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El. knyga: Supervision of Music Therapy: A Theoretical and Practical Handbook

Edited by (Anglia Ruskin University, UK), Edited by (Anglia Polytechnic University, UK)

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Supervision of Music Therapy discusses the theoretical bases underlying approaches to supervision in music therapy, as well as focusing on the distinctive aspects of music therapy supervision from both clinical and conceptual perspectives.

In this book, leading music therapy supervisors and researchers demonstrate how music therapy trainees and practising clinicians can be supported through supervision, allowing them to develop confidence and authenticity in their work. Contributors discuss supervision of clinical work with a variety of patients in a range of settings, from special education to forensic psychiatry, including work in schools, children’s services and a dedicated music therapy centre. A chapter on the academic supervision of music therapists undertaking doctoral research is provided, together with an overview of the history and continuing development of the field.

Supervision of Music Therapy contributes to current debates about approaches to supervision in music therapy, and offers the reader fresh perspectives on the subject, making this a book of value to practising therapists, supervisors and students alike.

Recenzijos

"This splendid series breaks new ground in its depth, breadth and scope, guided by Joy Schaverien's recognition that the time is right for a comprehensive, multi-faceted study of supervision in the arts psychotherapies. With each volume, the reader is invited to imagine, explore, and reflect on the expressive qualities of a particular art form in clinical supervision, turning special attention to art, music, dance, drama, and sandplay through contributions by leading experts from different parts of the world. These five volumes will make a lasting contribution as essential reading for supervisors and supervisees across the psychotherapies. The series also contributes toward a deeper understanding of the mentor-student relationship and the healing power of the arts." - Joan Chodorow

Contributors vii
Preface to the series and this book x
Acknowledgements xii
Introduction 1(4)
Helen Odell-Miller
Eleanor Richards
The history and background of supervision in music therapy
5(18)
Helen Odell-Miller
Whose handicap? Issues arising in the supervision of trainee music therapists in their first experience of working with adults with learning disabilities
23(22)
Eleanor Richards
Music therapy supervision with students and professionals: the use of music and analysis of countertransference experiences in the triadic field
45(22)
Inge Nygaard Pedersen
Two's company, three's a crowd: hatred of triangulation in music therapy, and its supervision in a forensic setting
67(16)
John Glyn
Getting better: some thoughts on the growth of the therapist
83(18)
David John
Music therapy supervision with trainees in adult psychiatry
101(18)
Helen Odell-Miller
Nicolas Krueckeberg
Supervision in context: a balancing act
119(16)
Sandra Brown
Supervision of music therapists working with children in schools
135(18)
Amelia Oldfield
Turbulence at the boundary
153(20)
Alison Davies
Ann Sloboda
Supervision of PhD doctoral research
173(20)
Tony Wigram
Index 193
Helen Odell-Miller is Director of the MA in Music Therapy at Anglia Ruskin University, and a head music therapist and research specialist in the Arts Therapies Service in the Cambridgeshire and Peterborough NHS Partnership Mental Health Trust.

Eleanor Richards is a Senior Lecturer in Music Therapy at Anglia Ruskin University, and a senior music therapist in the Cambridgeshire and Peterborough NHS Partnership Mental Health Trust.