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El. knyga: Sites of Transformation: Applied and Socially Engaged Scenography in Rural Landscapes

Series edited by (Michigan State University, USA), (Theatre maker, UK), Series edited by (University of Leeds, UK), Series edited by (University of Leeds, UK)
  • Formatas: 248 pages
  • Serija: Performance and Design
  • Išleidimo metai: 10-Feb-2022
  • Leidėjas: Methuen Drama
  • Kalba: eng
  • ISBN-13: 9781350104457
Kitos knygos pagal šią temą:
Sites of Transformation: Applied and Socially Engaged Scenography in Rural LandscapesDidesnis paveikslėlis
  • Formatas: 248 pages
  • Serija: Performance and Design
  • Išleidimo metai: 10-Feb-2022
  • Leidėjas: Methuen Drama
  • Kalba: eng
  • ISBN-13: 9781350104457
Kitos knygos pagal šią temą:

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Shortlisted for the PQ Best Publication Award in Performance Design & Scenography 2023

In this book practitioner and researcher Louise Ann Wilson examines the expanding field of socially engaged scenography and promotes the development of scenography as a distinctive type of applied art and performance practice that seeks tangible, therapeutic, and transformative real-world outcomes. It is what Christopher Baugh calls 'scenography with purpose'.

Using case studies drawn from the body of site-specific walking-performances she has created in the UK since 2011, Wilson demonstrates how she uses scenography to emplace challenging, marginalizing or 'missing' life-events into rural landscapes – creating a site of transformation – in which participants can reflect upon, re-image and re-imagine their relationship to their circumstances. Her work has addressed terminal illness and bereavement, infertility and childlessness by circumstance, and (im)mobility and memory. These works have been created on mountains, in caves, along coastlines and over beaches. Each case-study is supported by evidential material demonstrating the effects and outcomes of the performance being discussed.

The book reveals Wilson's creative methodology, her application of three distinct strands of transdisciplinary research into the site/landscape, the subject/life-event, and with the people/participants affected by it. She explains the 7 'scenographic' principles she has developed, and which apply theories and aesthetics relating to land/scape art and walking and performance practices from Early Romanticism to the present day. They are underpinned by the concept of the feminine 'material' sublime, and informed by the attentive, autotopographic, therapeutic and highly scenographic use of walking and landscape found in the work of Dorothy Wordsworth and her female contemporaries. Case studies include Fissure (2011), Ghost Bird (2012), The Gathering (2014), Warnscale (2015), Mulliontide (2016), Dorothy's Room (2018) and Women's Walks to Remember: 'With memory I was there' (2018-2019).

Recenzijos

In Sites of Transformation artist-scholar Louise Ann Wilson introduces us to the innovative concept and practice of socially engaged and applied scenography, walking us through her scenographic-led work. In a highly original triangulation of place (from mountains, to beaches, to caves), challenging life-event (from bereavement, to involuntary childlessness, to immobility), and participant, Wilson reveals the ways in which sited scenography can foster powerful and transformative acts of re-imaging and reimagining. This scenography with purpose is rigorously thoughtful and creative, emplacing hope in difficult times. * Deirdre Heddon, Professor of Theatre Studies, University of Glasgow, UK *

Daugiau informacijos

Short-listed for PQ Best Publication Award in Performance Design & Scenography 2023 (UK).In the context of rural landscapes, Sites of Transformation explores the expanding field of site-specific, socially engaged scenography and proposes methodological and theoretical approaches for the development of therapeutic scenography as a type of applied art, social science and performance practice.
List of Illustrations
Acknowledgements

Introduction Setting the Scene: Sites of Transformation

1 Scenography with Purpose Seven Scenographic Principles
2 Walking-Performance Emplacing a Life-Event: Fissure
3 Creating A Scene Centring the Visual: Ghost Bird
4 Site and Materials Centring the Metaphor: The Gathering
5 Mapping-Walks Centring the Subject: Warnscale
6 Giving a Voice Centring the Community: Mulliontide
7 Applied Scenography Multiple Applications: Dorothys Room and Womens
Walks to Remember

Appendices
References
Index
Louise Ann Wilson is a transdisciplinary scenographer, performance maker and researcher. She is the Artistic Director of the Louise Ann Wilson Company and a visiting lecturer at several UK universities.
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