|
List of Costume Design Illustrations |
|
|
xi | |
Introduction |
|
xiii | |
|
Part I Organization and Preparation |
|
|
|
|
3 | (8) |
|
Goals of the Class; Written Assignments and Tests; Choosing and Casting the Scenes; Personnel; Equipment, Furniture, and Props; Scheduling; Outline of the Schedules; A Director's “r;To Do”r; List |
|
|
|
2 The Job of the Director |
|
|
11 | (12) |
|
The Director as Teacher; Leading the Team; Structuring the Scenes Recital Program; Guiding the Actors' Preparation; Defining the Story and Characters; Choosing the Style and Setting; Blocking the Scene; Coaching the Actors; Integration and Imagination |
|
|
|
|
23 | (6) |
|
Rehearsal #1 Concept Discussions; |
|
|
|
Rehearsal #2 Spoken Rehearsals; |
|
|
|
Rehearsal #3 Acting Exercises; |
|
|
|
Rehearsals #4 and #5 Blocking; |
|
|
|
Rehearsals #6 and #7 Integrating Text, Music, and Movement; |
|
|
|
Rehearsals #8 and #9 Evolving Security and Depth; |
|
|
|
Rehearsals #10 and #11 Dress Rehearsals and Performance |
|
|
|
4 Preparing the Scene: Five Assignments for Actors |
|
|
29 | (4) |
|
|
|
|
|
3 Six Steps for Preparing a Recitative; |
|
|
|
4 Creating a Character History; |
|
|
|
|
|
|
33 | (10) |
|
Action; Asides; Blocking; Business; Character Progression; Commitment; Cover; Emotional Connection; External Conflict/Internal Conflict; Focus; Improvisation; Inhibition; Mugging; Objectives and Tactics; Obstacles; Physical Engagement; Size; Stage Directions; Stage Etiquette; Staying Open and Upstaging; Warm Ups |
|
|
|
Part II Staging Scenes from Le Nozze di Figaro |
|
|
|
|
43 | (4) |
|
6 Le Nozze di Figaro, Act I, Scene 1 |
|
|
47 | (12) |
|
Recitative: Cosa stai misurando, caro il mio Figaretto? (Susanna and Figaro) |
|
|
|
No. 2, Duettino: Se a caso madama la notte ti chiama (Susanna and Figaro) |
|
|
|
No. 3, Cavatina: Se vuol ballare (Figaro) |
|
|
|
7 Le Nozze di Figaro, Act II, Scene 1 |
|
|
59 | (6) |
|
No. 10, Aria: Porgi, Amor, qualche ristoro (Countess) |
|
|
|
8 Le Nozze di Figaro, Act II, Scene 1 |
|
|
65 | (8) |
|
Recitative: Quanto duolmi, Susanna (Countess, Susanna, and Cherubino) |
|
|
|
No. 11, Arietta: Voi che sapete (Cherubino, with Countess and Susanna) |
|
|
|
9 Le Nozze di Figaro, Act III, Scene 1 |
|
|
73 | (12) |
|
Recitative: Signor Cosa bramate? (Count and Susanna) |
|
|
|
No. 17, Duettino: Crudel, perche finora (Count and Susanna) |
|
|
|
10 Le Nozze di Figaro, Act III, Scene 1 |
|
|
85 | (6) |
|
No. 18, Recitative accompagnato and aria: Hai gia vinta la causa (Count) |
|
|
|
11 Le Nozze di Figaro, Act III, Scene 4 |
|
|
91 | (8) |
|
Recitative: Cosa mi narri! (Countess and Susanna) |
|
|
|
No. 21, Duettino: Sull'aria (Countess and Susanna) |
|
|
|
Part III Staging Scenes from Don Giovanni |
|
|
|
|
99 | (4) |
|
12 Don Giovanni, Act I, Scene 2 |
|
|
103 | (12) |
|
Recitative: Alfin siam liberati, Zerlinetta gentil (Don Giovanni and Zerlina) |
|
|
|
No. 7, Duettino: La ci darem la mano (Don Giovanni and Zerlina) |
|
|
|
13 Don Giovanni, Act I, Scene 2 |
|
|
115 | (8) |
|
Recitative: Fermati scellerato! (Donna Elvira, Zerlina, and Don Giovanni) |
|
|
|
No. 8, Aria: Ah, fuggi il traditore! (Donna Elvira, Zerlina, and Don Giovanni) |
|
|
|
14 Don Giovanni, Act I, Scene 2 |
|
|
123 | (12) |
|
Recitative: Mi par ch'oggi il demonio si diverta (Don Giovanni) |
