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Sustainable Fashion: Past, Present and Future [Kietas viršelis]

3.44/5 (32 ratings by Goodreads)
(Iowa State University, USA), (The Museum at FIT, USA)
  • Formatas: Hardback, 264 pages, aukštis x plotis: 244x169 mm, weight: 621 g, 60 bw and 16 colour illus
  • Išleidimo metai: 20-Nov-2014
  • Leidėjas: Bloomsbury Academic
  • ISBN-10: 0857851845
  • ISBN-13: 9780857851840
Kitos knygos pagal šią temą:
  • Formatas: Hardback, 264 pages, aukštis x plotis: 244x169 mm, weight: 621 g, 60 bw and 16 colour illus
  • Išleidimo metai: 20-Nov-2014
  • Leidėjas: Bloomsbury Academic
  • ISBN-10: 0857851845
  • ISBN-13: 9780857851840
Kitos knygos pagal šią temą:
"Sustainable Fashion provides a unique and accessible overview of fashion ethics and sustainability issues of the past, present and future. This book is the first to situate today's eco-fashion movement in its multifaceted historical context and explore the historical relationship between fashion and the environment as far back as the early nineteenth century. Employing an expanded definition of sustainability that also considers ethical issues, Farley and Hill explore each stage of the fashion production cycle, from the cultivation of raw fibers to the shipment of the finished garment. Structured thematically, each of the six chapters is dedicated to the discussion of one major issue, from recycling and repurposing to labour practices and the treatmentof animals. Including interviews with eco-fashion designers, Sustainable Fashion will appeal to students and scholars of fashion, as well as students of design, history and cultural studies"--

"Sustainable Fashion provides a unique and accessible overview of fashion ethics and sustainability issues of the past, present and future. This book is the first to situate today's eco-fashion movement in its multifaceted historical context and explore the historical relationship between fashion and the environment as far back as the early nineteenth century. Employing an expanded definition of sustainability that also considers ethical issues, Farley and Hill explore each stage of the fashion production cycle, from the cultivation of raw fibers to the shipment of the finished garment. Structured thematically, each of the six chapters is dedicated to the discussion of one major issue, from recycling and repurposing to labour practices and the treatment of animals. Including interviews with eco-fashion designers, Sustainable Fashion will appeal to students and scholars of fashion, as well as students of design, history and cultural studies"--

Sustainable Fashion provides a unique and accessible overview of fashion ethics and sustainability issues of the past, present and future. This book is the first to situate today's eco-fashion movement in its multifaceted historical context, investigating the relationship between fashion and the environment as far back as the early nineteenth century.

Employing an expanded definition of sustainability that also considers ethical issues, Farley Gordon and Hill explore each stage of the fashion production cycle, from the cultivation of raw fibers to the shipment of the finished garment. Structured thematically, each of the six chapters is dedicated to the discussion of one major issue, from recycling and repurposing to labor practices and the treatment of animals.

Including interviews with eco-fashion designers, Sustainable Fashion will appeal to students and scholars of fashion, as well as students of design, history and cultural studies.

Recenzijos

The book is aimed at fashion students its layout, photographs and pitch make it a successful academic text. It is a springboard from which they are invited to delve deeper into the subject. -- Hayley Mildren * Resource * The book succeeds in bringing together many of the themes and ideas around ethical fashion. * Costume *

Daugiau informacijos

The first comprehensive study of the history of sustainable fashion design.
List of illustrations
ix
Acknowledgments xiii
Introduction xv
1 Repurposed and recycled clothing and textiles
1(30)
Secondhand clothing: A brief history
2(1)
Repurposed clothing
2(18)
Recycled textiles
20(4)
Conclusion
24(2)
At a glance: Vintage clothing
26(1)
At a glance: Make do and mend
27(4)
2 Quality of craftsmanship
31(30)
The eighteenth century
32(4)
The nineteenth century
36(6)
The twentieth century
42(6)
Contemporary fashion
48(9)
Conclusion
57(1)
At a glance: Fast fashion
57(4)
3 Material origins
61(26)
Natural fibers
62(8)
Manmade fibers
70(5)
Synthetic fibers
75(6)
Conclusion
81(1)
At a glance: "Futuristic" materials of the past
82(5)
4 Textile dyeing
87(16)
Introduction
87(1)
Synthetic dyes
88(1)
Poisoning people
89(2)
Poisoning the environment
91(2)
Past meets present in the search for solutions
93(3)
Conclusion
96(2)
At a glance: Lowering the impact of dyeing processes
98(1)
At a glance: Indigo
99(1)
At a glance: Greenpeace
100(3)
5 Labor practices
103(28)
Introduction
103(1)
Textile mills
103(5)
Garment factories
108(3)
Unionization
111(2)
History repeating: The resurgence of sweatshops, subcontracting, and the "runaway shop"
113(3)
Awareness and action: Combating poor labor practices
116(6)
Conclusion
122(1)
At a glance: Madeleine Vionnet, Elizabeth Hawes, and Max Meyer: Historical perspectives on labor practices
123(3)
At a glance: Labels: Advocacy and awareness
126(5)
6 Treatment of animals
131(36)
Introduction
131(1)
Nineteenth-century feather debate
131(9)
Fur in the nineteenth and early twentieth centuries
140(5)
Fur trapping
145(3)
Fur farming
148(2)
Rise of the anti-fur movement
150(5)
Sustainable alternatives
155(3)
Conclusion
158(2)
At a glance: Tortoiseshell, ivory and reptile skins
160(2)
At a glance: Faux furs
162(5)
Conclusion 167(24)
Notes 191(32)
Bibliography 223(6)
Glossary 229(2)
Index 231
Jennifer Farley Gordon received her PhD in Apparel, Merchandising, and Design from Iowa State University, USA, and serves as a graduate research assistant in the Textiles and Clothing Museum. From 2008 until 2013, she was an assistant curator at The Museum at the Fashion Institute of Technology, New York, USA.

Colleen Hill is Associate Curator of Accessories at The Museum at the Fashion Institute of Technology, New York, USA.