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El. knyga: Text & Presentation, 2012

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This annual publication collects selected papers from the March 2012 Comparative Drama Conference. The first part of the book presents 13 essays, plus a transcript of a public interview with playwright Paula Vogel and a transcript of a roundtable discussion. Some topics explored include Greek tragedy and the contemporary horror film, liminality and identity in David Belasco's 1905 production of The Girl of the Golden West, ethical failure in W. H. Auden and Christopher Isherwood's The Ascent of F6, and the plays of Wajdi Mouawad. The second part of the book offers six reviews of recent scholarly works in drama, theater, and performance. Herren teaches English at Xavier University. Annotation ©2013 Book News, Inc., Portland, OR (booknews.com)

Text & Presentation is an annual publication devoted to all aspects of theatre scholarship. It represents a selection of the best research presented at the international and interdisciplinary Comparative Drama Conference.

Recenzijos

From previous volumes: Edited with care...preserves the conference experience by extending its scholarly dialogue to the wider reading community...many fine essaysNew England Theatre Journal.

Acknowledgments v
Preface 1(6)
A Conversation with Paula Vogel
7(16)
Theatre Critics Roundtable Discussion: Journalistic Criticism in Contemporary Culture
23(17)
Cassandra, Ghostface, and Fate: Greek Tragedy and the Contemporary Horror Film
40(10)
Kevin J. Wetmore, Jr.
In Search of the Inmost Self: Hamlet, Heidegger, and the Thing of the Play
50(11)
Doug Phillips
The Novel as Drama: Staging Theatrical Aspects of the Narrative in Jane Austen's Mansfield Park
61(17)
Ann M. Shanahan
Staging the American West: Liminality and Identity in David Belasco's 1905 Production of The Girl of the Golden West
78(14)
Annalisa Dias-Mandoly
Rachilde's Supermale of Letters and the Invention of the Ubu Roi Riot
92(17)
Sebastian Trainor
Refusing Election: Ethical Failure in W. H. Auden and Christopher Isherwood's The Ascent of F6
109(16)
Ryan Sheets
All About Mothers: Sacred Violence in Federico Garcia Lorca's The House of Bernarda Alba and Tennessee Williams's Suddenly, Last Summer
125(11)
Jose I. Badenes
Back(lash) Into the Woods: Putting Women Back in Their Place
136(15)
Peter C. Wood
Empty Stomachs, Empty Wombs, and Empty Graves: Gnosticism and the Search for Serbian Identity in Srbljanovic's Barbelo, on Dogs and Children
151(14)
Melissa Rynn Porterfield
You Can Never Go Home: From Migrant Theatre to World Theatre in the Plays of Wajdi Mouawad
165(15)
Ian Andrew MacDonald
Tea and Slavery: Elizabeth Kuti's The Sugar Wife and the Question of Race in Celtic Tiger Ireland
180(9)
Maria Doyle
Broadway "Her" stories: A Review Essay
189(7)
Tim Carter
Four Paths Forward in Shaw Studies: A Review Essay
196(5)
Norma Jenckes
Review of Literature: Selected Books
Erin B. Mee and Helene P. Foley, eds. Antigone on the Contemporary World Stage
201(2)
John Given
Downing Cless. Ecology and Environment in European Drama
203(2)
Jan L. Hagens
M. Cody Poulton. A Beggar's Art: Scripting Modernity in Japanese Drama, 1900-1930
205(2)
Siyuan Liu
Maria M. Delgado and Dan Rebellato, eds. Contemporary European Theatre Directors
207(3)
Lisa Portes
Kim Solga. Violence Against Women in Early Modern Performance: Invisible Acts
210(2)
Lesley Kordecki
Karla Koskinen
Jenny Spencer, ed. Political and Protest Theatre After 9/11: Patriotic Dissent
212(3)
Jody McAuliffe
Index 215
Graley Herren is a professor of English at Xavier University in Cincinnati and an executive board member for the Comparative Drama Conference. He has published widely on modern literature, with an emphasis upon the drama of Samuel Beckett and the fiction of Don DeLillo.
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