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Stage Matters: Props, Bodies, and Space in Shakespearean Performance [Kietas viršelis]

Contributions by , Contributions by , Contributions by , Edited by , Contributions by , Contributions by , Edited by , Contributions by , Contributions by , Contributions by
  • Formatas: Hardback, 208 pages, aukštis x plotis x storis: 236x162x22 mm, weight: 494 g, Illustrations, unspecified; Halftones, Black & White including Black & White Photographs
  • Serija: Shakespeare and the Stage
  • Išleidimo metai: 13-Mar-2018
  • Leidėjas: Fairleigh Dickinson University Press
  • ISBN-10: 1683931491
  • ISBN-13: 9781683931492
Kitos knygos pagal šią temą:
  • Formatas: Hardback, 208 pages, aukštis x plotis x storis: 236x162x22 mm, weight: 494 g, Illustrations, unspecified; Halftones, Black & White including Black & White Photographs
  • Serija: Shakespeare and the Stage
  • Išleidimo metai: 13-Mar-2018
  • Leidėjas: Fairleigh Dickinson University Press
  • ISBN-10: 1683931491
  • ISBN-13: 9781683931492
Kitos knygos pagal šią temą:
The collection, edited by Annalisa Castaldo and Rhonda Knight, features essays by scholars interested in exploring how the material culture of sixteenth and early seventeenth English theatrical culture influenced the creation and presentation of drama and how understanding this culture can enrich scholars current interactions with these plays as well as offer insights to actors and directors. The essays include discussions of plays by Shakespeare, Marlowe, and Middleton as well as lesser known works and playwrights. This collection is unique in that it includes the body of the actor as a material object that is encountered and manipulated by other actors on the stage. These essays demonstrate how props, bodies and the architectural dimensions of early modern stages have both practical and symbolic registers.
Acknowledgments vii
Preface The American Shakespeare Center: A Brief Introduction and Primer ix
Sarah Enloe
Introduction 1(14)
Annalisa Castaldo
Rhonda Knight
Chapter 1 Whose Experiment Is It, Anyway? Some Models for Practice-as-Research in Shakespeare Studies
15(20)
Stephen Purcell
Chapter 2 Shakespeare's Spirits: Staging the Supernatural on the Early Modern Stage
35(22)
Jim Casey
Chapter 3 Staging Epilepsy in Othello
57(16)
Sid Ray
Chapter 4 "Sore Hurt and Bruised": Visual Damage in Othello
73(16)
Catherine Loomis
Chapter 5 "Heave Up!": The "Wicked Weight" of Shakespeare's Antony and York's Christ
89(18)
R. W. Jones
Chapter 6 Hiding in Plain Sight: Eavesdropping and the Physicality of the Stage
107(20)
Annalisa Castaldo
Rhonda Knight
Chapter 7 The "Dead Body Problem": The Dramaturgy of Coffins on the Renaissance Stage
127(16)
Sarah Neville
Chapter 8 "Cushion Come Forth": Materializing Pregnancy on the Stuart Stage
143(16)
Sara B. T. Thiel
Chapter 9 Maternal Revision in Middleton's More Dissemblers Besides Women
159(12)
Amanda Zoch
Afterword The Actors Speak 171(12)
Index 183(6)
About the Contributors 189
Annalisa Castaldo is associate professor of English at Widener University.

Rhonda Knight is professor of English at Coker College.