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El. knyga: The Sixth Sense of the Avant-Garde: Dance, Kinaesthesia and the Arts in Revolutionary Russia

(National Research University Higher School of Economics, Russia), (Lancaster University, UK, and Institute of Philosophy of the Russian Academy of Sciences, Russia)
  • Formatas: 232 pages
  • Išleidimo metai: 20-Apr-2017
  • Leidėjas: Methuen Drama
  • ISBN-13: 9781350014329
Kitos knygos pagal šią temą:
  • Formatas: 232 pages
  • Išleidimo metai: 20-Apr-2017
  • Leidėjas: Methuen Drama
  • ISBN-13: 9781350014329
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This book turns to history to show just how significant movement and the sense of movement were to pioneers of modernism at the turn of the 20th century. It makes this history vivid through a picture of movement in the lives of an extraordinary generation of Russian artists, writers, theatre people and dancers bridging the last years of the tsars and the Revolution. Readers will gain a new perspective on the relation between art and life in the period 1890-1920 in great innovators like the poets Mayakovsky and Andrei Bely, the theatre director Meyerhold, the dancer Isadora Duncan and the young men and women in Russia inspired by her lead, and esoteric figures like Gurdjieff.

Movement, and the turn to the body as a source of natural knowledge, was at the centre of idealistic creativity and hopes for a new age, for a 'new man', and this was true both for those who looked forward to the technology of the future and those who looked back to the harmony of Ancient Greece. The book weaves history and analysis into a colourful, thoughtful affirmation of movement in the expressive life.

Recenzijos

What makes The Sixth Sense of the Avant-Garde an invaluable scholarly contribution is the persuasive and ambitious argument that the authors, Irina Sirotkina and Roger Smith, present in the book an argument that extends well beyond literary and artistic studies of modernist practices. Specifically, they seek to reassess longstanding notions on the senses of perception [ The book] provides an interesting perspective on avant-garde art, offering a wide-ranging overview of the ideas that preoccupied intellectuals at that time. As such, it can be of interest to scholars of various backgrounds. Furthermore, while the authors try to redefine and even dismantle some of the stable categories and bring attention to a concept of the knowing body, they also keep the content lively and engaging for their readers throughout the entire work. * Slavic and East European Journal * This book is a treasure chest of personages and practiceseveryone from Kandinsky to Blok, from Scriabin to Shklovsky, and multiple souls in between; everything from Dalcroze Eurythmics to the Foxtrot. It offers dynamic new ways to view the cultural history of this time. It all but exhorts its readers to go out and dance themselves. Many sources were crunched to make this books chapters, and many exciting roads lead out of them into future projects. * The Russian Review * This volume examines kinesthesiathe sense of movementas a foundation of personal knowledge and cultural innovation, claiming primacy of kinesthesia over the other senses in that it affords unmediated contact with the world... The extensive notes and suggestions for further reading compensate and make the book invaluable. Summing Up: Recommended. * CHOICE *

Daugiau informacijos

The book reveals how significant movement and the sense of movement were to pioneers of modernism at the turn of the 20th century. It makes this history vivid through a picture of movement in the lives of an extraordinary generation of Russian artists, writers, theatre people and dancers bridging the last years of the tsars and the Revolution.
List of Illustrations
vii
Acknowledgements viii
Note on the Text x
List of Abbreviations
xi
Introduction: Movement and Exuberant Modernism 1(20)
1 The Sixth Sense
21(18)
The senses
21(8)
Muscular feeling and kinaesthesia
29(10)
2 Search for Deeper Knowledge
39(24)
The kinaesthetic intellect
39(5)
`The higher sensitivity'
44(10)
Kinaesthesia and synaesthesia
54(9)
3 Expression in Dance
63(18)
The new dance
63(4)
The Russian Hellenes
67(7)
`Ach, the devil take it, again they're dancing here'
74(7)
4 Speaking Movement
81(26)
The perfect language: Andrei Bely on gesture
81(9)
The dance-word: the creative union of Esenin and Duncan
90(9)
Word plasticity: the budetliane and the bare-footed
99(8)
5 By `the Fourth Way'
107(20)
The mystic arts
107(7)
From Dalcroze to Gurdjieff
114(6)
`Presence'
120(7)
6 Thinking with the Body
127(24)
Mayakovsky dances the foxtrot
127(6)
Brik-dance
133(7)
Who thought up biomechanics?
140(11)
7 Art as Bodily Knowledge
151(22)
Technique
151(9)
Kinaesthesia in culture
160(13)
Further Reading 173(2)
Notes 175(34)
Index 209
Irina Sirotkina is a lecturer at the Institute for the Theory and History of the Humanities, The Research University Higher School of Economics, Moscow, Russian Federation. She is a cultural historian who has published on the history of psychiatry and on the history of free dance. Roger Smith is Emeritus Reader in the History of Science, Lancaster University, UK and Associate Fellow at the Institute of Philosophy of the Russian Academy of Sciences, Moscow, Russian Federation. He is an internationally well known historian and philosopher of psychology and the human sciences, the author of standard texts in the field as well as specialist studies relating to the history of mind and brain and the understanding of being human, including Inhibition: History and Meaning in the Sciences of Mind and Brain (1992), and The Norton History of the Human Sciences (1997).