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El. knyga: Song of Songs and Lamentations, Volume 23B

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  • Formatas: 494 pages
  • Serija: Word Biblical Commentary
  • Išleidimo metai: 24-Apr-2018
  • Leidėjas: Zondervan Academic
  • Kalba: eng
  • ISBN-13: 9780310588511
Kitos knygos pagal šią temą:
  • Formatas: 494 pages
  • Serija: Word Biblical Commentary
  • Išleidimo metai: 24-Apr-2018
  • Leidėjas: Zondervan Academic
  • Kalba: eng
  • ISBN-13: 9780310588511
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The Word Biblical Commentary delivers the best in biblical scholarship, from the leading scholars of our day who share a commitment to Scripture as divine revelation. This series emphasizes a thorough analysis of textual, linguistic, structural, and theological evidence. The result is judicious and balanced insight into the meanings of the text in the framework of biblical theology.

The Word Biblical Commentary delivers the best in biblical scholarship, from the leading scholars of our day who share a commitment to Scripture as divine revelation. This series emphasizes a thorough analysis of textual, linguistic, structural, and theological evidence. The result is judicious and balanced insight into the meanings of the text in the framework of biblical theology. These widely acclaimed commentaries serve as exceptional resources for the professional theologian and instructor, the seminary or university student, the working minister, and everyone concerned with building theological understanding from a solid base of biblical scholarship.

Overview of Commentary Organization

  • Introduction—covers issues pertaining to the whole book, including context, date, authorship, composition, interpretive issues, purpose, and theology.
  • Each section of the commentary includes:
  • Pericope Bibliography—a helpful resource containing the most important works that pertain to each particular pericope.
  • Translation—the author’s own translation of the biblical text, reflecting the end result of exegesis and attending to Hebrew and Greek idiomatic usage of words, phrases, and tenses, yet in reasonably good English.
  • Notes—the author’s notes to the translation that address any textual variants, grammatical forms, syntactical constructions, basic meanings of words, and problems of translation.
  • Form/Structure/Setting—a discussion of redaction, genre, sources, and tradition as they concern the origin of the pericope, its canonical form, and its relation to the biblical and extra-biblical contexts in order to illuminate the structure and character of the pericope. Rhetorical or compositional features important to understanding the passage are also introduced here.
  • Comment—verse-by-verse interpretation of the text and dialogue with other interpreters, engaging with current opinion and scholarly research.
  • Explanation—brings together all the results of the discussion in previous sections to expose the meaning and intention of the text at several levels: (1) within the context of the book itself; (2) its meaning in the OT or NT; (3) its place in the entire canon; (4) theological relevance to broader OT or NT issues.
    • General Bibliography—occurring at the end of each volume, this extensive bibliographycontains all sources used anywhere in the commentary.


