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Stock [Minkštas viršelis]

  • Formatas: Paperback / softback, 88 pages, aukštis x plotis x storis: 203x127x7 mm, weight: 181 g, Illustrations
  • Išleidimo metai: 23-Oct-2025
  • Leidėjas: Coach House Books
  • ISBN-10: 1552455106
  • ISBN-13: 9781552455104
Kitos knygos pagal šią temą:
  • Formatas: Paperback / softback, 88 pages, aukštis x plotis x storis: 203x127x7 mm, weight: 181 g, Illustrations
  • Išleidimo metai: 23-Oct-2025
  • Leidėjas: Coach House Books
  • ISBN-10: 1552455106
  • ISBN-13: 9781552455104
Kitos knygos pagal šią temą:
Woman laughing alone with salad: humorous and ironic feminist dialogue with stock photography.

In her job as an instruction designer, Jennifer Bowering Delisle regularly sourced stock photography and became fascinated by these images distinct aesthetic: their unusual camera angles, pronounced colour filtering, and heavy-handed and often bizarre visual metaphors. She set off to give voice to the silent women that recur in these images, and to enter into dialogue with them.

As a low-cost source of millions of images, stock databases provide a significant number of the images used in advertising, publishing, and other media. This ubiquity means that stocks contrived poses and distinct look are instantly familiar and reinforce and shape biases, privilege, and stereotypes.

From found poems using metadata and keywords, to riffs on stock image database search results with titles like Good Mother Morning Family Happy, Beautiful Woman Eating Salad, and Lady Boss Smiles with Arms Folded, Delisles ekphrastic poems take a playful look at stock photographys clichés and delight in all of its strangeness.

Recenzijos

"In stock photography, were left alone with our supposed goals in a sanitized aspirational narrative of our lives. We dont even recognize our own smile: our teeth have become uncanny in a world built by the treachery of images. And, as Jennifer Bowering Delisle puts it: 'Sometimes nothing/ is so lonely as joy.' Her poetry is an incisive investigation of the tropes of our culture and the self and how it beguiles and seduces us with the strange beauty of media. Stock is smart poetry that smarts and yet delights with invention and insight." Gary Barwin 

"The stark and equally rich reflective poems in Stock ask questions about the way we see and disguise ourselves, or more accurately, the way society asks women to see and disguise themselves. Delisle deftly shifts the idea of using Key Words to reproduce the images of human nature into pieces that reflect the foreignness of such a disassociated way of browsing through humanity. This is a collection that blows the words from my palm toward the screen and calls on us to listen deeply." Rayanne Haines, author of Tell the Birds Your Body is Not a Gun 

Praise for Deriving:"Deriving is a masterfully crafted collection that is both prescient and relevant. Delisle traverses time, language, geography, and topography and deftly synthesizes the ethereal and the concrete with poems that 'sound the shape of a thousand leaves.' Delisles lens zooms in and out from the internal workings of motherhood, family, and love, even as it brings into focus etymology, biology, climate change, and politics. Above all, this collection is a magical exploration of languages perfection and elusiveness. Here is a voice that enlightens, surprises, and stirs. Deriving is richits breadth and depth compel the reader to experience poetry that, at its core, is about 'finding words/for everything Ill never understand.'" Wendy McGrath, author of Recurring Fictions 

Jennifer Bowering Delisle's collection of lyric essays, Micrographia (2023), won the Robert Kroetsch City of Edmonton Book Prize and the Writers Guild of Alberta Memoir Award. She is also the author of Deriving, a collection of poetry (2021), and The Bosun Chair, a lyric family memoir (2017). She is on the board of NeWest Press and lives in Edmonton on Treaty 6 territory.