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Stanislavski's Legacy [Minkštas viršelis]

4.12/5 (17 ratings by Goodreads)
  • Formatas: Paperback / softback, 219 pages, aukštis x plotis: 200x129 mm, weight: 186 g
  • Serija: Diaries, Letters and Essays
  • Išleidimo metai: 06-Nov-1980
  • Leidėjas: Methuen Drama
  • ISBN-10: 0413477703
  • ISBN-13: 9780413477705
Kitos knygos pagal šią temą:
  • Formatas: Paperback / softback, 219 pages, aukštis x plotis: 200x129 mm, weight: 186 g
  • Serija: Diaries, Letters and Essays
  • Išleidimo metai: 06-Nov-1980
  • Leidėjas: Methuen Drama
  • ISBN-10: 0413477703
  • ISBN-13: 9780413477705
Kitos knygos pagal šią temą:
"The most informal - and in some ways the most delightful - of all Stanislavski books" - Sir Michael Redgrave No one has had a greater influence on acting as we know it than Stanislavski. His "method" - or interpretations of it - has become the central force determining almost every performance we see on stage or screen.Stanislavski's Legacy is a companion volume to his three great teaching books, An Actor Prepares, Building a Character and Creating a Role. It is a carefully arranged selection of the articles, speeches, notes and memoirs written between 1898, when the Moscow Art Theatre opened, and his death in 1938. Among the items are a series of brilliant letters on the interpretation of Othello, the long and affectionate article "Memories of Chekhov" and a final section in which Stanislavski envisages the theatre and the actors of the future."The legacy which Stanislavski and his collaborators have left us is, in all truth, magnificent; and its benefits are available not only to the actor and actress but to everyone who aspires to become a rounded human being" - Observer

Daugiau informacijos

This handbook is a companion volume to Stanislavski's three teaching books. It is a selection of articles, speeches, notes and memoirs written between 1898 and his death in 1938, and includes a final section in which Stanislavski envisages the theatre and actors of the future.
Constantin Stanislavski died in 1938 and is the most influential person in actor training to date. As co-founder of the Moscow Art Theatre, he developed his theories of acting.