(1)
Shutter Speed Affects light and motion
18(2)
Use it creatively
20(2)
Aperture Affects light and depth of field
22(2)
Use it creatively
24(2)
Shutter Speed and Aperture Blur vs. depth of field
26(2)
Getting the Most from Your Camera and Lens
28(2)
2 Lens
30(22)
Lens Focal Length The basic difference between lenses
32(2)
Normal Focal Length The most like human vision
34(2)
Long Focal Length Telephoto lenses
36(2)
Short Focal Length Wide-angle lenses
38(2)
Zoom, Macro, and Fisheye Lenses
40(2)
Focus and Depth of Field
42(1)
Automatic Focus
43(1)
Depth of Field Controlling sharpness in a photograph
44(2)
More about Depth of Field How to preview it
46(2)
Perspective How a photograph shows depth
48(2)
Lens Attachments Close-ups and filters
50(2)
3 Light and Exposure
52(24)
Sensors and Pixels
54(1)
Pixels and Resolution
55(1)
Color in Photography Color Systems
56(1)
Color Characteristics
57(1)
White Balance
58(2)
Using Histograms
60(2)
Exposure Meters What different types do
62(2)
How to calculate and adjust an exposure manually
64(2)
Overriding an Automatic Exposure Camera
66(2)
Making an Exposure of an Average Scene
68(2)
Exposing Scenes that are Lighter or Darker than Average
70(2)
Backlighting
72(1)
Exposing Scenes with High Contrast
73(1)
HDR High dynamic range
74(2)
4 Digital Workplace Basics
76(14)
Equipment and Materials You'll Need
78(2)
Pictures Are Files
80(2)
Digital Color Modes, gamuts, spaces, and profiles
82(1)
Channels
83(1)
Calibrating for accuracy
84(1)
Working with Camera Raw
85(1)
Stay organized Setting up a Workflow
86(1)
Photographer's Workflow Programs
87(1)
Importing an Image
88(1)
Scanning
89(1)
5 Image Editing
90(24)
Getting Started Editing an Image
92(2)
Adjusting an Image Levels
94(2)
Curves
96(2)
Adjusting Part of an Image Selections
98(2)
More Techniques Layers
100(2)
Retouching
102(2)
Sharpening
104(2)
Compositing
106(2)
Color into black and white
108(1)
Filters
109(1)
An Editing Workflow
110(2)
Ethics and Digital Imaging
112(2)
6 Printing and Display
114(14)
Printers and Drivers
116(1)
Papers and Inks
117(1)
Soft Proofing
118(1)
Panoramic Photographs
119(1)
Presenting Your Work Framing
120(1)
Matting a print
121(1)
Mounting a Print Equipment and materials you'll need
122(2)
Dry Mounting a Print Step by Step
124(2)
Bleed Mounting/Overmatting
126(2)
7 Organizing and Storing
128(6)
Image Storage
130(1)
Using Metadata
131(1)
Software for Organizing
132(1)
Archiving Images and Prints
133(1)
8 Using Light
134(18)
Qualities of Light From direct to diffused
136(2)
Existing Light Use what's available
138(2)
The Main Light The strongest source of light
140(2)
Fill Light To lighten shadows
142(2)
Simple Portrait Lighting
144(2)
Using Artificial Light Photolamp or flash
146(2)
More about Flash How to position it
148(2)
Using Flash
150(2)
9 Seeing Like a Camera
152(28)
What's in the Picture The edges or frame
154(2)
The background
156(2)
Focus Which parts are sharp
158(2)
Time and Motion in a Photograph
160(2)
Depth in a Picture Three dimensions become two
162(1)
Chaos into order
163(1)
Photographing for Meaning
164(2)
Portraits Informal: Finding them
166(2)
Formal: Setting them up
168(2)
Photographing the Landscape
170(2)
Photographing the Cityscape
172(2)
Photographing Inside
174(2)
Assembled to be Photographed
176(2)
Responding to Photographs
178(2)
10 History of Photography
180(34)
Daguerreotype "Designs on silver bright"
182(2)
Calotype Pictures on paper
184(1)
Collodion Wet-Plate Sharp and reproducible
185(1)
Gelatin Emulsion/Roll-Film Base Photography for everyone
186(1)
Color Photography
187(1)
Early Portraits
188(2)
Early Travel Photography
190(1)
Early Images of War
191(1)
Time and Motion in Early Photographs
192(1)
The Photograph as Document
193(1)
Photography and Social Change
194(2)
Photojournalism
196(4)
Photography as Art in the 19th Century
200(1)
Pictorial Photography and the Photo-Secession
201(1)
The Direct Image in Art
202(1)
The Quest for a New Vision
203(1)
Photography as Art in the 1950s and 1960s
204(2)
Photography as Art in the 1970s and 1980s
206(2)
Color Photography Arrives---Again
208(2)
Digital Photography Predecessors
210(2)
Becomes mainstream
212(2)
How to Learn More 214(1)
Troubleshooting 215(5)
Photographers' Web Sites 220(2)
Glossary 222(4)
Bibliography 226(2)
Photo Credits 228(2)
Index 230
Jim Stone is an Associate Professor of Photography at the University of New Mexico. His photographs have been collected by the Museum of Modern Art and The Smithsonian American Art Museum, among many others. Books of his work include Stranger Than Fiction (Light Work, 1993),Historiostomy (Piltdown Press, 2001), and Why My Pictures are Good (Nazraeli Press, 2005).

He has also published six higher education titles that are widely used in university courses: A User¹s Guide to the View Camera, Darkroom Dynamics, Photography, Photography: The Essential Way, A Short Course in Photography, and A Short Course in Digital Photography.

Barbara London has authored and co-authored many photography books from their first editions to their current ones, including Photography, Photography: The Essential Way, A Short Course in Photography, A Short Course in Digital Photography, The Photograph Collector's Guide, and more.