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El. knyga: Sonic Sculpture and the Performative Impulse: Sounding Things Out [Taylor & Francis e-book]

(University of Texas, USA)
  • Formatas: 234 pages, 15 Halftones, color; 33 Halftones, black and white; 15 Illustrations, color; 33 Illustrations, black and white
  • Serija: Routledge Research in Art History
  • Išleidimo metai: 27-Mar-2025
  • Leidėjas: Routledge
  • ISBN-13: 9781003382355
  • Taylor & Francis e-book
  • Kaina: 161,57 €*
  • * this price gives unlimited concurrent access for unlimited time
  • Standartinė kaina: 230,81 €
  • Sutaupote 30%
  • Formatas: 234 pages, 15 Halftones, color; 33 Halftones, black and white; 15 Illustrations, color; 33 Illustrations, black and white
  • Serija: Routledge Research in Art History
  • Išleidimo metai: 27-Mar-2025
  • Leidėjas: Routledge
  • ISBN-13: 9781003382355
"This study considers the performativity of sound-producing sculptures made in the twenty-first century through a cultural history of certain works. A subfield of the sound art medium, sonic sculpture presents new possibilities in sensory engagement withthe viewer, creating a mediated experience for eye and ear. Contextualized within three linking nodes of sonic engagement - sonic sculpture as a socially engaged art; listening to history; and the use of the human body as the material of sonic sculpture itself - each chapter interrogates one or two works by a contemporary artist. These in-depth analyses of the works serve as lenses to the artists' larger practices and engagements with things that sound. Artists covered include Nick Cave, Kara Walker, Janet Cardiff and George Bures Miller, and Ragnar Kjartansson. The book will be of interest to scholars working in art history, sound studies, musicology, and cultural studies"--

This study considers the performativity of sound-producing sculptures made in the twenty-first century through a cultural history of certain works.



This study considers the performativity of sound-producing sculptures made in the twenty-first century through a cultural history of certain works.

A subfield of the sound art medium, sonic sculpture presents new possibilities in sensory engagement with the viewer, creating a mediated experience for eye and ear. Contextualized within three linking nodes of sonic engagement – sonic sculpture as a socially engaged art, listening to history, and the use of the human body as the material of sonic sculpture itself – each chapter interrogates one or two works by a contemporary artist. These in-depth analyses of the works serve as lenses to the artists’ larger practices and engagements with things that sound. Artists covered include Nick Cave, Kara Walker, Janet Cardiff, George Bures Miller, and Ragnar Kjartansson.

The book will be of interest to scholars working in art history, sound studies, musicology, and cultural studies.

Introduction: Sound and Performing Sculptures Introduction to Part
1.
Socially Engaged Listening: Sound and Identity
1. Nick Caves Soundsuits: The
Clothes Make the Band
2. Kara Walker: Water and History
3. Christine Sun Kim:
Engaging the Unhearing Ear Introduction to Part II. Listening to History: The
Speaker as Surrogate
4. Susan Philipsz: The Instrument in Absentia and the
Music of War
5. Janet Cardiff and George Bures Miller: Sounding Sacred Spaces
6. Luke Fowler: Sound Soup Introduction to Part III. The Body as Sculpture:
Performance as Sculpture
7. Ragnar Kjartansson: That Old Sweet Song
8. Phil
Collins: The Stage, the Seven Inch, and the Sound Booth
9. Lundahl & Seitl:
Curating the Body/Emptying the Gallery Epilogue: A Speaker and a Wall and
What Else?
Melissa Warak is an Associate Professor of Art History at the University of Texas at El Paso, USA.