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El. knyga: Text & Presentation, 2017

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Presenting some of the best work from the 2017 Comparative Drama Conference at Rollins College in Winter Park, Florida, this collection highlights the latest research in comparative drama, performance and dramatic textual analysis. Contributors cover a broad range of topics, from the “practical ethnography” of directing foreign language productions to writing for theoretical stages to the “radical deaf theater” of Aaron Sawyer’s The Vineyard. A full transcript of the keynote conversation with American playwright and screenwriter Lisa Loomer is included.

Recenzijos

From previous volumes: Edited with care...preserves the conference experience by extending its scholarly dialogue to the wider reading community...many fine essaysNew England Theatre Journal.

Acknowledgments vii
Preface 1(4)
A Conversation with Lisa Loomer
5(14)
Amy Muse
Advancing Accessibility: The "Radical Deaf Theatre" of Aaron Sawyer's The Vineyard
19(21)
Mary Lutze
Irreconcilable Differences: Charles I, Henrietta Maria, and Jones's and Townshend's Court Masques
40(15)
Mark Scott
Form and Frenzy in Caryl Churchill's and David Lan's A Mouthful of Birds
55(15)
Melinda Powers
Skepticism in Marlowe's Doctor Faustus: Examining Man's Inefficacy through Suspect Language
70(16)
Emily L. Sharrett
Reading Ahead: An Analysis of Editorial Prolegomena in Shakespeare's Complete Works
86(9)
Melinda M. Marks
Jonson Is for Closers: Reflections on "Original Practice"
95(11)
Joe Falocco
"You Ain't Nothing but a Hoochie-Mama": Explorations of Black Female Promiscuity in Contemporary Media Productions
106(16)
Devair Jeffries
The Drama of the Ungifted Child or, Where's the Old Confidence, Biff?
122(18)
Doug Phillips
A Chameleon Anthology: Williams's Source Plays Preview Variant Baby Dolls
140(13)
Jeffrey B. Loomis
James and Nora Joyce's "Greatest Love Story Never Told": Jonathan Brielle's Musical Himself and Nora
153(14)
William Hutchings
On Bearing Witness to a Poetic Ritual: Robert Wilson's Deaf man Glance as Seen by Janos Pilinszky
167(13)
Eniko Sepsi
Out of the Classroom and into the Community: A "Practical Ethnography" in Directing Foreign Language Theatre
180(15)
Scott D. Taylor
What Is the Future of la compagnie in French Theatre?
195(14)
Cynthia G. Running-Johnson
Review of Literature: Selected Books
Daniel Sack, ed. Imagined Theatres: Writing for a Theoretical Stage
209(4)
Ariel Watson
Julie Bates. Beckett's Art of Salvage: Writing and Material Imagination, 1932-1987
213(4)
Robert Reginio
Jean-Michel Rabate. Think, Pig! Beckett at the Limit of the Human
217(5)
Doug Phillips
Richard Preiss and Deanne Williams, eds. Childhood, Education and the Stage in Early Modern England
222(4)
Jennifer Heller
Adrienne Macki Braconi. Harlem's Theaters: A Staging Ground for Community, Class, and Contradiction, 1923-1939
226(4)
Beck Holden
Penny Farfan. Performing Queer Modernism
230(5)
Rachel Busse
Index 235
Jay Malarcher is an associate professor of theatre and dramaturg at the School of Theatre & Dance, West Virginia University, Morgantown.
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