Atnaujinkite slapukų nuostatas

El. knyga: Swimming Chenango Lake

  • Formatas: EPUB+DRM
  • Išleidimo metai: 13-Dec-2018
  • Leidėjas: Carcanet Classics
  • Kalba: eng
  • ISBN-13: 9781784106805
Kitos knygos pagal šią temą:
  • Formatas: EPUB+DRM
  • Išleidimo metai: 13-Dec-2018
  • Leidėjas: Carcanet Classics
  • Kalba: eng
  • ISBN-13: 9781784106805
Kitos knygos pagal šią temą:

DRM apribojimai

  • Kopijuoti:

    neleidžiama

  • Spausdinti:

    neleidžiama

  • El. knygos naudojimas:

    Skaitmeninių teisių valdymas (DRM)
    Leidykla pateikė šią knygą šifruota forma, o tai reiškia, kad norint ją atrakinti ir perskaityti reikia įdiegti nemokamą programinę įrangą. Norint skaityti šią el. knygą, turite susikurti Adobe ID . Daugiau informacijos  čia. El. knygą galima atsisiųsti į 6 įrenginius (vienas vartotojas su tuo pačiu Adobe ID).

    Reikalinga programinė įranga
    Norint skaityti šią el. knygą mobiliajame įrenginyje (telefone ar planšetiniame kompiuteryje), turite įdiegti šią nemokamą programėlę: PocketBook Reader (iOS / Android)

    Norint skaityti šią el. knygą asmeniniame arba „Mac“ kompiuteryje, Jums reikalinga  Adobe Digital Editions “ (tai nemokama programa, specialiai sukurta el. knygoms. Tai nėra tas pats, kas „Adobe Reader“, kurią tikriausiai jau turite savo kompiuteryje.)

    Negalite skaityti šios el. knygos naudodami „Amazon Kindle“.

William Carlos Williams valued Charles Tomlinson’s poetry: ‘He has divided his line according to a new measure learned, perhaps, for a new world. It gives a refreshing rustle or seething to the words which bespeak the entrance of a new life.’ Of all the poets of his generation, Charles Tomlinson was most alert to English and translated poetry from other worlds. The Mexican poet Octavio Paz admired how he saw ‘the world as event... He is fascinated—with his eyes open: a lucid fascination—by the universal busyness, the continuous generation and degeneration of things.’ Tomlinson’s take on the world is sensuous; it is also deeply thoughtful, even metaphysical. He spoke of ‘sensuous cerebration’ as a way of being in the world. His poems are always experimenting with impression and expression. This dynamic selection, edited by the poet and Ted Hughes Award winner David Morley, presents Tomlinson to a new generation of readers.

Recenzijos

`Tomlinson is one of the most astute, disciplined, and lucent poets of his generation. His quiet, meditative voice will reverberate on both sides of the Atlantic for a long time to come. - Edward Hirsch