The Word Biblical Commentary delivers the best in biblical scholarship, from the leading scholars of our day who share a commitment to Scripture as divine revelation. This series emphasizes a thorough analysis of textual, linguistic, structural, and theological evidence. The result is judicious and balanced insight into the meanings of the text in the framework of biblical theology.
Editorial Preface viii
Abbreviations ix
Song Of Songs
1(12)
Author's Preface
3(2)
Main Bibliography
5(8)
Commentary Bibliography
5(2)
General Bibliography
7(6)
Introduction
13(110)
Song of Songs as Scripture
14(11)
Canonization
14(1)
The Text of Song of Songs
15(1)
Date of Composition
16(6)
Authorship
22(3)
The Structure and Unity of Song of Songs
25(10)
A Plurality of Songs in Song of Songs
26(1)
The Unity of the Song
27(2)
A Redacted Collection by Multiple Poets?
29(1)
A Unified Anthology but without Structure?
30(1)
A Chiastic Structure for Song of Songs
30(5)
The Poetic Devices of the Song
35(12)
Speech-Acts and Motifs
36(1)
Metaphors of Song of Songs
37(3)
Excursus: Hebrew Poetry
40(7)
Comparative Texts: Ancient Near Eastern Love Poetry
47(10)
Mesopotamian Parallels
47(2)
Egyptian Parallels
49(5)
Comparison of One Egyptian Text with Song of Songs
54(3)
Analogies for Song of Songs
57(2)
Interpretations of the Song
59(38)
The Allegorical Interpretations
59(1)
Jewish Allegorizing
60(4)
Early Christian and Roman Catholic Allegorizing
64(8)
Protestant Allegorizing
72(2)
Problems with Allegorizing Interpretations
74(2)
The Dramatic Interpretations
76(1)
The Three-Character Interpretations
77(2)
The Two-Character Interpretations
79(1)
Problems with Dramatic Interpretations
80(1)
The Cultic Interpretations
81(2)
The Wedding Interpretation
83(1)
The Funerary Interpretation
83(1)
Feminist Readings of the Song
84(2)
Song of Songs as Subversive to the Prophets
86(4)
The Song as Love Poetry
90(1)
Excursus: Finding an Approach to Lyric Poetry
91(6)
Song of Songs and Christian Theology
97(26)
Overview of the Problem
97(3)
Lessons about Love and Sexuality
100(1)
The Song as a Rejection of the Ascetic Ideal
100(2)
Romantic Love
102(1)
Sexual Morality
102(2)
Tenderness and the Nurturing of a Relationship
104(1)
Fleeting Joys under the Sun
104(1)
A Sense of Yearning
105(2)
Prospective for a Theology: The Transformation of the Soul
107(1)
A Model for Transformation
107(3)
The Use of Myth in Relation to Song of Songs
110(1)
Song of Songs as a Heroic Quest and Transformation
111(4)
Theological Reflection
115(2)
Implications of the Theology of Song of Songs
117(6)
Text and Commentary
Superscript (1:1)
123(146)
I Chorus and Soprano: The Entrance (1:2--4)
125(6)
II Soprano: The Virgin's Education I (1:5--6)
131(4)
III Soprano and Chorus: Finding the Beloved (1:7--8)
135(5)
IV Tenor, Chorus, and Soprano: The First Song of Mutual Love (1:9--2:7)
140(16)
V Soprano and Tenor: The Invitation to Depart (2:8--17)
156(8)
Excursus: Virginity in the Ancient World
164(5)
VI Three Wedding-Night Songs (3:1--4:15)
169(1)
A Soprano: The Bride's Anxiety (3:1--5)
169(6)
B Chorus: The Bride Comes to the Groom (3:6--11)
175(9)
C Tenor: The Flawless Bride I (4:1--15)
184(16)
VII Soprano, Tenor, and Chorus: The Consummation (4:16--5:1)
200(3)
VIII Three Wedding-Night Songs (5:2--6:10)
203(1)
A Soprano, Tenor, and Chorus: Pain and Transformation (5:2--8)
203(15)
B Chorus and Soprano: The Bride Recovers the Groom (5:9--6:3)
218(7)
C Tenor and Chorus: The Flawless Bride II (6:4--10)
225(6)
IX Soprano, Chorus, and Tenor: Leaving Girlhood Behind (6:11--7:1 [ 6:13])
231(4)
X Tenor and Soprano: The Second Song of Mutual Love (7:2 [ 1]--8:4)
235(16)
XI Chorus and Soprano: Claiming the Beloved (8:5--7)
251(7)
XII Chorus and Soprano: The Virgin's Education II (8:8--12)
258(6)
XIII Tenor, Chorus, and Soprano: The Farewell (8:13--14)
264(5)
Lamentations
Author's Preface
269(2)
Main Bibliography
Commentary Bibliography
271(3)
General Bibliography
274(4)
Introduction
278(53)
Considering Lamentations
278(3)
Text
281(2)
Authorship and Date
283(20)
Introductions to the Old Testament
284(3)
Commentaries, Monographs, and Articles
287(14)
Conclusion
301(2)
Liturgical Uses
303(2)
Place in the Canon
305(1)
Poetic Form and Meter
305(5)
Acrostic Format
306(2)
Poetic Meter
308(2)
Lamentations and Ancient Near Eastern Parallels
310(4)
Genre: Lament and Acrostic
314(2)
Theological Purposes in Lamentations
316(15)
God, the People of God, and Their Suffering
323(2)
God and Jerusalem/Zion
325(1)
God and the Nations
326(1)
God and Prayer
327(2)
Conclusion
329(2)
Text and Commentary
How She Dwells Alone! (1:1--22)
331(36)
How the Lord Has Clouded the Daughter of Zion! (2:1--22)
367(32)
I Am the Man (3:1--66)
399(32)
How the Gold Has Tarnished! (4:1--22)
431(22)
Remember, O Lord (5:1--22)
453
Indexes
Duane Garrett (Ph.D., Baylor Univerity) is John R. Sampey Professor of Old Testament Interpretation at Southern Baptist Theological Seminary. Paul R. House is professor of biblical studies at Wheaton College, Wheaton, Illinois. He holds degrees from Southwest Baptist in Bolivar, Missouri the University of Missouri, and Southern Baptist Theological Seminary (M.Div. and Ph.D.).

Bruce M. Metzger (1914 2007) was a biblical scholar, textual critic, and a longtime professor at Princeton Theological Seminary. Metzger is widely considered one of the most influential New Testament scholars of the 20th century. He was a general editor of the Word Biblical Commentary (1997 - 2007).

David Allan Hubbard (1928 1996), former president and professor of Old Testament at Fuller Theological Seminary in Pasadena, California, was a recognized biblical scholar. In addition to over 30 books, he has written numerous articles for journals, periodicals, reference works. He was a general editor of the Word Biblical Commentary (1977 - 1996).

Glenn W. Barker (d. 1984) was a general editor of the Word Biblical Commentary (1977 - 1984). 

John D. W. Watts (1921 2013) was President of the Baptist Theological Seminary, Ruschlikon, Switzerland, and served as Professor of Old Testament at that institution, at Fuller Theological Seminary, and the Southern Baptist Theological Seminary in Louisville, Kentucky. His numerous publications include commentaries on Isaiah (2 volumes), Amos, and Obadiah. He was Old Testament editor of the Word Biblical Commentary (1977 - 2011).



 

James W. Watts is a professor and chair of the Department of Religion at Syracuse University. His teaching and research interests include biblical studies, especially the Torah/Pentateuch, ritual theories, rhetorical analysis, and comparative scriptures studies. He is a co-founder of the Iconic Books Project. He had served as the associate Old Testament editor of the Word Biblical Commentary (1997 - 2011).



 

Ralph P. Martin (1925-2013) was Distinguished Scholar in Residence at Fuller Theological Seminary and a New Testament Editor for the Word Biblical Commentary series. He earned the BA and MA from the University of Manchester, England, and the PhD from King's College, University of London. He was the author of numerous studies and commentaries on the New Testament, including Worship in the Early Church, the volume on Philippians in The Tyndale New Testament Commentary series. He also wrote 2 Corinthians and James in the WBC series.

Lynn Allan Losie is Associate Professor of New Testament at Azusa Pacific University. A generalist in New Testament studies, Dr. Losie teaches courses in the Gospels, the Acts of the Apostles, and the Pauline Epistles, as well as in the background areas of Greek, early Judaism, and the greater Hellenistic World. He has published articles on the New Testament and had served as the associate New Testament editor of the Word Biblical Commentary (1997 - 2013). Ordained as a Baptist minister, he has also served in pastoral ministry in Southern California and Oregon.