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El. knyga: Style for Actors: A Handbook for Moving Beyond Realism

(University of Oregon, USA)
  • Formatas: 434 pages
  • Išleidimo metai: 30-Dec-2020
  • Leidėjas: Routledge
  • Kalba: eng
  • ISBN-13: 9780429589171
Kitos knygos pagal šią temą:
  • Formatas: 434 pages
  • Išleidimo metai: 30-Dec-2020
  • Leidėjas: Routledge
  • Kalba: eng
  • ISBN-13: 9780429589171
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"Style For Actors is an award-winning handbook and the definitive guide to roles in historical drama. Anyone who has ever struggled with capes, fans, swords, doublets and crinolines should make this third edition their constant companion. The past is a foreign country, and this outstanding book is concerned with exploring it from the actor's point of view. Specific guides to each major period give readers a clear map to discover a range from Greek, Elizabethan, Restoration and Georgian theatre to more contemporary stylings, including Futurism, Surrealism and Postmodernism. New material in this edition covers commedia dell'arte and non-Western forms of theatre, theatrical fusion, and developments in musicals and Shakespeare. The book's references, images,resource lists and examples have all been updated to support today's diverse performers. Robert Barton takes great care to present the actor with the roles and genres that will most commonly confront them. Containing a huge resource of nearly 150 exercises, suggestions for scene study and applications not only for theatrical performance but also for stylistic challenges in the reader's own offstage life, this book is an invaluable resource for students and practitioners of Acting and Drama"--

Style for Actors is an award-winning handbook and the definitive guide to roles in historical drama. Anyone who has ever struggled with capes, fans, swords, doublets and crinolines should make this third edition their constant companion.

The past is a foreign country, and this outstanding book is concerned with exploring it from the actor's point of view. Specific guides to each major period give readers a clear map to discover a range from Greek, Elizabethan, Restoration and Georgian theatre to more contemporary stylings, including Futurism, Surrealism and Postmodernism. New material in this edition covers commedia dell'arte and non-Western forms of theatre, theatrical fusion, and developments in musicals and Shakespeare. The book’s references, images, resource lists and examples have all been updated to support today's diverse performers.

Robert Barton takes great care to present the actor with the roles and genres that will most commonly confront them. Containing a huge resource of nearly 150 exercises, suggestions for scene study and applications not only for theatrical performance but also for stylistic challenges in the reader’s own offstage life, this book is an invaluable resource for students and practitioners of Acting and Drama.

Recenzijos

"Excellent scholarship presents and wealth of information for actors interested in how to approach plays of different periods and styles." - Dawn Arnold, Northern Illinois University, USA