Dedication to Brenda Tomlinson
Selected Poems
Prologue: Swimming Chenango Lake
3(2)
Relations and Contraries (1951)
Poem
5(1)
The Necklace (1955, 1966)
Aesthetic
6(1)
Nine Variations in a Chinese Winter Setting
6(2)
Sea Change
8(1)
The Art of Poetry
9(1)
Fiascherino
10(1)
Seeing is Believing (1958, 1960)
The Atlantic
11(1)
Oxen: Ploughing at Fiesole
12(1)
How Still the Hawk
13(1)
Glass Grain
14(1)
Tramontana at Lerici
15(1)
Paring the Apple
16(1)
More Foreign Cities
17(1)
A Meditation on John Constable
18(2)
Farewell to Van Gogh
20(1)
Cezanne at Aix
20(1)
At Holwell Farm
21(1)
Civilities of Lamplight
21(1)
Fire in a Dark Landscape
22(1)
A Peopled Landscape (1963)
Winter-Piece
23(1)
The Farmer's Wife: At Fostons Ash
24(2)
The Hand at Callow Hill Farm
26(1)
The Picture of J.T. in a Prospect of Stone
27(2)
Up at La Serra
29(5)
Head Hewn with an Axe
34(1)
American Scenes and Other Poems (1966)
The Snow Fences
35(1)
A Given Grace
36(1)
Arizona Desert
37(1)
Arroyo Seco
38(1)
Ute Mountain
39(1)
Maine Winter
40(1)
The Well
40(2)
On a Mexican Straw Christ
42(1)
The Oaxaca Bus
43(2)
Weeper in Jalisco
45(1)
Small Action Poem
46(1)
The Way of a World (1969)
Prometheus
47(2)
Eden
49(1)
Assassin
50(2)
Against Extremity
52(1)
The Way of a World
53(1)
Descartes and the Stove
54(1)
On the Principle of Blowclocks
55(1)
Words for the Madrigalist
56(1)
Arroyo Hondo
57(1)
A Sense of Distance
58(1)
The Fox Gallery
59(1)
To be Engraved on the Skull of a Cormorant
60(1)
Oppositions
61(1)
Skullshapes
62(2)
The Chances of Rhyme
64(1)
Written On Water (1972)
On Water
65(1)
Stone Speech
66(1)
Variation on Paz
67(1)
The Compact: At Volterra
68(2)
Ariadne and the Minotaur
70(1)
Hawks
71(1)
Autumn Piece
72(1)
Event
73(1)
The Way In and Other Poems (1974)
The Way In
74(2)
At Stoke
76(1)
The Marl Pits
76(1)
Class
77(1)
The Rich
78(1)
After a Death
79(1)
Hyphens
80(1)
Hill Walk
81(1)
The Shaft (1978)
Charlotte Corday
82(2)
Marat Dead
84(1)
For Danton
85(2)
Casarola
87(1)
The Faring
88(1)
A Night at the Opera
89(1)
Mushrooms
90(1)
The Gap
91(1)
In Arden
92(1)
The Shaft
93(1)
Translating the Birds
94(1)
The Flood (1981)
Snow Signs
95(1)
Their Voices Rang
96(1)
For Miriam
97(3)
Hay
100(1)
Under the Bridge
101(1)
San Fruttuoso
102(3)
Above Carrara
105(1)
Fireflies
106(1)
Instead of an Essay
107(1)
The Littleton Whale
108(4)
The Flood
112(3)
Notes from New York and Other Poems (1984)
Above Manhattan
115(1)
All Afternoon
116(1)
At the Trade Center
117(1)
To Ivor Gurney
118(1)
Black Brook
118(1)
Poem for my Father
119(1)
The Beech
120(1)
Night Fishers
121(1)
The Sound of Time
122(1)
The Return (1987)
In the Borghese Gardens
123(1)
In San Clemente
124(1)
The Return
125(5)
Catacomb
130(2)
In Memory of George Oppen
132(1)
At Huexotla
133(1)
A Rose for Janet
134(1)
Ararat
134(1)
Annunciations (1989)
Annunciation
135(1)
The Plaza
136(3)
The House in the Quarry
139(1)
At the Autumn Equinox
140(3)
The Butterflies
143(1)
Chance
144(1)
The Door in the Wall (1992)
Paris in Sixty-Nine
145(2)
Blaubeuren
147(1)
The Door in the Wall
148(2)
Geese Going South
150(1)
Picking Mushrooms by Moonlight
151(1)
Jubilation (1995)
Down from Colonnata
152(1)
Jubilacion
153(2)
The Shadow
155(1)
Walks
156(1)
The Vineyard above the Sea (1999)
The Vineyard Above the Sea
157(1)
Drawing Down the Moon
158(1)
The First Death
159(1)
In Memoriam Angel Crespo (1926-1995)
160(1)
By Night
161(1)
Skywriting (2003)
Skywriting
162(1)
Death of a Poet
163(1)
Cotswold Journey
164(2)
If Bach Had Been a Beekeeper
166(1)
Cracks in the Universe (2006)
Above the City
167(1)
Bread and Stone
168(1)
A Rose from Fronteira
168(1)
The Holy Man
169(1)
Eden
170(1)
Epilogue
The Door
171(2)
Afterword
173
David Morley
Charles Tomlinson was born in Stoke on Trent in 1927. He studied at Cambridge with Donald Davie and taught at the University of Bristol from 1956 until his retirement. He published many collections of poetry as well as volumes of criticism and translation, and edited the Oxford Book of Verse in Translation (1980). His poetry won international recognition and received many prizes in Europe and the United States, including the 1993 Bennett Award from the Hudson Review; the New Criterion Poetry Prize, 2002; the Premio Internazionale di Poesia Ennio Flaiano, 2001; and the Premio Internazionale di Poesia Attilio Bertolucci, 2004. He was an Honorary Fellow of Queens College, Cambridge, the American Academy of the Arts and Sciences, and of the Modern Language Association. Charles Tomlinson was made a CBE in 2001 for his contribution to literature. He died in 2015; The poet David Morley, editor of this volume, is an ecologist and naturalist by background. He won the Ted Hughes Award for New Work in Poetry for The Invisible Gift: Selected Poems and a Cholmondeley Award for his contribution to poetry. His Carcanet collections include The Magic of Whats There, The Gypsy and the Poet, Enchantment, The Invisible Kings and Scientific Papers. He wrote The Cambridge Introduction to Creative Writing and is co-editor with the Australian poet Philip Neilsen of The Cambridge Companion to Creative Writing. David Morley studied with Charles Tomlinson at Bristol and currently teaches at the University of Warwick. He is a Fellow of the Royal Society of Literature.