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El. knyga: Surrealism and Photography in 1930s Japan: The Impossible Avant-Garde

  • Formatas: 272 pages
  • Išleidimo metai: 31-May-2020
  • Leidėjas: Bloomsbury Visual Arts
  • ISBN-13: 9781000185713
  • Formatas: 272 pages
  • Išleidimo metai: 31-May-2020
  • Leidėjas: Bloomsbury Visual Arts
  • ISBN-13: 9781000185713

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Despite the censorship of dissident material during the decade between the Manchurian Incident of 1931 and the outbreak of the Pacific War in 1941, a number of photographers across Japan produced a versatile body of Surrealist work. In a pioneering study of their practice, Jelena Stojkovic draws on primary sources and extensive archival research and maps out art historical and critical contexts relevant to the apprehension of this rich photographic output, most of which is previously unseen outside of its country of origin. The volume is an essential resource in the fields of Surrealism and Japanese history of art, for researchers and students of historical avant-gardes and photography, as well as for
readers interested in visual culture.

Recenzijos

Winner of Best Art Publication 2021 in the International Institute for Asian Studies' ICAS Book Prize!

"Jelena Stojkovics excellently researched book adds a new perspective not only to the history of photography but also to Japanese history. Offering original analyses and reproductions of more than 50 art works and clippings from newspapers and journals, this volume is an outstanding art publication."

--ICAS Book Prize committee

"Jelena Stojkovic's well-researched and detailed book ... is the first English-language monograph on Surrealist photography in Japan."

--The Burlington Magazine

"Richly detailed and critically astute, this is an important book that extends our understanding of Surrealism as a worldwide movement, and also tells us much about the importance of photography within Surrealism, a role that was often ignored and even dismissed at the time."

--Ian Walker, photographic historian, photographer, critic, curator and previously Professor of Photography at Newport in South Wales

Daugiau informacijos

Exciting archival research based on rarely seen Japanese surrealist photography
List of Illustrations
vii
Acknowledgements x
Note on the Use of Japanese Language xii
Introduction 1(10)
PART ONE `NEW PHOTOGRAPHY (shinko shashin)
11(52)
1 Emergence
13(24)
Artistic intentions
16(5)
Beyond reality
21(4)
Abandoning control
25(4)
Professionals and amateurs
29(8)
2 Photo-collages
37(26)
Two-way mirrors
38(8)
Constellation
46(4)
Fragmentation
50(4)
Overlaying, staging, re-photographing
54(9)
PART TWO `AVANT-GARDE' PHOTOGRAPHY (zen'ei shashin)
63(52)
3 Images without texts
65(27)
Criticism
67(4)
Repetition
71(9)
Representation
80(9)
Printed matter
89(3)
4 Coded revolution
92(23)
Photographs of objects
96(4)
`Camera's automatism'
100(7)
`Neo-Surrealism
107(8)
Part Three `PLASTIC PHOTOGRAPHY (zokei shashin)
115(52)
5 Materiality
117(23)
Abstraction
120(3)
Paranoia-criticism
123(2)
Scale and perspective
125(9)
Photographic technology
134(6)
6 Locality
140(27)
Exchange
141(10)
Traditional aesthetics
151(4)
Everyday life
155(5)
Disconnection
160(7)
Conclusion 167(11)
Selected Biographies 178(6)
Selected Organizations 184(4)
Notes 188(40)
Bibliography 228(22)
Index 250
Jelena Stojkovi, PhD is an art historian and writer based in London. She is Lecturer in History and Theory of Photography at the Arts University Bournemouth.