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El. knyga: Television Comedy and Femininity: Queering Gender

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Until recently—with the likes of Tina Fey and Amy Poehler achieving dazzling success with 30 Rock and Parks and Recreation—popular entertainment has rarely featured women comedians in leading roles. Can comedy on television harbour elements of gender transgression or subversion? And if a man is permitted to be 'funny peculiar'—playing the underdog or misfit—does a woman seem stranger in his place? Mapping examples from British and American comedy television over the past sixty years, from I Love Lucy to Roseanne and Absolutely Fabulous to Jam and Jerusalem, the book asks: are particular forms of television comedy gendered in specific ways? Paying attention to performances and series yet to receive critical attention as well as more established shows, the book offers fresh insights for the fields of television studies, gender and women's studies, cultural history and comedy.

Recenzijos

Dealing with the fascinating topic of female comedy on both sides of the Atlantic, White showcases such hilarious talents as Lucille Ball and Tina Fey and untethered programs such as 30 Rock and the British sketch comedy Smack the Pony ... What is good about Whites book is its wedding of British and American comedies, its recognition of the variable of age, and its celebration of women ... Summing Up: Recommended. Researchers and faculty. * CHOICE * Admirably smart but eminently readable, topical but informed by a breadth of textual and theoretical histories, Rosie Whites book brings new and illuminating insights to bear on how we understand TV comedy and femininity. Whites work is a standout moment in the cultural and scholarly drive to recognise the talents and marginalisation of women in comedy, and to unpack the wobbly scenery of normative gender identities. -- Deborah Jermyn, Reader in Film and TV, University of Roehampton In this startlingly original reading of gender and comedy in transatlantic television, Rosie White persuasively illustrates the inherent queerness of this comedy and reveals how much we lose when we focus on funny performances of gender in a binary way. Her lively discussions of television series and performances sparkle with detail, wit, and theoretical savvy. In the tradition of books that are truly groundbreaking, Television Comedy and Femininity will have you nodding in vigorous agreement with its insights. And it will also make you laugh. -- Linda Mizejewski, Professor of Womens, Gender, and Sexuality Studies, Ohio State University

List of Figures
ix
Acknowledgements xi
Series Editors' Foreword xii
Introduction Funny Peculiar: Queering Gender, Comedy and Television 1(24)
Queering Gender
3(8)
Queering Femininities
11(5)
Queering Comedy
16(4)
Queering Television
20(5)
1 Gracie, Martha, Eve and Lucy: Queering Femininity in Early American Television Comedy
25(32)
Queering Space and Time in 1950s American Sitcom: The Burns and Allan Show (CBS 1950--8)
26(9)
Queering Sitcom: Our Miss Brooks
35(3)
Queering the Gaze: The Martha Raye Show (NBC 1953--6)
38(5)
Lucy and Lucille
43(10)
Queering Suburbia
53(4)
2 Back to the Dollhouse? Queering Postfeminism in Contemporary American Sitcom
57(34)
Postfeminism and the New Comedy
60(3)
Not Unruly Women?
63(2)
Sex and the City: Queering Postfeminism
65(2)
30 Rock
67(6)
`I Want to Go to There'
73(5)
Parks and Recreation
78(11)
Postscript
89(2)
3 The Big Bang Theory: Queering Masculinity in American Sitcom
91(32)
Queer Masculinities in Contemporary American Sitcom
94(5)
Two and a Half Men
99(2)
The Big Bang Theory
101(6)
Race and Ethnicity in The Big Bang Theory
107(4)
Sheldon Cooper: A Third Gender?
111(5)
Resolving Queer Masculinities
116(7)
4 Smack the Pony: Feminist Negotiations in British Sketch Comedy
123(36)
Contexts: Not a Feminist Sketch Show
125(4)
Queer Temporalities
129(3)
Contexts: Postfeminism, Femininity and the `Norm'
132(5)
The Grotesque, the Queer, the Monstrous
137(3)
Feminist Praxis: The Production of Smack the Pony
140(5)
Queerly Desiring Subjects
145(3)
Speaking and Stunting
148(5)
Legacies
153(6)
5 Queering Age: Older Women in British Television Comedy
159(48)
Queer Times
161(2)
Queering Ageing
163(3)
The Young Old: The Golden Girls and Last of the Summer Wine
166(3)
You're Only Young Twice
169(10)
Waiting for God
179(13)
Going Forward?
192(7)
Conclusion
199(8)
Notes 207(1)
Bibliography 208(16)
Index 224
Rosie White is Senior Lecturer in Contemporary Literature, Theory and Popular Culture at Northumbria University, Newcastle, U.K. She is author of Violent Femmes: Women as Spies in Popular Culture (2008) and numerous articles on feminism and women in film and television.