Atnaujinkite slapukų nuostatas

El. knyga: Text & Presentation, 2016

Edited by

DRM apribojimai

  • Kopijuoti:

    neleidžiama

  • Spausdinti:

    neleidžiama

  • El. knygos naudojimas:

    Skaitmeninių teisių valdymas (DRM)
    Leidykla pateikė šią knygą šifruota forma, o tai reiškia, kad norint ją atrakinti ir perskaityti reikia įdiegti nemokamą programinę įrangą. Norint skaityti šią el. knygą, turite susikurti Adobe ID . Daugiau informacijos  čia. El. knygą galima atsisiųsti į 6 įrenginius (vienas vartotojas su tuo pačiu Adobe ID).

    Reikalinga programinė įranga
    Norint skaityti šią el. knygą mobiliajame įrenginyje (telefone ar planšetiniame kompiuteryje), turite įdiegti šią nemokamą programėlę: PocketBook Reader (iOS / Android)

    Norint skaityti šią el. knygą asmeniniame arba „Mac“ kompiuteryje, Jums reikalinga  Adobe Digital Editions “ (tai nemokama programa, specialiai sukurta el. knygoms. Tai nėra tas pats, kas „Adobe Reader“, kurią tikriausiai jau turite savo kompiuteryje.)

    Negalite skaityti šios el. knygos naudodami „Amazon Kindle“.

Bringing together some of the best work from the 2016 Comparative Drama Conference in Baltimore, this collection of essays presents the latest research in comparative drama, performance and dramatic textual analysis. A variety of approaches and formats—including twelve research papers, five book reviews and one transcript—cover topics ranging from Ancient Greece to 21st century America. A highlight is the keynote conversation featuring the great American playwright Tony Kushner.

Recenzijos

From previous volumes: Edited with care...preserves the conference experience by extending its scholarly dialogue to the wider reading community...many fine essaysNew England Theatre Journal.

Acknowledgments vii
Preface 1(4)
A Conversation with Tony Kushner 5(26)
James Fisher
Signifyin' Sam: Motivated Signifyin(g) and Future Nostalgia in Post-Reconstruction Black Musicals
31(16)
Beck Holden
Identifying with Presence, Absence and Identity in Laurie Anderson and Mohammed el Gharani's Habeas Corpus
47(15)
Ariel Sibert
Eating Your Children: Timberlake Wertenbaker and Erin Shields Adapt the Myth of Procne and Philomela
62(14)
Clara Shaw Hardy
Terence, Wilder and Saturated Characterization
76(16)
Mitch Brown
Moliere's Don Juan and Ukrainka's The Stone Master: Freedom, Authenticity and the Other
92(18)
George Mihaychuk
Musical Strindberg: The Soundscape of Ett Dromspel and Spoksonaten
110(14)
Brigitte Bogar
Acting and the Politics of Print: A "Monster of Illiteracy" in the Published Pygmalion
124(19)
Jeffrey M. Brown
Trying to Understand Adorno Trying to Understand Endgame
143(15)
Doug Phillips
Dialogues of Dueling Genres: Williams's Streetcar and Rose Tattoo
158(17)
Jeffrey B. Loomis
"What are you doing in my hallucination?" Immigration, Hospitality and Transformation in Angels in America
175(12)
Jodi Kanter
To Catch the Conscience of the Queen: Michael Laurence's Hamlet in Bed
187(16)
William Hutchings
You Can Take the Catholic Out of the Church, but...: Rajiv Joseph's Catholic Dramaturgy
203(16)
Kevin J. Wetmore, Jr.
Review of Literature: Selected Books
Rosemarie K. Bank and Michal Kobialka, eds. Theatre/Performance Historiography: Time, Space, Matter
219(3)
Jeffrey M. Brown
Matthew Kendrick. At Work in the Early Modern English Theater: Valuing Labor
222(3)
Brittany Proudfoot Ginder
Melissa Mueller. Objects as Actors: Props and the Poetics of Performance in Greek Tragedy
225(4)
Karelisa Hartigan
Esther Kim Lee. The Theatre of David Henry Hwang
229(3)
William Hutchings
Blair Hoxby. What Was Tragedy? Theory and the Early Modern Canon
232(5)
Michael Schwartz
Index 237
Graley Herren is a professor of English at Xavier University in Cincinnati and an executive board member for the Comparative Drama Conference. He has published widely on modern literature, with an emphasis upon the drama of Samuel Beckett and the fiction of Don DeLillo.