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El. knyga: Sites of Interchange: Modernism, Politics and Culture between Britain and Germany, 1919-1955

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  • Formatas: EPUB+DRM
  • Serija: German Visual Culture 8
  • Išleidimo metai: 17-Dec-2021
  • Leidėjas: Peter Lang International Academic Publishers
  • Kalba: eng
  • ISBN-13: 9781789973938
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  • Formatas: EPUB+DRM
  • Serija: German Visual Culture 8
  • Išleidimo metai: 17-Dec-2021
  • Leidėjas: Peter Lang International Academic Publishers
  • Kalba: eng
  • ISBN-13: 9781789973938
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"Early twentieth-century Germany was a site of extremes, in which cultural production was entangled in the swiftly changing political and economic landscape. Radical utopias and pragmatic solutions for life and culture were proposed, modernism embraced and dramatically rejected. Britain in the same period can seem comparatively stable, a nation wedded to established cultural forms in the face of social change. Yet throughout the period, there remained a lively interchange between the two countries. This collection of essays, by scholars working between Britain and Germany, elsewhere in Europe and in North America, looks anew at the complicated cultural relationship between Britain and Germany in the years between 1919 and 1955. It sets out to explore theconnections between the two countries during this time in the fields of fine art and arts institutions, architecture, design and craft, photography, art history and criticism. It explores how practitioners in the two countries learned from and influencedeach other, seeking to highlight the relevance of these interchanges today"--
List of Figures
ix
Acknowledgements xxi
Lucy Wasensteiner
Introduction 1(8)
1 Play, Design, Politics: Technical Toys, Design Policies and British-German Exchanges in the First Half of the Twentieth Century
9(22)
Artemis Yagou
2 Dorothy Warren and `The Smartest Private Art-Gallery Place in London': Promoting Exchange with Berlin, 1927--1934
31(20)
Ulrike Meyer Stump
3 Exhibiting Contemporary British Art: The Anglo-German Club, 1931--1934
51(22)
Lee Beard
4 `New Eyes for Old': How the Neues Sehen and the Neue Sachlichkeit Transformed the Photography of Architecture in Britain in the Early 1930s
73(18)
Valeria Carullo
5 The Dislocation of Amateurism: Moholy-Nagy in England, 1935--1937
91(22)
Leah Hsiao
6 Lucia Moholy and German Photography History in Britain
113(22)
Michelle Henning
7 Interchanged Threads: Modernism and History in Ethel Mairet, Nikolaus Pevsner and the Bauhaus Weavers
135(20)
Antonia Behan
8 Walter Gropius and Herbert Read: Architecture, Industry, Transitions and Translations
155(22)
Karen Koehler
9 Metropolitan Exile: London, Refugee Artists and Places of Contact in the 1930s and 1940s
177(18)
Burcu Dogramaci
10 Berlin in London, Hiddensee in Walberswick: On Ernst L. Freud's Exile Architecture in England
195(20)
Volker M. Welter
11 9, Carlton House Terrace: The German Embassy in London as Showcase for Nazi Ideology
215(26)
Ina Weinrautner
11 Planning the Modern City: The Neighbourhood Unit Idea in London and Hamburg before and after the Second World War
241(22)
Dirk Schubert
13 Reframing Exilic Identity for a German Audience: Joseph Paul Hodin's Encounter with Else and Ludwig Meidner and Its Aftermath
263(20)
Shulamith Behr
14 Witness to Global Realignments and Human Suffering: Oskar Kokoschka in Post-War London
283(20)
Keith Holz
Notes on Contributors 303(4)
Index 307
Lucy Wasensteiner studied law at the universities of Bristol and Oxford and holds a PhD in Art History from the Courtauld Institute of Art. Her research focuses on modern art in German-speaking Europe from 1871, National Socialist cultural policy and its international implications and provenance research. She was previously an associate lecturer at the Courtauld Institute and a lecturer at the University of Bonn in the Alfried Krupp von Bohlen und Halbach Foundation Centre for Provenance Research, Art and Cultural Heritage Law. She is currently director of the Liebermann-Villa am Wannsee in Berlin.