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El. knyga: Studies in Italian Sacred and Instrumental Music in the 17th Century

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  • Formatas: 352 pages
  • Serija: Variorum Collected Studies
  • Išleidimo metai: 28-Oct-2024
  • Leidėjas: Ashgate Publishing Limited
  • Kalba: eng
  • ISBN-13: 9781040237298
Kitos knygos pagal šią temą:
Studies in Italian Sacred and Instrumental Music in the 17th CenturyDidesnis paveikslėlis
  • Formatas: 352 pages
  • Serija: Variorum Collected Studies
  • Išleidimo metai: 28-Oct-2024
  • Leidėjas: Ashgate Publishing Limited
  • Kalba: eng
  • ISBN-13: 9781040237298
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Facsimiles of 16 articles published in journals between 1967 and 2002 consider liturgical practice and sacred music, the violoncello and other stringed instruments, notational style, and general topics. Among specific titles are liturgical problems in Monteverdi's Marian Vespers, the uses of the Sonata de Chiesa , terminology for bass violin in 17th-century Italy, the making of gut strings in 18th-century Paris, Brossard's practice concerning the use of accidentals and the continuo in his instrumental music, and the interpretation of notation in music for Italian instrumental ensembles in the middle to late 17th century. Annotation (c) Book News, Inc., Portland, OR (booknews.com)

Recenzijos

'There is a higher proportion of articles new to me than I expected, so I was very pleased to have my attention drawn to them, and recommend it to all who perform 17th-century music.' Early Music Review 'Bontas writings are essential materials to all those studying the early history of stringed bass instruments and the performance of seventeenth-century Italian instrumental music. The Ashgate collection makes readily available his contributions for generations to come. Although many of Bontas arguments for the use of the early bass violin in favor of the G violone may be challenged, it is clear that the field of early stringed bass research owes a debt of gratitude to this scholar. To Stephen Bonta, a sincere thank you for his scholarly spirit, inquisitive nature, and trail-blazing research.' The Online Journal of Bass Research

Acknowledgements ix
Preface xi
LITURGICAL PRACTICE AND SACRED MUSIC
I Liturgical Problems in Monteverdi's Marian Vespers
81
Journal of the American Musicol ogical Society XX. Richmond, VA, 1967
II The Uses of the Sonata da Chiesa
54(465)
Journal of the American Musicological Society XXII. Richmond, VA, 1969
III The Use of Instruments in Sacred Music in Italy 1560-1700
519
Early Music. Oxford, 1990
THE VIOLONCELLO AND OTHER STRINGED INSTRUMENTS
IV From Violone to Violoncello: A Question of Strings?
64
The American Musical Instrument Society III. Meridien, CT, 1977
V Terminology for the Bass Violin in Seventeenth-Century Italy
5(33)
The American Musical Instrument Society IV. Meridien, CT, 1979
VI Latline Strings Revisited
38(179)
Journal of the American Musical Instrument Society XIV. Madison, WI, 1988
VII Corelli's Heritage: The Early Bass Violin in Italy
217(159)
Studi Corelliani IV. Firenze, Italia, 1987
VIII The Making of Gut Strings in 18th-Century Paris
376
The Galpin Society Journal. Chichester, UK, 1999
IX Further Thoughts on the History of Strings
ix
Catgut Acoustical Society, Montclair, NJ, 1976
NOTATION AND STYLE
X The Instrumental Music of Giovanni Legrenzi
xix
Sonate a Due e Tre Opus
21655. Massachusetts, 1984
XI The Instrumental Music of Giovanni Legrenzi: Style and Significance
325
Giovanni Legrenzi E La Cappella Ducale Di San Marco. Firenze, Italia, 1990
XII Brossard's Practice Concerning the use of Accidentals and the Continuo in his Instrumental Music
213(75)
Sebastian de Brossard Musicien. Versailles, 1998
XIII A Formal Convention in 17th-Century Italien Instrumental Music
288
International Musicological Society report on the 11th Congress. Copenhagen, 1972
GENERAL
XIV The use of Instruments in the Ensemble Canzona and Sonata in Italy, 1580-1650
23
Recercare IV. Rome 1992
XV Chronological Register of Documents Concerned with Music (1583-1710) in Santa Maria Maggiore, Bergamo
1(312)
Biblioteca Civica Angelo Maj Bergamo, Italia. Clinton, N1' 1978
XVI The Interpretation of Notation in Music for Italian Instrumental Ensembles in the Mid- to Late-17th Century
313
Barocco padoan, edited by Alberto Colzano, Andrea Luppi and Maurizio Padoan. AMIS, Como, 2002
Index 1


Stephen Bonta, Hamilton College, USA
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