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El. knyga: Text & Presentation, 2015

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Bringing together some of the best work from the 2015 Comparative Drama Conference in Baltimore, this book covers subjects from ancient Greece to 21st century America with a variety of approaches and formats, including two transcripts, 10 research papers and six book reviews. This year’s highlight is the keynote conversation featuring Pulitzer Prize-winning playwright David Lindsay-Abaire. This volume is the twelfth in a series dedicated to presenting the latest research in the fields of comparative drama, performance and dramatic textual analysis.

Bringing together some of the best work from the 2015 Comparative Drama Conference in Baltimore, this book covers subjects from ancient Greece to 21st century America with a variety of approaches and formats, including two transcripts, 10 research papers and six book reviews. This year's highlight is the keynote conversation featuring Pulitzer Prize-winning playwright David Lindsay-Abaire. This volume is the twelfth in a series dedicated to presenting the latest research in the fields of comparative drama, performance and dramatic textual analysis.

Recenzijos

From previous volumes: Edited with care...preserves the conference experience by extending its scholarly dialogue to the wider reading community...many fine essaysNew England Theatre Journal.

Acknowledgments v
Preface 1(6)
A Conversation with David Lindsay-Abaire
7(17)
Kelly Martin Younger
Visions of Tragedy in American Theatre
24(18)
David Palmer
Jeffery Kennedy
Sharon Friedman
Jackson R. Bryer
Susan C.W. Abbotson
Stephen A. Marino
Natka Bianchini
Brenda Murphy
Sandra Shannon
Politic Silence: Female Choruses in Lochhead's Medea and Wertenbaker's The Love of the Nightingale
42(15)
Lydia Craig
Gender, Democracy and the Justice of Athena's Vote to Acquit Orestes
57(13)
Jacqueline Long
"Kill the Pity in Us": The Communal Crisis as Crisis of Individualism in David Grieg's Oedipus the Visionary
70(17)
Phillip Zapkin
With Rhyme and Reason: Hip Hop Hamlet in Prison
87(21)
Elizabeth Charlebois
Strange Interludes: Wallace Stevens and the Theatrical Event
108(23)
Doug Phillips
Spirits in Black and White: Ethiopia as the Black Columbia in African American Pageantry
131(23)
Lurana Donnels O'Malley
In Search of the Void: Metaphysical Theatricality in Giorgio de Chirico's The Painter's Family and Emptiness in the Arts
154(19)
Davenne Essif
Archives of an Ironic Film Fan: The "Tony" Drafts of The Glass Menagerie
173(12)
Jeffrey B. Loomis
"Bring Your Own Translator": Communication and Changing Business Paradigms in David Mamet's Glengarry Glen Ross and David Henry Hwang's Chinglish
185(9)
Martha Johnson
Sympathetic Curiosity, Not Voyeurism: David Lindsay-Abaire Takes Up Joanna Baillie's Abandoned Grief Project
194(15)
Amy Muse
Review of Literature: Selected Books
Paul Elsam. Stephen Joseph: Theatre Pioneer and Provocateur
209(3)
Verna A. Foster
J. Chris Westgate. Staging the Slums, Slumming the Stage: Class, Poverty, Ethnicity and Sexuality in American Theatre, 1890--1916
212(4)
William Hutchings
Gwendolyn Compton-Engle. Costume in the Comedies of Aristophanes
216(2)
Hallie Rebecca Marshall
Amy Holzapfel. Art, Vision and Nineteenth-Century Realist Drama: Acts of Seeing
218(3)
Michael Schwartz
Ellen Ecker Dolgin. Shaw and the Actresses Franchise League: Staging Equality
221(3)
Ann M. Shanahan
Judith Fletcher. Performing Oaths in Classical Greek Drama
224(5)
Daniel B. Unruh
Index 229
Graley Herren is a professor of English at Xavier University in Cincinnati and an executive board member for the Comparative Drama Conference. He has published widely on modern literature, with an emphasis upon the drama of Samuel Beckett and the fiction of Don DeLillo.
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