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Theatre of Tennessee Williams [Kietas viršelis]

Contributions by (University of Pittsburgh, USA), Contributions by , Contributions by , (University of Connecticut, USA), Contributions by (University of Missouri-Kansas City, USA)
  • Formatas: Hardback, 320 pages, aukštis x plotis: 216x138 mm, weight: 547 g
  • Serija: Critical Companions
  • Išleidimo metai: 16-Jan-2014
  • Leidėjas: Methuen Drama
  • ISBN-10: 1780930259
  • ISBN-13: 9781780930251
Kitos knygos pagal šią temą:
  • Formatas: Hardback, 320 pages, aukštis x plotis: 216x138 mm, weight: 547 g
  • Serija: Critical Companions
  • Išleidimo metai: 16-Jan-2014
  • Leidėjas: Methuen Drama
  • ISBN-10: 1780930259
  • ISBN-13: 9781780930251
Kitos knygos pagal šią temą:
Perfect for students of English Literature, Theatre Studies and American Studies at college and university, The Theatre of Tennessee Williams provides a lucid and stimulating analysis of Willams' dramatic work by one of America's leading scholars. With the centennial of his birth celebrated amid a flurry of conferences devoted to his work in 2011, and his plays a central part of any literature and drama curriculum and uibiquitous in theatre repertoires, he remains a giant of twentieth century literature and drama.

In Brenda Murphy's major open access study of his work she examines his life and career and provides an analysis of more than a score of his key plays, including in-depth studies of major works such as A Streetcar Named Desire, The Glass Menagerie, Cat on a Hot Tin Roof and others. She traces the artist figure who features in many of Williams' plays to broaden the discussion beyond the normal reference points.

As with other volumes in Methuen Drama's Critical Companions series, this book features too essays by Bruce McConachie, John S. Bak, Felicia Hardison Londré and Annette Saddik, offering perspectives on different aspects of Williams' work that will assist students in their own critical thinking.

The ebook editions of this book are available open access under a CC-BY-NC-ND 3.0 licence on bloomsburycollections.com. Open access was funded by Knowledge Unlatched.

Recenzijos

[ Murphy] brings together ... useful information from Williams' work, writings and correspondence to make this a valuable academic work for anyone studying the playwright or American theatre ... A useful and well-written work -- David Chadderton * British Theatre Guide * Brenda Murphys The Theatre of Tennessee Williams is a thoroughly enjoyable read. The book describes the genesis and major themes of all of Williamss best-known plays and many of those that are less familiar; it provides, as well, an illuminating account of the plays first productions and the ways in which they were inflected by their cultural contexts. Murphy writes with lucidity and an eye for the engaging detail, the telling quotation that will appeal to a broad audience. Her book serves as both a useful guide to Williamss work and an important contribution to the ongoing re-evaluation of that work -- Verna A. Foster, Loyola University * Modern Drama *

Daugiau informacijos

The Theatre of Tennessee Williams provides a stimulating analysis of the work of this giant of twentieth century American theatre whose work remains central to curriculums and theatre repertoires. It combines an analysis of all of his work by American scholar Brenda Murphy with interviews and a number of criticial essays.
Acknowledgments ix
List of Abbreviations
x
Introduction 1(8)
1 The 1930s' Plays (1936--1940)
9(26)
2 Battle of Angels and Orpheus Descending (1939--1941 and 1957)
35(16)
3 The Glass Menagerie (1942--1945)
51(13)
4 Summer and Smoke and Eccentricities of a Nightingale (1945--1948 and 1964)
64(13)
5 A Streetcar Named Desire (1945--1947)
77(14)
6 The Rose Tattoo and Camino Real (1951 and 1946--1953)
91(16)
7 Cat on a Hot Tin Roof (1951--1955)
107(14)
8 Suddenly Last Summer and Sweet Bird of Youth (1953--1959)
121(14)
9 The Night of the Iguana (1940--1948 and 1959--1961)
135(14)
10 The Later Plays (1961--1983)
149(32)
Critical Perspectives
181(82)
All in the Timing: The Meanings of Streetcar in 1947 and 1951
181(24)
Bruce McConachie
A Broken Romance: Tennessee Williams and America's Mid-Century Theatre Culture
205(27)
John S. Bak
"A Vast Traumatic Eye": Culture Absorbed and Refigured in Tennessee Williams's Transitional Plays
232(11)
Felicia Hardison Londre
"There's something not natural here": Grotesque Ambiguities in Tennessee Williams's Kingdom of Earth, A Cavalier for Milady, and A House Not Meant to Stand
243(20)
Annette J. Saddik
Conclusion 263(4)
Notes 267(3)
Chronology 270(8)
Further Reading 278(15)
Notes on Contributors 293(2)
Index 295
Brenda Murphy is the Board of Trustees Distinguished Professor of English at the University of Connecticut, USA. Besides her many books and articles on American theatre, she is the editor of the Student Edition of After the Fall by Arthur Miller (Bloomsbury Methuen Drama, 2011).