|
|
|
No. 9, Quartet: Non ti fidar, o misera (Donna Anna, Donna Elvira, Don Ottavio, and Don Giovanni) |
|
|
|
15 Don Giovanni, Act I, Scene 2 |
|
|
135 | (10) |
|
Recitative: Povera sventurata (Don Giovanni, with Donna Anna and Don Ottavio) |
|
|
|
No. 10a, Recitative accompagnato: Don Ottavio, son morta! (Donna Anna and Don Ottavio) |
|
|
|
Aria: Or sai chi l'onore (Donna Anna and Don Ottavio) |
|
|
|
16 Don Giovanni, Act I, Scene 2 |
|
|
145 | (6) |
|
Recitative: Come mai creder deggio (Don Ottavio, with Donna Anna) |
|
|
|
No. 10b, Aria: Dalla sua pace (Don Ottavio, with Donna Anna) |
|
|
|
Part IV Staging Scenes from Cosi fan tutte |
|
|
|
|
151 | (4) |
|
17 Cosi fan tutte, Act I, Scene 2 |
|
|
155 | (10) |
|
No. 4, Duetto: Ah, Guarda sorella (Fiordiligi and Dorabella) |
|
|
|
Recitative: Mi par che stamattina (Fiordiligi and Dorabella) |
|
|
|
No. 5, Aria: Vorrei dir (Don Alfonso, with Fiordiligi and Dorabella) |
|
|
|
18 Cosi fan tutte, Act I, Scene 2 |
|
|
165 | (6) |
|
No. 6, Quintetto: Sento, o Dio, che queste piede (Fiordiligi, Dorabella, Ferrando, Guglielmo, and Don Alfonso) |
|
|
|
19 Cosi fan tutte, Act I, Scene 3 |
|
|
171 | (8) |
|
Recitative: Che vita maladetta (Despina, Fiordiligi, and Dorabella) |
|
|
|
No. 11, Aria: Ah, scostati!...Smanie implacabili (Dorabella, with Fiordiligi and Despina) |
|
|
|
20 Cosi fan tutte, Act I, Scene 4 |
|
|
179 | (12) |
|
No. 13, Sextet: Alla bella Despinetta (Fiordiligi, Dorabella, Despina, Ferrando, Guglielmo, and Don Alfonso) |
|
|
|
21 Cosi fan tutte, Act II, Scene 1 |
|
|
191 | (14) |
|
Recitative: Andate la (Despina, Fiordiligi, and Dorabella) |
|
|
|
No. 19, Aria: Una donna a quindici anni (Despina, with Fiordiligi and Dorabella) |
|
|
|
Recitative: Dorabella, cosa dice? (Fiordiligi and Dorabella) |
|
|
|
No. 20, Duetto: Prendero quel brunettino (Fiordiligi and Dorabella) |
|
|
|
22 Cosi fan tutte, Act II, Scene 2 |
|
|
205 | (12) |
|
Recitative: Passegiamo anche noi (Guglielmo and Dorabella) |
|
|
|
No. 23, Duetto: Il core vi dono (Guglielmo and Dorabella) |
|
|
|
Part V Staging Scenes from Die Zauberflote |
|
|
|
|
217 | (4) |
|
23 Die Zauberflote, Act I, Scene 1 |
|
|
221 | (10) |
|
No. 1, Introduction and Trio: Zu Hilfe! ... Stirb, Ungeheu'r! (Tamino and Three Ladies) |
|
|
|
24 Die Zauberflote, Act I, Scene 2 |
|
|
231 | (12) |
|
No. 5, Quintetto: Hm, hm, hm! (Three Ladies, Tamino, and Papageno) |
|
|
|
25 Die Zauberflote, Act I, Scene 3 |
|
|
243 | (6) |
|
Dialogue and No. 7, Duetto: Bei Mannern (Pamina and Papageno) |
|
|
|
26 Die Zauberflote, Act II, Scene 2 |
|
|
249 | (6) |
|
Dialogue and No. 14, Aria: Der Holle Rache (Queen of the Night) |
|
|
|
27 Die Zauberflote, Act II, Scene 3 |
|
|
255 | (6) |
|
Dialogue and No. 17, Aria: Ach, Ich Fuhl's (Pamina, with Tamino) |
|
|
|
28 Die Zauberflote, Act II, Finale, Scene 1 |
|
|
261 | (8) |
|
No. 21, Bald prangt ... Du also bist mein Brautigam (Pamina and Three Boys) |
|
|
|
29 Die Zauberflote, Act II, Finale, Scene 3 |
|
|
269 | (6) |
|
No. 21, Finale: Klinget, Glockchen, klinget! ... Pa, pa, pa, pa, Papagena! (Papageno, Papagena, Three Boys, and Children) |
|
|
Conclusion |
|
275 | (2) |
Further Reading |
|
277 | (2) |
Index |
|
279 | (4) |
About the Author and the Costume Designer |
|
283 | |