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El. knyga: Space-Time Geometries for Motion and Perception in the Brain and the Arts

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  • Formatas: EPUB+DRM
  • Serija: Lecture Notes in Morphogenesis
  • Išleidimo metai: 04-Jan-2021
  • Leidėjas: Springer Nature Switzerland AG
  • Kalba: eng
  • ISBN-13: 9783030572273
  • Formatas: EPUB+DRM
  • Serija: Lecture Notes in Morphogenesis
  • Išleidimo metai: 04-Jan-2021
  • Leidėjas: Springer Nature Switzerland AG
  • Kalba: eng
  • ISBN-13: 9783030572273

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This book is based on a two-day symposium at the Paris Institute of Advanced Study titled "space-time geometries and movement in the brain and the arts". It includes over 20 chapters written by the leading scientists and artists who presented their related research studies at the symposium and includes six sections; the first three focus on space-time geometries in perception, action and memory while the last three focus on specific artistic domains: drawing and painting, dance, music, digital arts and robotics. The book is accompanied by a dedicated webpage including related images and videos. 

There is an ever-growing interest in the topics covered by this book. Space and time are of fundamental importance for our understanding of human perception, action, memory and cognition, and are entities which are equally important in physics, biology, neuroscience and psychology. Highly prominent scientists and mathematicians have expressed their belief that our bodies and minds shape the ways we perceive space and time and the physical laws we formulate. Understanding how the brain perceives motion and generates -bodily movements is of great significance. There is also growing interest in studying how space, time and movement subserve artistic creations in different artistic modalities (e.g., fine arts, digital and performing arts and music). This interest is inspired by the idea that artists make intuitive use of the principles and simplifying strategies used by the brain in movement generation and perception. Building upon new understanding of the spatio-temporal geometries subserving movement generation and perception by the brain we can start exploring how artists make use of such neuro --geometrical and neuro-dynamic representations in order to express artistic concepts and emotionally affect the human observers and listeners. Scientists have also started formulating new ideas of how aesthetic judgements emerge from the principles and brain mechanisms subserving motor control and motion perception.

Covering novel and multidisciplinary topics, this advanced book will be of interest to neuroscientists, behavioral scientists, artificial intelligence and robotics experts, students and artists. 

Part I Space-Time Geometries
1 Brain Representations of Motion Generation and Perception: Space-Time Geometries and the Arts
3(32)
Tamar Flash
2 A Common Multiplicity of Action Spaces in the Brain and in the arts? The 4/5 Spaces Theory
35(16)
Alain Berthoz
3 Variety of Brains Geometries for Action/Perception
51(18)
Daniel Bennequin
4 Traces of Life
69(22)
Thierry Pozzo
Juliette Pozzo
5 A Neuro-Mathematical Model for Size and Context Related Illusions
91(26)
B. Franceschiello
A. Sarti
G. Citti
Part II The Arts: Fine Arts
6 Neuroscience for an Artist; a Beginning
117(12)
Emilio Bizzi
Robert Ajemian
7 Art and the Geometry of Visual Space
129(22)
Alistair Burleigh
Robert Pepperell
Nicole Ruta
8 From Sketches to Morphing: New Geometric Views on the Epistemological Role of Drawing
151(36)
Renaud Chabrier
Part III The Arts: Music
9 Egocentric Dynamic Planar Organization of the Angular Movements of the Ann During a Violinist's Performance of a Mozart Symphony
187(12)
G. Cheron
M. Petieau
A. M. Cebolla
C. Simar
A. Leroy
10 Space, Time and Expression in Orchestral Conducting
199(14)
Eitan Globerson
Tamar Flash
Zohar Eitan
11 Interaction, Cooperation and Entrainment in Music: Experience and Perspectives
213(24)
Luciano Fadiga
Sera Tokay
Alessandro D'Ausilio
Part IV The Arts: Digital Arts
12 Artistic Practices in Digital Space: An Art of the Geometries of Movement?
237(14)
Francois Gamier
13 Interaction Between Spectator and Virtual Actor Through Movement: From Child Gestures to Interactive Digital Creation
251
Marie-Helene Tramus
Dominique Boutet