El. knyga: Staging Ancient Greek Plays: A Practical Guide

Preface
Notation
Dates
Spelling

Introduction: Adaptation and Interpretation

Chapter One: The Original Conditions of Performance

1.1 The Festivals of Dionysos
1.2 Performance Practice
1.3 The Playing Space
1.3.1 Theatron and Orchestra
1.3.2 The Skene
1.4 Staging Conventions
1.5 Costumes and Masks
1.6 Actors
1.7 The Choros
1.8 'Realistic' or 'Stylized'?

Chapter Two: Values, Myth and the Individual, the Gods and Moira

2.1 Greek and Modern Values
2.2 Myth and the Individual
2.3 The Gods and Daimones
2.4 Moira
2.5 Comedy
2.6 Modern Performance

Chapter Three: Performing Greek Drama on the Modern Stage

3.1 Translation
3.1.1 Introduction
3.1.2 Desiderata
3.1.3 Comedy
3.2 Setting, Costumes and Masks
3.2.1 'Ancient' or Modern?
3.2.2 Desiderata
3.3 Speech and Song
3.4 Acting
3.4.1 Tragedy
3.4.1.2 Solo Speech
3.4.1.3 Dialogue and Three-actor Scenes
3.4.1.4 Props
3.4.1.5 Conclusion
3.4.2 Comedy
3.4.2.1 The In-Law in The Women's Festival
3.4.2.2 A lazzo in Frogs
3.4.2.3 Props
3.4.2.4 Conclusion
3.5 The Choros
3.5.1 Introduction
3.5.2 Tragedy
3.5.2.1 A Choral Ode
3.5.2.2 A Lyric Scene
3.5.2.3 A Lyric/dialogue Scene
3.5.2.4 Conclusion
3.5.3 Comedy
3.5.3.1 A Choros Divided
3.5.3.2 The Parabasis
2.5.3.3 Conclusion
3.6 Performing Greek Drama on an End-on Stage
3.6.1 Comedy: Peace (2009)
3.6.2 Tragedy: Medea (2021)
3.6.3 Conclusion
3.7 Adieu

Glossary of Greek words
Recommended reading
Works cited
Appendix 1: Synopses of the Extant Tragedies and Comedies
Appendix 2: Some Audio-Visual Resources
Index