Acknowledgments xi
Preface xiii
PART I Finding style
1(64)
1 Recognizing style: the eyes of the beholder
5(16)
Defining style
5(2)
Style is what works in a group
7(5)
Sight and sound: first style impressions
12(3)
Conventions
15(6)
2 Analyzing style: survival questions
21(14)
The world entered
21(8)
Keys to the world
29(3)
Finding the world
32(3)
3 Mastering style: the classical actor
35(30)
Tests of time
35(1)
Period style actors
36(3)
Common threads
39(2)
Physical lives: dignity and simplicity
41(4)
Vocal lives: crispness and clarity
45(15)
Period combat mastery
60(2)
Moving into scripts
62(3)
PART II Achieving style
65(190)
4 Greek period style: three generations of tragic vision
69(32)
The world entered
69(1)
The interview
70(4)
Values
74(15)
Keys to the world
89(5)
Plays and playwrights
94(1)
Scenes
94(7)
5 Elizabethan period style: theatre of earth and stars
101(64)
The world entered
101(13)
Sight
114(5)
Elizabethan language guide
119(6)
Keys to the world
125(9)
The open scene: us and them
134(1)
Plays and playwrights
135(1)
Elizabethan scenes
135(4)
Shakespeare scenes
139(22)
Comparing Greeks and Elizabethans
161(4)
6 Restoration period style: decadence as one of the fine arts
165(40)
The world entered
165(15)
Sight
180(4)
Fans, corsets, trains, and other traps
184(2)
Snuffing: taking snuff
186(1)
Handkering: handkerchief as weapon
186(1)
Typing: playing into your image
187(1)
Descending: sitting and reclining
187(1)
Reverence: bowing and curtsying
187(1)
Men's bows
187(1)
Women's curtsy
188(1)
Sound
189(2)
Music and dance
191(1)
Keys to the world
192(3)
The production
195(1)
The perfect audience
196(1)
Contemporary parallels
197(1)
Plays and playwrights
198(1)
Scenes
198(7)
7 Relatives of restoration period style: morals, manner, and madness
205(50)
Crusty uncle, conservative grandchildren, and crazy cousins
205(1)
Moliere: moral lessons sweetened with laughter
206(11)
Keys to the world
217(4)
Plays
221(1)
Scenes
221(2)
Commedia dell'arte: anything goes
223(7)
Audience as the actor's partner
230(1)
To mask or not to mask?
231(2)
Georgian: theatre welcomes the middle class
233(16)
Scenes
249(5)
Comparisons of manners styles
254(1)
PART III Exploring style
255(116)
8 Fusion style: imagination and innovation
257(40)
Casting now
257(5)
The musical breaks out
262(2)
Shakespeare and musicals, performance siblings
264(1)
Spirit of the stairs, l'esprit de l'escalier
265(1)
Fusion's father
265(5)
Displaced plays
270(2)
Displaced scenes
272(5)
Periods and plays less chosen
277(1)
Adaptations and editions: can this be the same story? can this be the same sentence?
278(1)
Translations: can this be the same script?
279(7)
Placing vs. displacing
286(11)
9 Global style: worldwide influence and invention
297(56)
Sanskrit
297(3)
Xiqu
300(1)
Noh
301(1)
Kabuki
302(3)
Kunqu: Chinese Opera
305(2)
Kathakali
307(1)
Beijing opera or Chinese jingju
308(1)
Takarazuka
309(1)
African "orature"
310(3)
Global blends
313(1)
Global at a glance
314(2)
Eastern vs. Western theatre: style checklist
316(3)
Global visual aids
319(1)
Genre styles: the ISMs
319(1)
Romanticism
320(5)
Naturalism
325(2)
Impressionism
327(2)
Symbolism
329(2)
Expressionism
331(2)
Futurism
333(2)
Dadaism
335(1)
Constructivism
336(2)
Surrealism
338(2)
Didacticism
340(3)
Absurdism
343(3)
Feminism
346(2)
Postmodernism
348(3)
Works
351(1)
ISMology: tacking qualifiers onto the ISMs
351(2)
10 Personal style: creating reality
353(18)
Defining your own style
353(4)
Your period style self
357(2)
Period style days
359(4)
Models: styling yourself on someone else
363(1)
Presentation choices
364(4)
Adapting vs. adopting
368(3)
APPENDICES
371(42)
Appendix A Group exercises for chapter 1
372(4)
Appendix B Group exercises for chapter 2
376(5)
Appendix C Group exercises for chapter 3
381(8)
Appendix D Group exercises for chapter 4
389(3)
Appendix E Group exercises for chapter 5
392(3)
Appendix F Group exercises for chapter 6
395(2)
Appendix G Group exercises for chapter 7
397(5)
Appendix H Group exercises for chapter 8
402(3)
Appendix I Group exercises for chapter 9
405(3)
Appendix J Group exercises for chapter 10
408(5)
Index 413
Robert Barton is the author of Acting: Onstage and Off and Acting Reframes, co-author of Voice: Onstage and Off, Movement: Onstage and Off, Theatre in Your Life and Life Themes, and editor and adaptor of The Craft of Comedy. His seminal essay "Creative Acting" appears in Creativity in Theatre. His works aim to help readers move beyond acting in theatre to use it to more effectively act their own lives.