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Thank You That's All We Need for Today A Practical Guide to Music Theatre Auditions: A Practical Guide to Music Theatre Auditions [Sheet music]

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  • Formatas: Sheet music, 164 pages, aukštis x plotis: 200x150 mm, weight: 220 g
  • Išleidimo metai: 07-Jan-2009
  • Leidėjas: Edition Peters
  • ISBN-10: 1843670305
  • ISBN-13: 9781843670308
Kitos knygos pagal šią temą:
Thank You That's All We Need for Today A Practical Guide to Music Theatre Auditions: A Practical Guide to Music Theatre AuditionsDidesnis paveikslėlis
  • Formatas: Sheet music, 164 pages, aukštis x plotis: 200x150 mm, weight: 220 g
  • Išleidimo metai: 07-Jan-2009
  • Leidėjas: Edition Peters
  • ISBN-10: 1843670305
  • ISBN-13: 9781843670308
Kitos knygos pagal šią temą:
Pastovi nuoroda: https://www.kriso.lt/db/9781843670308.html
Raktažodžiai:
A Practical Guide to Music Theatre Auditions bk & cd.
Introduction 6(2)
Acknowledgements 8(1)
The aims of this book 9(1)
What is an audition?
10(8)
The process
Casting breakdowns
Getting an agent
How to get an audition
A note on open auditions
Reality TV programmes
Photos and CVs
18(6)
Photos
CVs-Notes on writing letters
Demo recordings, videos and showreels
What to wear
24(5)
Dressing for the part
Shoes
Hair
Choosing a song
29(20)
Material for a recall audition
Song classifications
Repertoire
Listening to and watching CDs and DVDs
Preparing your sheet music
How to help the pianist
Learning a song
The Basics
49(33)
Working on a song
Interpretation
"Giants in the Sky"
"One song glory"
"I don't know how to love him"
"Anything goes"
"If I loved you" and "The sun whose rays are all ablaze"
"Goodnight Saigon"
Vocal preparation
82(20)
Preparing at home the night before
The warm-up CD
"My voice doesn't feel right
Should I Audition Tomorrow?"
Things to do the night before
Things not to do the night before
Preparation on the audition day
On the way to the audition
At the audition
Speaking voice
Some factors that contribute to a dry throat and hoarseness
The audition
102(9)
The night before
Your audition bag
Getting there
When you arrive
Entering the room
Your performance
Exiting the room
The waiting game
The audition panel
111(5)
Stage-management
Casting director
The creative team (Director
Resident director
Musical director
Musical supervisor
Choreographer
Composer, book writer and lyricist)
Producer
Company manager
Pianist
Theatre manners
116(4)
How to present yourself
Gate-crashing auditions
Where to look during your audition
Filming your audition
Things you may be asked to try out with your prepared material
The audition process
120(2)
First round
Second round
Further recalls
Dance auditions
122(5)
Procedure on the day
Clothes for dance auditions
Actors'/singers' movement
Maintaining yourself between auditions
127(5)
Ongoing training
Singing lessons
Repertoire coach
Fringe shows, profit-share and paid work in amateur companies
Jobs between auditions
Workshops
New musicals
Useful information
132(4)
Spotlight and other casting publications
Websites for work
Interviews
136
Trade Bennett
Philip Quast
Sally Ann Triplett
Clive Rowe
Dominic Marsh
Vivien Care
Eliza Lumley
Hadley Fraser