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El. knyga: Text & Presentation, 2013

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Text & Presentation, 2013 gathers some of the best work presented at the 2013 Comparative Drama Conference in Baltimore. Subjects ranging from Ancient Greece to 21st century America are covered with a variety of approaches and formats. Celebrated playwright Edward Albee’s presentation is the lead piece, followed by 12 research papers, one review essay, and seven book reviews. This volume represents the latest research in the fields of comparative drama, performance, and dramatic textual analysis.



Text & Presentation, 2013 gathers some of the best work presented at the 2013 Comparative Drama Conference in Baltimore. Subjects ranging from Ancient Greece to 21st century America are covered with a variety of approaches and formats. Celebrated playwright Edward Albee's presentation is the lead piece, followed by 12 research papers, one review essay, and seven book reviews. This volume represents the latest research in the fields of comparative drama, performance, and dramatic textual analysis.

Recenzijos

From previous volumes: Edited with care...preserves the conference experience by extending its scholarly dialogue to the wider reading community...many fine essaysNew England Theatre Journal.

Acknowledgments v
Preface 1(6)
A Conversation with Edward Albee
7(12)
David Crespy
Lincoln Konkle
Creon's Accomplices: Cultural Trauma and Collective Guilt in Three Modern Antigones
19(17)
Katya Soll
Optical Illusions of Speech: Signification in Medieval English Marian Drama
36(18)
Corey Wronski-Mayersak
Staging History, Fantasizing Reality: Jose Sanchis Sinisterra's The Eldorado Puppet Show Through Miguel de Cervantes's The Marvelous Puppet Show
54(15)
Andreea Iulia Sprinceana
Post-Colonial Strindberg: Yael Farber's South African Mies Julie
69(10)
William Hutchings
Beholding the Denkspiel: Genre, Bodies, and Interpretive Practices in Georg Kaiser's From Morning to Midnight
79(19)
Caroline Weist
Co-Opting the Tom-Tom: Mediating the Primitive in Eugene O'Neill's The Emperor Jones
98(12)
Sarah Eilefson
Signed on the Dotted Line: George Kelly's The Show-Off and the Fall and Rise of the Can-Do Hero
110(13)
Michael Schwartz
"Cassandra, Meet Leadbelly": Tennessee Williams Battles to Become Orpheus
123(17)
Jeffrey B. Loomis
All That Jazz: Musical Idiom, Critical Reception, and African American Narrative in Opera
140(18)
Patrick King
Noose Allure: Little Suicides and Singularity in Beckett's Godot
158(15)
Doug Phillips
Sarah Ruhl's Sex Ed for Grownups
173(11)
Amy Muse
Visualizing Postmemory on Documentary Stages: Postmemorial Dramaturgies in Annulla: An Autobiography and I Am My Own Wife
184(17)
David Bisaha
The Theatre That Is and the Theatre That Might Be: Readings from the Theatre & Series: A Review Essay
201(6)
Ian Andrew MacDonald
Review of Literature: Selected Books
Verna A. Foster, ed. Dramatic Revisions of Myths, Fairy Tales and Legends: Essays on Recent Plays
207(3)
Frances Babbage
Kathryn Bosher, ed. Theater Outside Athens: Drama in Greek Sicily and South Italy
210(4)
Amy R. Cohen
Margaret Leask. Lena Ashwell: Actress, Patriot, Pioneer
214(3)
Ellen Dolgin
Les Essif. American "Unculture" in French Drama: Homo Americanus and the Post--1960 French Resistance
217(4)
Kevin Elstob
Christy Stanlake. Native American Drama: A Critical Perspective
221(2)
Meredith K. James
Suk-Young Kim. Illusive Utopia: Theatre, Film, and Everyday Performance in North Korea
223(3)
Ah-Jeong Kim
Soyica Diggs Colbert. The African American Theatrical Body: Reception, Performance and the Stage
226(5)
Nathaniel G. Nesmith
Index 231
Graley Herren is a professor of English at Xavier University in Cincinnati and an executive board member for the Comparative Drama Conference. He has published widely on modern literature, with an emphasis upon the drama of Samuel Beckett and the fiction of Don DeLillo.
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