Preface: Notes on This Edition |
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ix | |
Acknowledgments |
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xi | |
Introduction: Affinities |
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1 | (26) |
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PART I A CULTURAL CRITIC IN NEW YORK |
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27 | (106) |
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1 Why France Liked Our Films (1942) |
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33 | (8) |
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2 Hollywood's Terror Films (1946) |
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41 | (6) |
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47 | (4) |
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4 The Revolt against Rationality (1947) |
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51 | (3) |
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5 On Jewish Culture (1947) |
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54 | (3) |
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6 Filming the Subconscious (1948) |
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57 | (5) |
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7 Psychiatry for Everything and Everybody (1948) |
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62 | (10) |
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8 Those Movies with a Message (1948) |
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72 | (9) |
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9 National Types as Hollywood Presents Them (1949) |
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81 | (24) |
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10 The Mirror Up to Nature (1949) |
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105 | (4) |
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11 Preston Sturges, or Laughter Betrayed (1950) |
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109 | (6) |
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115 | (2) |
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13 About the State of the Humanities |
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117 | (7) |
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14 A Statement on the Humanistic Approach |
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124 | (3) |
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15 Talk with Teddie (1960) |
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127 | (6) |
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133 | (34) |
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16 An American Experiment (1941) |
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137 | (2) |
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139 | (2) |
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18 Film Notes from Hollywood (1941) |
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141 | (1) |
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19 A Few American Films (1941) |
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142 | (1) |
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20 William Wyler's New Bette Davis Film (1941) |
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143 | (2) |
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21 Flaherty: The Land (1942) |
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145 | (1) |
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22 For Whom the Bell Tolls (1943) |
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146 | (4) |
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150 | (7) |
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24 The Decent German (1949) |
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157 | (5) |
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25 The Eternal Jew (1956) |
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162 | (3) |
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26 A Few Notes on The Connection (1961) |
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165 | (2) |
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167 | (32) |
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27 In Eisenstein's Workshop (1943) |
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171 | (2) |
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28 The Russian Director (1949) |
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173 | (3) |
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29 The Movie Colony (1942) |
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176 | (2) |
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30 A Lady of Valor (1947) |
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178 | (3) |
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31 The Teutonic Mind (1948) |
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181 | (2) |
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32 Consciousness, Free and Spontaneous (1948) |
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183 | (2) |
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33 Indologian Holiday (1948) |
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185 | (3) |
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34 Portrait in Film (1948) |
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188 | (2) |
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190 | (2) |
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36 Pictorial Deluge (1950) |
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192 | (3) |
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195 | (2) |
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38 Reflexion faite (1952) |
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197 | (2) |
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PART IV TOWARD A THEORY OF FILM |
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199 | (28) |
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39 Stage vs. Screen Acting (1950) |
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201 | (3) |
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40 The Photographic Approach (1951) |
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204 | (9) |
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41 Silent Film Comedy (1951) |
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213 | (4) |
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42 The Found Story and the Episode (1956) |
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217 | (9) |
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43 Letter to the Editors of film 56 (1956) |
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226 | (1) |
Afterword: Kracauer, The Magical Nominalist / Martin Jay |
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227 | (10) |
Notes |
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237 | (40) |
Index |
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277 | |