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Spectres from the Past: Slavery and the Politics of History in West African and African-American Literature [Minkštas viršelis]

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Spectres from the Past: The "History" of Slavery in West African and African-American Narratives examines the merit of the claim that West African writers, in comparison to African-Americans authors, deliberately expunge the history of slavery from literary narratives. The book explores slavery in contemporary West African and African-American literature by looking at the politics of history and memory. It interrogates notions of History and memory by considering the possibility that shared traumas, such as West African and African-American experiences of slavery, can be remembered and historicised differently, according to critical factors such as socio-economic realities, cultural beliefs and familial traditions.

At the heart of the book are compelling and new readings of slavery in six literary narratives that draws on cultural philosophies, musicology and linguistics to demonstrate diverse and unusual ways that Black writers in West Africa and North America write about slavery in literature.



Spectres from the Past: The "History" of Slavery in West African and African-American Narratives explores slavery in contemporary West African and African-American literature by looking at the politics of history and memory.
Introduction: Evoking Spectres in History 1(24)
1 Literary Archaeology: The Uncovering and Recovering of Black Historical Memory and Trauma in Toni Morrison's Beloved
25(21)
2 Articulating "Silence": The Language of Death as Memory in Ama Ata Aidoo's The Dilemma of a Ghost
46(14)
3 Bloodlines and Blurred Lines: Contested Memories and Freedom in Barbara Chase-Riboud's Sally Hemings
60(17)
4 The Limitations of "History": Chika Fzeanya's Re-Visioning of the Early Years of Olaudah Equiano and Slavery in Before We Set Sail
77(12)
5 (M)otherlands: Homesickness and Yearnings for Home in Yaa Gyasi's Homegoing
89(12)
6 The Magic of "History" and Contradictions of "Return" to Africa in Syl Cheney-Coker's The Last Harmattan of Alusine Dunbar
101(18)
Conclusion: Defining Silences 119(9)
Works Cited 128(10)
Index 138
Portia Owusu is currently a Visiting Assistant Professor of English at Texas A&M University. Her research interests include history and memory, cultural philosophy and literature and West African and African-American contemporary narratives. She received her PhD in 2017 in Africana Literature at the SOAS, University of London.