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Studio Ghibli: An Industrial History 2023 ed. [Minkštas viršelis]

  • Formatas: Paperback / softback, 221 pages, aukštis x plotis: 210x148 mm, 12 Illustrations, color; XI, 221 p. 12 illus. in color., 1 Paperback / softback
  • Serija: Palgrave Animation
  • Išleidimo metai: 23-Feb-2024
  • Leidėjas: Palgrave Macmillan
  • ISBN-10: 3031168461
  • ISBN-13: 9783031168468
Kitos knygos pagal šią temą:
Studio Ghibli: An Industrial History 2023 ed.Didesnis paveikslėlis
  • Formatas: Paperback / softback, 221 pages, aukštis x plotis: 210x148 mm, 12 Illustrations, color; XI, 221 p. 12 illus. in color., 1 Paperback / softback
  • Serija: Palgrave Animation
  • Išleidimo metai: 23-Feb-2024
  • Leidėjas: Palgrave Macmillan
  • ISBN-10: 3031168461
  • ISBN-13: 9783031168468
Kitos knygos pagal šią temą:
Pastovi nuoroda: https://www.kriso.lt/db/9783031168468.html
Raktažodžiai:
Studio Ghibli: An Industrial History takes us deep into the production world of the animation studio co-founded by Oscar-winning director Hayao Miyazaki. It investigates the production culture at Studio Ghibli and considers how the studio has become one of the world’s most famous animation houses. The book breaks with the usual methods for studying Miyazaki and Ghibli’s films, going beyond textual analysis to unpack the myths that have grown up around the studio during its long history. It looks back at over 35 years of filmmaking by Miyazaki and other Ghibli directors, reconsidering the studio’s reputation for egalitarianism and feminism, re-examining its relationship to the art of cel and CG animation, investigating Studio Ghibli’s work outside of feature filmmaking from advertising to videogames and tackling the studio’s difficulties in finding new generations of directors to follow in the footsteps of Miyazaki and Isao Takahata. By reconstructing the history of Studio Ghibli through its own records, promotional documents and staff interviews, Studio Ghibli: An Industrial History offers a new perspective not just on Ghibli, but on the industrial history of Japanese animation.

Recenzijos

As Rayna Denisons new book, Studio Ghibli: An Industrial History, outlines, there are all sorts of assumptions made by commentators on Studio Ghiblis work, including the one that Hayao Miyazaki is the be-all and end-all of its output. while Ghibli might be the obvious starting point for publishers, authors and readers, Denisons book will set a standard for many years to come. (Jonathan Clements, All the Anime, blog.alltheanime.com, February 26, 2023)

... Sind die Erkenntnisse über Studio Ghibli an sich zwar äußerst aufschlussreich, so ist es vielmehr die darüber hinausgehende Art, wie die Autorin ihre in der Einleitung beschriebene Methodologie umsetzt, welche Denisons Monografie lesenswert werden lässt. Sie legt somit einen möglichen Grundstein für fortführende Forschung und für das Schreiben von Industriegeschichten zu weiteren (japanischen) Animationsstudios (David Höwelkröger, in: MEDIENwissenschaft, Heft 3, 2023)

Chapter 1: Introduction: The Industrial World of Studio Ghibli.
Chapter
2: The Myth of Ghibli: The Foundation and Early Industrial History of Studio
Ghibli.
Chapter 3: Studio Ghibli from the Ground Up: Early Working Culture
and Practices.
Chapter 4: Ghiblis Worlds of Women: From Womens Films to
the Women Who Shaped the Permanent Studio Ghibli.
Chapter 5: Rendered
(In)Visible: Studio Ghibli at Animes CG Turning Point.
Chapter 6: Studio
Ghibli at the Art Museum: Exhibiting Animation as Art.
Chapter 7: A Hidden
History of Studio Ghibli: Short Films, Advertising and the Industrial Reality
of Japanese Animation.
Chapter 8: The Long Shadow of Hayao Miyazaki: Studio
Ghibli, Home Video and New Directors.
Chapter 9: A Disappearing Kingdom:
Studio Ghiblis Legacy in the Ni no Kuni Franchise.
Rayna Denison is Professor of Film and Digital Arts at the University of Bristol, UK. Her research focuses on contemporary Japanese media and she is the author of Anime: A Critical Introduction (2015), the editor of Princess Mononoke: Understanding Studio Ghiblis Monster Princess (2018) and the co-editor of the Eisner Award-nominated collection Superheroes on World Screens (with Rachel Mizsei-Ward, 2015). Rayna has also co-edited special issues of the Journal of Japanese and Korean Cinema, the East Asian Journal of Popular Culture and Intensitites. Her academic work can also be found in prominent journals such as Cinema Journal, Velvet Light Trap, The International Journal of Cultural Studies, Animation: An Interdisciplinary Journal and Japan Forum.