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Stanislavski's Legacy: A Collection of Comments on a Variety of Aspects of an Actor's Art and Life [Kietas viršelis]

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  • Formatas: Hardback, 224 pages, aukštis x plotis: 229x152 mm, weight: 410 g
  • Išleidimo metai: 13-Nov-2017
  • Leidėjas: Routledge
  • ISBN-10: 1138473030
  • ISBN-13: 9781138473034
Kitos knygos pagal šią temą:
Stanislavski's Legacy: A Collection of Comments on a Variety of Aspects of an Actor's Art and LifeDidesnis paveikslėlis
  • Formatas: Hardback, 224 pages, aukštis x plotis: 229x152 mm, weight: 410 g
  • Išleidimo metai: 13-Nov-2017
  • Leidėjas: Routledge
  • ISBN-10: 1138473030
  • ISBN-13: 9781138473034
Kitos knygos pagal šią temą:
Pastovi nuoroda: https://www.kriso.lt/db/9781138473034.html
Out of the large body of materials -- articles, speeches, notes and memoirs -- left behind by Stanislavski at the time of his death in 1938, Elizabeth Hapgood, his friend and translator, chose items which concentrate on the essence of his work. The result is a volume which supplements the other books he wrote, and re-emphasizes, sometimes in condensed and particulary vivid form, his views about acting, the theatre and life.

Recenzijos

"You couldn't ask for a more definitive, fascinating discussion of the art of acting . . . a real service and probably one of the year's most valuable theatre books." -- Washington Post "It is filled with wisdom and interpretation of life as seen through theatrical art that no one really interested in the theatre can afford to miss." -- Dramatics

Foreword to the Second Edition v
Editor's Foreword vii
Part One "In art you do not command, you persuade...."
The Long-Hoped-for Child
3(2)
What Shall We Learn?
5(4)
The Hard Job of Being an Actor
9(4)
Types of Actors
13(7)
On Being Truthful in Acting
20(1)
Acting Looks Easy
21(6)
An Actor Is a Teacher of Beauty and Truth---Letter to a Young Student
27(2)
Lively Art
29(1)
How to Talk to Actors
30(1)
Talks with Singers to be Trained as Actors
31(1)
Talks with Opera and Acting Students
32(8)
Opera Rules
40(3)
The Bond Between Music and Action
43(2)
Technique of the Creative Mood
45(1)
Physical Action as a Means to an End
46(2)
Talent, Inspiration and Professionalism
48(1)
Back to Work---The Beginning of the Season
49(24)
Back to Study---Talks with Established Actors
73(3)
The Life of a True Artist
76(3)
Part Two "The Value of any art is determined by its spiritual content...."
After Ten Years in the Art Theatre
79(1)
On the Death of Tolstoy
80(1)
Chekhov's Influence on the Art Theatre
81(3)
Memories of Chekhov
84(39)
Messages about The Cherry Orchard
123(6)
Part Three "My System is the result of lifelong Searchings...."
On Reaching the Public
129(4)
Conversation in an Actor's Dressing Room
133(2)
On Drama Criticism and Critics
135(3)
Why and When Play Melodrama?
138(10)
Young Actors in Mob Scenes
148(5)
What is the Grotesque?
153(4)
The Inner Pattern of the Role
157(2)
The Mysterious World of The Blue Bird
159(3)
On Playing Othello
162(9)
Part Four "There is only one Method---that of organic, creative nature...."
The Theatre in Which the Playwright Is Paramount
171(4)
The Theatre in Which the Scene Designer Is Paramount
175(3)
An Argument with a Scene Designer
178(4)
The Art of the Actor and the Art of the Director
182(15)
Part Five "Memories of the Past ... Dreams of the Future...."
A Better Mousetrap
197(1)
A Theatre for All
198(5)
The View at Seventy
203(5)
Index 208
Constantin Stanislavski, Elizabeth Reynolds Hapgood