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Staging Trauma: Bodies in Shadow 2018 ed. [Kietas viršelis]

4.20/5 (10 ratings by Goodreads)
  • Formatas: Hardback, 243 pages, aukštis x plotis: 210x148 mm, weight: 4401 g, XIV, 243 p., 1 Hardback
  • Serija: Contemporary Performance InterActions
  • Išleidimo metai: 09-Apr-2018
  • Leidėjas: Palgrave Macmillan
  • ISBN-10: 1137536624
  • ISBN-13: 9781137536624
Kitos knygos pagal šią temą:
  • Formatas: Hardback, 243 pages, aukštis x plotis: 210x148 mm, weight: 4401 g, XIV, 243 p., 1 Hardback
  • Serija: Contemporary Performance InterActions
  • Išleidimo metai: 09-Apr-2018
  • Leidėjas: Palgrave Macmillan
  • ISBN-10: 1137536624
  • ISBN-13: 9781137536624
Kitos knygos pagal šią temą:
This book investigates contemporary British and Irish performances that stage traumatic narratives, histories, acts and encounters. It includes a range of case studies that consider the performative, cultural and political contexts for the staging and reception of sexual violence, terminal illness, environmental damage, institutionalisation and asylum. In particular, it focuses on 'bodies in shadow' in twenty-first century performance: those who are largely written out of or marginalised in dominant twentieth-century patriarchal canons of theatre and history. This volume speaks to students, scholars and artists working within contemporary theatre and performance, Irish and British studies, memory and trauma studies, feminisms, performance studies, affect and reception studies, as well as the medical humanities.

Recenzijos

Staging Trauma proves itself to be a particularly useful and important introduction for students and scholars seeking to immerse themselves in this interdisciplinary field of enquiry. this monograph is a vital contribution to the fields of trauma studies and theatre and performance studies. (Milija Gluhovic, Modern Drama, Vol. 62 (4), 2019)

Staging Trauma is an exceptionally interdisciplinary, multifaceted, and reflective work of scholarship that examines the significance of the theatrical performance of trauma in individual and societal terms. It is recommended for students and scholars of many different interests including critical studies of theater and performance, trauma studies, and feminist theory. Finally, it is undoubtedly relevant for theater professionals . (Eve Polley, The Harold Pinter Review, Vol. 3 (1), 2019)

Staging Trauma is a work of great scholarly, personal and political care. Haughtons own commitment tosocial justice resonates throughout and serves to produce a volume that is both compelling and finely detailed, and that makes an excellent contribution to the fields of theatre studies and trauma studies. (Emma Willis, Irish University Review, Vol. 49 (1), May, 2019)

Haughtons timely and significant book is positioned at the intersection of trauma studies with contemporary theatre and performance, and sets out to investigate theatrical interventions into the suppressed histories of forgotten populations. Written in a clear and readable style, it is suitable for final-year undergraduates onwards. It offers four detailed case studies, each addressing a different key concern: sexual violence, terminal illness, imprisonment, and asylum. (lisa Fitzpatrick, New Theatre Quarterly, Vol. 34 (04), November, 2018)

1 Introduction: Staging the Unknowable, the Unspeakable, the Unrepresentable
1(40)
1.1 Introduction
1(5)
1.2 Trauma and Performance
6(8)
1.3 Production Contexts
14(3)
1.4 Selected Case Studies
17(9)
1.5 The Extraordinary Everyday Experience
26(4)
1.6 Performance, Trauma, Trust
30(11)
Bibliography
38(3)
2 Violation: On Raftery's Hill (2000) by Marina Carr
41(40)
2.1 Introduction: Don't Blame the Animals
41(3)
2.2 Marina Carr and On Raftery's Hill: Dramaturgy, Action, Context
44(7)
2.3 Staging Trauma: Behind Closed Doors
51(4)
2.4 Sexual Abuse and the Nation-State
55(5)
2.5 Scenography: Captivity and the Body
60(10)
2.6 The Politics of Reception: Receiving Shame
70(11)
Bibliography
78(3)
3 Loss: Colder Than Here (2005) by Laura Wade
81(36)
3.1 Introduction: Threshold People
81(5)
3.2 Laura Wade, Colder Than Here, and Writing for Theatre and Film
86(4)
3.3 Staging Trauma: The Big C
90(7)
3.4 Riddled With It: Contaminated Bodies
97(4)
3.5 Slow Violence: Bodies in Shadow
101(5)
3.6 The Politics of Reception: Performing Lineage
106(11)
Bibliography
116(1)
4 Containment: Laundry (2011), Directed by Louise Lowe
117(44)
4.1 Introducing Laundry: Bodies of the Past, Bodies of the Present
117(3)
4.2 Staging Trauma: Knowing and Not Knowing
120(8)
4.3 Performing Silence and Invisibility: Artistic, Political and Critical Contexts
128(4)
4.4 ANU, Laundry, and Irish Theatre
132(3)
4.5 Laundry: Shadows of Lives, Shadows of Space
135(12)
4.6 The Politics of Reception: From Not Knowing to Knowing
147(14)
Bibliography
159(2)
5 Exile: Sanctuary (2013), Directed by Teya Sepinuck
161(44)
5.1 Introduction: Hope
161(8)
5.2 Staging Trauma: `Acting Out' and `Working Through'
169(5)
5.3 Theatre of Witness: Production History and the Politics of Performance
174(7)
5.4 The Performance Environment: Situating Performers, Audiences, Victims, Perpetrators, Citizens, Others
181(4)
5.5 Performing Home: Pathologies of Belonging and Escape
185(10)
5.6 The Politics of Reception: Communion
195(10)
Bibliography
203(2)
6 Conclusion: Relationality
205(18)
6.1 Staging Trauma, Offering Intimacy
205(3)
6.2 Bodies in Shadow, Bodies in Light
208(5)
6.3 Revisioning the Family
213(4)
6.4 Staging Fourth Wave Feminism: Onwards
217(6)
Bibliography
222(1)
Bibliography 223(8)
Index 231
Miriam Haughton is Lecturer at the ODonoghue Centre for Drama, Theatre and Performance at the National University of Ireland, Galway, Ireland. She has co-edited the collection Radical Contemporary Theatre Practices by Women in Ireland (2015) and published multiple essays in international journals, including Contemporary Theatre Review, Modern Drama, and Irish Studies Review.